Author:Emilia Pardo Bazán,Paul O'Prey

A rich and unforgettable tragic-comic novel of sexual intrigue and political scheming, The House of Ulloa is one of the greatest works of nineteenth-century Spanish literature.
The House of Ulloa follows pure and pious Father Julián Alvarez, who is sent to a remote country estate to put the affairs of the marquis, an irresponsible libertine, in order. When he discovers moral decadence, cruelty and corruption at his new home, Julián's well-meaning but ineffectual attempts to prevent the fall of the House of Ulloa end in tragedy. Combining gothic elements with humour and social satire, The House of Ulloa is the finest achievement of Emilia Pardo Bazán, a prolific writer, feminist, traveller and intellectual, and one of the most dynamic figures of her time.
Brilliantly balancing biting satire and gothic undertones, and evoking a rich sense of place, this is a wonderful novel that deserves to be ranked with the other great books of the period.
The Countess Emilia Pardo Bazán was born in 1851 and married at sixteen. After separating from her husband, she embarked on an affair with novelist Benito Pérez Galdós. The House of Ulloa (1886) is generally considered as her masterpiece among her many literary works.
Professor Paul O'Prey is Vice-Chancellor of the University of Roehampton, London.
Lucia Graves has translated works by Robert Graves, Anaïs Nin, Katherine Mansfield and Carlos Ruiz Zafón, and is the author of a memoir, A Woman Unknown, and a novel, The Memory House.
'An absolutely first-rate novelist [...] Bazán's genius lies in the way she mixes comedy, farce, realism and heightened-pitch hysteria with a dash of gothic [...] People may travel by donkey in this book, but it could have been written yesterday' - Nick Lezard, Guardian
'Pardo Bazán's mastery of social types and of the political currents that swirled around the liberal revolution are unsurpassed in Spanish literature ... O'Prey and Graves ... avoid awkward literalisms while nonetheless remaining true to the spirit of the original' New Criterion
An absolutely first-rate novelist [...] Bazán's genius lies in the way she mixes comedy, farce, realism and heightened-pitch hysteria with a dash of gothic [...] People may travel by donkey in this book, but it could have been written yesterday
—— Nick Lezard , GuardianPardo Bazán's mastery of social types and of the political currents that swirled around the liberal revolution are unsurpassed in Spanish literature ... O'Prey and Graves ... avoid awkward literalisms while nonetheless remaining true to the spirit of the original
—— New CriterionGripping
—— The BooksellerI love books that still have me thinking about them days after I’ve finished. The Name On Your Wrist is an impressive debut and I for one can’t wait to see what Helen Hiorns comes up with next. There are many things that impressed me, but the fact that I couldn’t predict where the story was going to go was the best. There are surprises in store for the reader, which makes this book just even better
—— Luna's Little LibraryThis is another welcome edition to the ever growing dystopian list with a more than interesting premise . . . We have a flawed but feisty heroine, Corin, complex family issues and a complicated budding romance. Hiorns has created some very intriguing characters, and the relationship centred on self harm and resentment between Corin and her older sister Jacinta I found particularly interesting. Lots of questions about morality, love and free will are raised and the underlying theme of conspiracy makes for a thrilling read
—— Children's Newsletter, Askew & HoltsUndeniably, distinctively identifiable, vintage Martin
—— Independent on SundayThe novel has a cumulative power and resonates with many reflections about the course of individual destiny in a profoundly cruel universe
—— The TimesThis is Amis writing at the pitch he has reached in Money...remarkable
—— Times Literary SupplementA compelling work of fiction in which learning and imagination are beautifully counterpoised
—— New StatesmanSavage, hilarious, uncannily moving, and true. It's the first novel I've read that burns with all the madness, sadness and refracted terror of right now, and everyone should read it. Right now
—— Jacob PolleyThis is a book which does more than just take you on a journey through the last twenty years. It also has a lot to say about family eccentricities, about childhood and adulthood and the difficulties faced in trying to be either, given the times we live alongside
—— Matt HaigThe book is magnificent, understated, full of gentle mind grenades
—— Cliff JonesFunny and rich and dirty and taut and original. I wanted it to be my biography, but there was way more warmth and invention in it than you could fit in a lifetime
—— David WhitehouseFunny, sad, bewildering and painfully honest, it’s a must-read for all fans of Joe Dunthorne’s Submarine
—— Emerald StreetFunny and true
—— ListWhat a beautifully written first novel. Joe Stretch has a way with words that is intensely captivating… Superb on adolescence, the Nineties, and more
—— William Leith , Evening StandardA consistently amusing hymn to unfulfilled potential which grows more involving and poignant as it goes on
—— Alastair Mabbott , HeraldJim is such a likeable character, unflinchingly recounting in all his worst failures and humiliations
—— Brandon Robshaw , Independent on SundayA funny, wryly observed coming-of-age novel, it will strike a chord with anyone who grew up during the Noughties. It’s full of quirky period details and Jim is an engaging narrator
—— Mail on Sunday