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The Illogic of Kassel
The Illogic of Kassel
Nov 23, 2025 5:16 PM

Author:Enrique Vila-Matas,Anne McLean,Anna Milsom

The Illogic of Kassel

A puzzling phone call shatters a writer’s routine. An enigmatic female voice extends an invitation to take part in Documenta, the legendary contemporary art exhibition held every five years in Kassel, Germany. The writer’s mission will be to transform himself into a living art installation, by sitting down to write every morning in a Chinese restaurant on the outskirts of town.

Once in Kassel, the writer is surprised to find himself overcome by good cheer. As he strolls through the city, spurred on by his spontaneous, quirky response to art, he begins to make sense of the wonders that surround him.

'A writer who has no equal in the contemporary landscape of the Spanish novel'

Roberto Bolaño

'Vila-Matas's work made a tremendous impression on me'

Paul Auster

Reviews

One of the most richly allusive novels you’re likely to encounter... [a] thrillingly imaginative exploration of creativity

—— Alex Clark , Observer

An adventure novel of ideas… Rollicking, a passionate defense of literature as an essential element of public life and, more generally, of art in a time of numbers – when the market establishes not just the price but the value of necessary things like art and thought. “Life is serious, art is joyful,” he says, and that sense of joy carries over to Mr Vila-Matas’ novel. He strikes a difficult balance between being philosophical and being lighthearted and entertaining – it’s what gives his writing sophistication and panache

—— New York Times

A light-hearted novel about art and the avant-garde… Showing us a part of the art world that he finds a bit preposterous, but also charming, and even important [Vila-Matas] chooses humour in a way that allows him to have big ideas while relentlessly making fun of them

—— Sunday Telegraph

Like W.G. Sebald, Geoff Dyer and, more recently, writers such as Rachel Cusk, Teju Cole and Ben Lerner, Vila-Matas manages to create a productive uncertainty in the reader’s mind through his disorientating effects... One of the distinct pleasures of Vila-Matas’ books is that they function as little libraries stuffed with other authors’ works… His novels now are less like stories than like experiences of a particular atmosphere. [The Illogic of Kassel] asserts its own strange rhythm and stands as a valuable addition to Vila-Matas’ work

—— Literary Review

This summer I plan to relax with two short works by the charmingly playful, lucidly destructive Spanish novelist, Enrique Vila-Matas... Truth, fiction, history, memoir: these are always charmingly unstable categories in Vila-Matas’s writing

—— Adam Thirlwell , TLS

[A] beguiling, rebellious sojourn into the underground soul of the avant-garde

—— New York Times

A blend of memoir, fiction and a sharp observation of human behavior… A warm and engaging read, littered with gentle humour.

—— Sara Garland , Nudge

Midwinter Break is a work of extraordinary emotional precision and sympathy, about coming to terms - to an honest reckoning - with love and the loss of love, with memory and pain. Full of scenes that are rendered with exquisite accuracy and care, allowing the most detailed physical descriptions to be placed against the possibility of a rich spiritual life, this is a novel of great ambition by an artist at the height of his powers.

—— Colm Tóibín

A quiet, brilliantly written novel that packs a tremendous punch.

—— Penelope Lively

An artist with a subtle feel for the ordinary, MacLaverty’s wry, outstanding novel about the tests that time, age and life impose on love resonates with humanity and emotional intelligence.

—— Eileen Battersby , Financial Times

MacLaverty is a sweetly astute writer, a master of fine detail, compassing the quotidian, the intimate and the sacred. Midwinter Break shows us how ordinary and immense love can be.

—— Anne Enright

MacLaverty's prose is deceptively simple and rewardingly straight-forward and efficient. But what he writes about in this much anticipated novel – the resilience and stress-lines of human love experienced over much time – is anything but simple and straight-forward. It’s the stuff of life.

—— Richard Ford

As always in MacLaverty’s pages, everything is alive with absorbing actuality. Characterisation has total credibility. Dialogue is pitch-perfect. Both Stella and Gerry are likeable and admirable… Ripples of wit and shrewd perception play over the novel’s scenes. Intelligent relish of life’s pleasures is appealingly conveyed… Damage done by toxic ideology is the persisting theme in all MacLaverty’s fiction. And he has never dealt with it more powerfully, subtly and affectingly than here.

—— Peter Kemp , Sunday Times

It is extraordinary how his blunt, declarative sentences translate the fiddly minutiae of life… into utterly gripping prose… This unflinching attention to the textural detail of minute-by-minute existence slowly builds into a profound exploration of the biggest themes in both public and private life… A remarkable late flowering... This is a quietly brilliant novel, which makes for essential reading at any stage of life.

—— Justine Jordan , Guardian

MacLaverty draws out his characters with great patience… The comfort and pattern of their relationship particularly shine in their dialogue, which is so good it’s film-ready… Throughout, the ride is enlivened by some beautiful writing.

—— Miranda France , Literary Review

An exceptionally good book, beautifully and intelligently written, well worth waiting for… He writes with an unfailing and generous sympathy… Everything rings true… MacLaverty is a master of the significant detail.

—— Allan Massie , Scotsman

Bernard MacLaverty shows a couple out of their element, so everything they see is something to note and enjoy… MacLaverty may be one of the last writers who can tell us what it is like to be a true Catholic… Midwinter Break is a touching, hopeful portrait of love’s complexity, written by a master craftsman, from the fullness of his heart.

—— Anne Enright , Irish Times

Midwinter Break… has MacLaverty’s trademark clarity and some tremendous turns of phrase.

—— Kenny Farquharson , The Times

In this sympathetic, frequently witty portrait of ageing love… You won’t find a sharper, more intimate delineation of what marriage really adds up to.

—— Hephzibah Anderson , Mail on Sunday

Bernard MacLaverty’s first novel in 16 years is a heart-rending analysis of the weary affection and annoyances of a long marriage in its fragile twilight years.

—— John Harding , Daily Mail

A novel written with such subtlety and finesse you’re hardly aware of the artifice that enabled you to get inside the minds of this loving, unhappy couple.

—— John Boland , Belfast Telegraph Morning

Exquisitely written and profound.

—— Una Brankin , Belfast Telegraph Morning

It’s a very intimate portrait of a relationship between two older people… The best, and most moving, parts are flashbacks to their experiences during the Troubles.

—— UK Press Syndication

Masterfully alternating the point of view of the book between them, he observes with his careful, forensic eye the habits of a long relationship, the shared memories, routines and irritations… Under MacLaverty’s careful, compassionate spotlight, we see the cracks beneath the surface, the way in which even those closest to us remain somehow unknowable… The best qualities of MacLaverty’s writing are present in Midwinter Break: the kind but unflinching eye, the unfussy description, which has a clarity which feels artless, but is not.

—— Susan Mansfield , Scotsman

The writer’s generation will read it with wistful appreciation, and more than shudder at bad memories. Even before he shook loose the curse of Northern Ireland’s communal obligation for life in Islay and Glasgow, MacLaverty wrote beautifully. Across his wide later range his filmic gift of dialogue and scene-setting is constant.

—— Fionnuala O’Connor , Irish News

His finest to date… Good fiction sheds light too, illuminating the peculiar facets that make up the human condition. MacLaverty’s novel casts such a glow, and creates effects that prove to be both compassionate and compelling.

—— Malcolm Forbes , Herald Scotland

In his first novel for 16 years, he provides thrilling proof that he’s lost none of his ability to tackle big issues in a way that’s unfailingly quiet and unfussy, but that ends up being completely piercing… The result is a pin-sharp but ultimately compassionate portrait of the frustrations and pleasures of a long marriage – and of how closely the two things are linked.

—— James Walton , Reader's Digest

MacLaverty has always been his own man and his quietly penetrating insights yield many moments of recognition.

—— Ellis O'Hanlon , Irish Independent

Compellingly spot on.

—— David Robinson , Scotsman

It is paced flawlessly, is lapidary of structure, and is delivered with a purpose and clarity and control that can shut out the noise of the world, of your own heartbeat, even: one of those precious books that, when at last you look up from its pages, you need a moment of re-adjustment, of decompression, so immersive is it… This is an achingly sad book, and essential in its sadness. It is illuminated with skill and application and labour and something very like love.

—— Niall Griffiths , Spectator

Over the four days of sightseeing, the reader is treated to a deep dive into a long marriage with all its quirks and foibles, and unique language… Midwinter Break may be bleak at times but, like the sun on a snowy day, is suffused with warmth, light and a lingering hope. It is further proof of MacLaverty’s talent.

—— Stephen McGinty , Sunday Times

This receptively low-key, unsettling novel is a portrait of what is perhaps the most difficult of alliances and affinities to sustain: a long marriage… It is a narrative of quiet, telling minutiae. MacLaverty brilliantly captures the couple’s sleeping patterns; the way non-sexual territory in bed is proportioned… And he captures superbly the unspoken nuances underscoring marital banter, the silent spaces that hover above decades of conjugality.

—— Douglas Kennedy , New Statesman

Sure-handed and captivating… MacLaverty’s novel is relatively short...but it feels like a more expansive work because of its unhurried pace and careful attention to each moment… It is an intimate book that makes wonderful use of the close third person… A restrained simplicity is also the stylistic hallmark of this novel… Contemplating the mysteries that lie at the heart of every marriage, Stella thinks, “Nobody could peer into a relationship – even for a day or two – and come away with the truth.” It’s a measure of MacLaverty’s achievement here that he has done exactly that.

—— Jon Michaud , Washington Post

Beautifully observed and emotionally resonant, this is a novel to linger over.

—— People Magazine

I love the clarity and sparseness of MacLaverty’s prose and his way of creating flawed, utterly believable characters.

—— Sheena Wilkinson , Belfast Telegraph Morning

A delicate, compassionate masterpiece.

—— David Hayman , Herald Scotland, Books of the Year

It is hard to believe that writer Bernard MacLaverty left Northern Ireland in 1975 to take up a job and raise his family in Scotland. His is a voice that is so distinctively from here. His stories stretching back down the years can be poignant and heart breaking but are also at times distinctive of a time and place and often funny. He has not lost the true sense of who he is; his accent; his warmth; his sincerity.

—— Nuala McCann , Irish News

MacLaverty is at his best when he exposes the minutiae of the Gilmore’s uneasy mix of affectionate rituals and barely disguised friction… The deceptively simple narrative style is subdued but compelling… The unhurried pace and intimate details magnify the distance between the couple. It would have been easy for MacLaverty to have made both characters unlikeable. Instead, they are subtly drawn, sharing many good qualities as well as flaws… Midwinter Break also explores love, loss and faith, and it at times achingly sad.

—— Phoenix

It's profoundly moving and sad – not the most uplifting read, especially when one's own parents are of a similar age – but exquisitely written and worth it for that alone.

—— Elaine Robb , Pool

A quietly powerful meditation on love in all its ragged glory. Subtly constructed and deceptively delivered, this neat novel chronicles a brief interlude, a midwinter city break in Amsterdam, in the lives of retired couple Stella and Gerry… The narrative power builds slowly, steadily and surely (including, towards the end, a brilliant summation of a life). Midwinter Break is a minor miracle of a book.

—— Donal O'Donoghue , RTE Guide

Why is Bernard MacLaverty not celebrated as one of the wonders of the world?

—— Hilary Mantel , Guardian

A heart-rending analysis of the weary affections and annoyances of a long marriage.

—— Claire Allfree , Daily Mail (Ireland)

A quietly powerful meditation on love in all its ragged glory… Subtly constructed and deceptively delivered… The narrative power builds slowly, steadily and surely in what is a minor miracle of a novel.

—— Donal O'Donoghue , RTE Guide

Understated, unhurried and emotionally devastating.

—— Dermot Bolger , Irish Independent

By far the best novel I’ve read this year.

—— Diarmaid Ferriter , Irish Independent

A tragicomic gem with rare emotional power.

—— Malcolm Forbes , The National

With great tenderness and insight, MacLaverty peeled back a marriage creaking under the weight of longevity, drink and violence. Brilliantly crafted.

—— Madeleine Keane , Irish Independent

A beautifully written, perfectly poised novel... Exquisite.

—— William Leith , Evening Standard

Arguably [Bernard MacLaverty's] masterpiece.

—— Ciaran Carty , Irish Times

From the first sentences of Midwinter Break you know you're in the hands of a master… [A] gentle, life-affirming novel, MacLaverty reminds us of the quiet poetry that surfaces when we stop and simply look

—— Emma Cummins , Quietus
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