Author:Dambudzo Marechera,Peter Godwin
'One of African literature's most fascinating and unorthodox figures' Brian Chikwava
'When all else fails, don't take it in silence: scream like hell, scream like Jericho was tumbling down, serenaded by a brace of trombones, scream'
Dambudzo Marechera burst onto the literary scene in 1978 with this vivid roar of a book exploring township life in pre-independence Zimbabwe. Rejecting what he saw as the narrow stereotypes of African literature, Marechera's stories portrayed a world flashing with violence and anarchic humour, as his narrator expresses his desperate alienation - from his family, from his student friends, from Zimbabwe itself.
'A writer who considered fiction a "form of combat", complex, challenging - and uniquely potent' Guardian
'Like overhearing a scream' Doris Lessing
'A terrible beauty is born out of the urgency of his vision' Angela Carter
A profound, even if exaggeratedly self-aware writer, an instinctive nomad and bohemian in temperament, Marechera was a writer in constant quest for his real self
—— Wole SoyinkaA terrible beauty is born out of the urgency of his vision
—— Angela CarterThe metaphors are simultaneously so unclichéd and so apt that he reinvigorates the language
—— China Mieville on THE BOOKS THAT MADE MELike overhearing a scream
—— Doris Lessing
A writer who considered fiction a 'form of combat', his work is complex, challenging - and uniquely potent
Cline is...adept at swirling little eddies of unease into motion... [In Daddy] the undercurrents of the unspoken, the unspeakable, carry you along
—— Holly Williams , ObserverCline's approach is cool and crisp... there's a suggestive queasiness to these bleak, well-crafted tales
—— Daily MailCrackles with the darkness inherent in everyday relationships. Examining everything from masculinity, male power and the small misunderstandings that can have life-changing consequences
—— Kate McCusker , Woman & HomeDaddy is a stunning collection of stories that plunges deep into the dark corners of the human experience
—— Dazed DigitalStephen Walsh's writing is at once original, sharp and funny. The richness of his insight and storytelling fits wonderfully into the breadth and depth of Irish writing today
—— Anne Griffin, author of When All Is SaidThis is a brilliant collection; formally audacious, darkly funny, utterly unique. Stephen Walsh's characters are so terrifyingly authentic I read through slotted fingers, mortified for them, and several times he had me on my feet. I loved this book
—— Louise KennedyThese stories are brilliantly bats, staggeringly compelling and ferociously funny. Stephen Walsh rips the concreteness of reality straight from us and reflects back a more wobbly version of our turbulent lives. Characters are lost, lonely, restless, confused, but always gagging to roll out the very best of havoc humanity can offer. Voice, style and structure are completely unique. If someone shoved George Saunders into a giant kaleidoscope, along with a few episodes of Black Mirror, popping candy and a mescal worm, and gave it a good twist they'd get Shine/Variance
—— June CaldwellInventive, dazzling, devastating and laugh out loud funny, the stories in Shine/Variance are all this and more. It's exhilarating to read such remarkable writing. An astonishingly good debut from a writer who clearly finds joy in language
—— Danielle McLaughlin, author of The Art of FallingThis collection depicts with caustic wit and insight the undersides of Irish domesticity: the quiet angers and atrophying dissatisfactions. Flaunting an enviable dexterity in both voice and style, Shine/Variance is an addictive collection, rich in moments that linger in your consciousness
—— Susannah Dickey, author of Tennis LessonsStephen Walsh's stories are often playful, sometimes twisted, in form and tone, but the dexterity on display allows for deep, subtle and profoundly moving explorations of modern life
—— Tim Finch, author of Peace TalksA striking new talent in Irish literature. These stories vibrate with wry humour while always packing a serious emotional punch. Slyly revealing how we communicate today; how the language of modern technology, travel, lifestyle and ambition have infiltrated our deepest thoughts, Walsh illustrates that, in fact, little has changed in the human heart since James Joyce published Dubliners, which this collection brings to mind. Hugely entertaining, gripping and moving, Shine/Variance announces the arrival of a wonderful new voice for our times
—— Conor McPhersonA highly personal collection
—— Lisa O'Kelly , ObserverThe Tig and Nell stories... are subtle and poignant, written in grief and from the heart
—— The OldieDevastating and thought-provoking in equal measure, you will find yourself thoroughly entertained - and we're sure you'll return to these again and again
—— GlamourOld Babes in the Wood... [is] a clear demonstration of her prevailing skill as a writer
—— Arts DeskAs her short story collection Old Babes in the Wood debuts at the top of the fiction chart, Margaret Atwood can rest assured that she has reached literary legend status. It was one thing for The Handmaid's Tale to make it to No 1, but quite another for stories narrated by snails and aliens to do it
—— The Sunday TimesHer latest collection of short stories... proves once again she's also an impassioned observer of everyday people and their struggles, with a hilarious sense of humour
—— RTE *Book Of The Week*Each [story] is interesting in its own right...Atwood's imagination and mastery of storytelling is evident
—— UK Press Syndication[A] writer who is still so sparky and brilliant in the sudden ways she tips you into despair or delight. Whatever she's up to, I'll take more if it's going
—— Alys Key , SpectatorQuietly devastating
—— Suzi Feay , The TabletAny new publication by the estimable Atwood...is an event and this collection of 15 short stories is no exception
—— Evening StandardBracing, darkly funny and cheerfully unsentimental
—— Guardian, *Summer Reads of 2023*