Author:Sean Longley

When Simon Legris, a physician from Paris, returns from an expedition to Africa, he brings home a monkey that understands human speech and names him Jacques LeSinge. Utterly devoted to him, Jacques becomes his servant. While in the service of an ailing marquis, Legris receives some shattering hews -Jacques has been accused of molesting the aristocrat's wife and has been dismissed in disgrace.
After an audacious French Revolutionary plot goes wrong, Jacques stands in the dock in Hartlepool accused of espionage. Warrens, a lowly 'one-guinea brief' barrister, stands to defend him. In the greatest challenge of his career, he mounts a defence that asks: what makes a man?
A demonically witty digest of all things eighteenth-century, this is an eccentric and hugely entertaining début.
A sparkling debut...The possibilities for humour are obvious, but what impresses is the way the author has latched on to its serious potential. A beautifully told tale
—— Mail on SundayAn imaginative first novel...comic and irreverent
—— The TimesThis historical incident is rich material for a novel, and Longley attacks his subject with relish...Longley's period detail is spot-on, his style vivacious.
—— GuardianFull of period colour, racy incident and simian heroism, it's hard to see how a reader could fail to be thrilled
—— Independent on SundaySean Longley is a marvellous new talent. The Hartlepool Monkey had me gripped from beginning to end
—— Amanda Foreman, author of GEORGIANA, DUCHESS OF DEVONSHIREWonderfully nasty...Extraordinarily vicious, deeply cynical and thoroughly depraved, but it's also bed-wettingly funny... American Psycho meets Spinal Tap... except more evil, more shocking and much, much funnier
—— ScotsmanA rollicking tale of record company excess...Hysterical...Niven worked in the UK music industry for 10 years and his insider knowledge pays off...This is truly an account of a lost era, a brilliant description of the last decadent blow-out.
—— Independent on SundayJohn Niven's Kill Your Friends might just be the most exciting British novel since Trainspotting...Although the tone - a mixture of breathtakingly black-hearted cynicism, hyperbolically dark comedy and liberal sprinklings of violence - will invite comparisons with American Psycho and Bright Lights Big City, Niven brings a uniquely vibrant tone to the page with take-no-prisoners language that manages to be equal parts comic and shocking.
—— Word MagazineThe fickle music industry is ripe for satire and here former record-label man Niven creates a compelling and hilarious portrait.
—— ShortlistDark, twisted...and also laugh-out-loud funny
—— TNT MagazineAbsolutely riveting
—— Daily ExpressOne of the evilest, most vicious, despicable characters ever. I couldn't put it down.
—— James Dean Bradfield, The Manic Street PreachersAnyone working in or trying to get into the music industry should read this book. Niven grotesquely portrays the short term disposability of this world with a great eye for detail and a stockpile of hilarious insults. Throw in some murder and major brand obsession and you have an indie American Psycho.
—— James BrownKill Your Friends gladly hammers the final and needed nail into the coffin of self-serving and undignified spin that was "Cool Britannia". It exposes a world that seethes alongside us and in which we all collude but whose nasty little machinery is rarely glimpsed. The novel is furiously, filthily funny, and, I imagine, tragically true.
—— Niall GriffithsAn amazing piece of work - as powerful as it is ugly
—— Greil MarcusA piece of writing that will be admired by anyone who's interested in the era that made our own and those who read it are unlikely to forget its cool, Updikean temperament
—— Andrew O’HaganThe narrative drive is irresistible. Well done to Niven for a giving voice to the sleazy foot soldiers of rock and roll
—— Independent on SundayA fine novella - as evocative as it is moving
—— ObserverA moving book that succeeds not just in vividly evoking its time and place but in distilling one young man's clichéd and minor destiny into something approaching tragedy
—— New York TimesOften stunning, dark and densely imagined...one man's elegy for a bygone age
—— LA WeeklyThe funniest writer ever to put words to paper
—— Hugh LaurieThe greatest comic writer ever
—— Douglas AdamsP.G. Wodehouse wrote the best English comic novels of the century
—— Sebastian FaulksSublime comic genius
—— Ben EltonYou don't analyse such sunlit perfection, you just bask in its warmth and splendour
—— Stephen Fry