Author:Peter Høeg,Barbara J Haveland

Peter Høeg's first novel is an interweaving of the lives and loves of four families, within which histories time expands, clocks stop or race forward at will. The dreams and disappointments of the children of the author's magnificent imagination foreshadow the themes of Miss Smilla's Feeling for Snow and Borderliners
A modern master, the finest writer working in English
—— Ian McEwanHe is both a superb unraveller and a super accepter of the contradictions of the world . . . we should simply be grateful that he is there with his fine, discriminatory prose
—— Sunday TimesA work of such skill, understatement and sly jewelled merriment could haunt your life
—— Ali Smith , TLS, Books of the YearSuffused with humane depth, funny, affecting, deftly plotted ... a novel of magnificent accomplishment
—— Peter Kemp , Sunday Times, Novel of the YearBrooklyn moved me more than any other book this year
—— Nicholas Hytner , Observer, Books of the YearA beautifully crafted work that transformed ordinary lives into something extraordinary
—— Daily Telegraph, Books of the YearNo book this year gave me greater pleasure
—— Nell Freudenberger , Financial TimesNot a sentence or a thought out of place. It takes over as his finest fiction to date
—— Irish TimesRemarkable freshness and immediacy ... with a lovely comedic lightness
—— Daily MailA lovely, thoughtful book ... alive with authentic detail, moved along by the ripples of affection and doubt that shape any life: a novel that offers the reader serious pleasure
—— Daily TelegraphTremendously moving and powerful
—— New StatesmanThere is such elegant subtlety to this story
—— Irish IndependentThe Nobel laureate Patrick Modiano claims to have written a version of the same novel throughout his career; in a sense so has Petterson, but his anguished precision is such that no one should complain
—— TelegraphIlluminated by a clear and insightful knowledge of what it means to be human... Petterson is really a masterful depictor of contemporary life
—— Nordjyske, DenmarkI Refuse is, despite its apparent realism, a nearly magical literary experience... It simply does not get much better than this
—— Ekstra Bladet, DenmarkPetterson confirms his reputation as Scandinavia's leading realist writer...the heart-rending contrast between power and powerlessness, silence and speech is anchored in every word in these pages. And in the reader’s soul
—— Kristeligt Dagblad, DenmarkA masterpiece...at least as good as Out Stealing Horses... Intimate, shocking, demanding, raw
—— Morgenbladet, NorwayNorwegian literature's clearest shining star...a masterful novel about friendship, violence and destruction
—— Information, DenmarkA moving, complex short novel that is richer and more satisfying than most books several times its length
—— Daragh Reddin , Metro HeraldThe suspense isn’t in the plot but the prose, with its extraordinary looping sentences
—— Blake Morrison , Guardian WeeklyA harrowing account of childhood, of friendship, and of family disruption… Precise, scrupulous and emotionally intense… Peterson is a skilled storyteller… An admirable and honest novel.
—— Eibhear Walshe , Irish ExaminerWith an enchanting, poetic language Rachel Joyce writes about the fundamental questions of life and death.
—— 52buecher, GermanyLike Harold Fry, Queenie is delightful and dark. Death, duty and regret shadow nearly every page, but the darkness is not unrelenting; there is humor, and there is light.
—— Minneapolis Star TribuneThis lovely book is full of joy. Much more than the story of a woman’s enduring love for an ordinary, flawed man, it’s an ode to messy, imperfect, glorious, unsung humanity ... Her love song is for us. Thank you, Rachel Joyce.
—— Washington Post[A] deeply affecting novel…Culminating in a shattering revelation, her tale is funny, sad, hopeful: She’s bound for death, but full of life.
—— People MagazineA moving, lyrical read about life, love and saying goodbye. this is a companion story to the similarly entrancing The Unlikely Pilgrimage of Harold Fry, but could be read alone.
—— Cathy Rentzenbrink , Prima






