The Wardrobe Mistress isn’t just an entertaining ghost story, assembled by a master-manipulator to be full of narrative trapdoors, tantalising at one moment and agreeably grotesque the next: it’s also an exploration of the deep mythology of theatre . . . McGrath himself seems ambivalent about the sentimentality he depicts. But there’s no political ambivalence here: by the end of the novel, the icy postwar alleys, the shattered theatres and public houses are under the malign enchantment of a quietly resurgent politics. The plentiful mirrorings, the doppelgangers and dybbuks both real and false, make that plain, and make plain that fascism is also a kind of theatre – always already a re-enactment of itself.

A brilliant evocation of the theatrical world’s seedy glamour, The Wardrobe Mistress is also a moving portrait of a woman struggling to make sense of her past and imagine a future for herself.

McGrath is so adept at creating a sense of foreboding that one is never sure whether there will be a rational, a psychiatric or a supernatural explanation . . . wonderfully sinister . . . a delight . . . you are in for a thrilling ride.

A chilling novel of grief, passion and unfulfilled longing, where secrets lurk in every dark alley . . . McGrath takes us backstage in the London theatre — and you can just about smell the greasepaint. But he also opens out his story to embrace the zeitgeist of the time, the misery and deprivation of post-war Britain, the persistent running sore of fascism and the feeling that life after victory isn’t what it was supposed to be.

A rich and highly spiced feast of a novel, even before it reaches its classically gothic McGrath climax

[A] theatrical tale of malice, artifice and stunted affection.

Splendid…spooky, elegant, self-aware and intellectually deft

[An] unnerving thriller.

Absolutely superb.

McGrath delivers another accomplished novel.

McGrath's story is told in the way a (very articulate, wordsmith) friend would tell you a story, and you'll rattle through the tale.

A portrait of a strong woman, written in a distinctive voice.

All great novelists possess the art of the magician…Patrick McGrath is such a writer.

Connolly has tremendous fun with her posh characters' class-obsessed milieu, but the privations of Holloway Prison, with its rope-thick dust, bone-chilling cold and maggoty food, are equally sharply drawn

Deeply impressive.... quietly devastating tale of world affairs played out on an intimate scale

Connolly is a terrifically subtle writer... [she] slyly sweeps her readers into the period drama as tensions tauten between families and social classes

Chilling

Extraordinary, gripping... Exquisitely written with lyricism and a stiletto-sharp and humorous pen, Connolly takes on a subject which resonates powerfully with current politics

Brian Van Reet's beautiful, intense, and at times disturbing novel Spoils traces the motivations and desires of combatants on both sides of the Iraq War, showing us what happens when increasing violence and chaos start to warp the choices they're able to make.

Moving immediately into the pantheon of first-rate war novels, Spoils reads like a nightmare within a tragedy, a story that is both touchingly classic and brutally modern, This is a definitive record of the war that marked the end of the American Empire. One of the best novels of our time in the Middle East.

With Spoils Brian Van Reet has given readers an intensely moving novel. That it is also a nearly comprehensive examination of our modern wars is a remarkable demonstration of both the power and relevance of fiction.

In recent years there have been a number of very good novels by veterans of the Global War on Terror. None is as ambitious, inclusive or powerful as Brian Van Reet's Spoils; none has this novel's range or uncanny ability to transport the reader to the battlefield and those rarely explored margins at the battlefield's ragged edge. Spoils is a fantastic debut.

Vivid and fierce, Spoils is an eloquent exploration of humanity. Depicting a world with no obvious villains or heroes, this novel is as important as it is timely. By exploring the nuances of motivation, loyalty, and sacrifice, Van Reet exposes the connections that bind us across even the greatest divides.

The brilliance of Brian Van Reet’s Spoils lies not only in the sheer forward-motion velocity of its plotting, but in the psychological terrain it explores: what a generation of young women and men went looking for in Iraq, what they found, and why that discovery matters so profoundly for the rest of us.

In Spoils, Van Reet has imbued his subject with subtlety — something that it is so often stripped of, both by combatants and the media. One rarely sees a war novel by a soldier with such convincing writing on both sides of the trenches.

This is a great novel… Brian Van Reet [is] a special talent.

An honest glimpse into the action, emotion and futility of war.

The action is realistic and relentless, the writing lean and muscular, the tale harrowing, and the horrors seemingly inevitable but no less powerful for that.

In dazzling and propulsive prose, Brian Van Reet explores the lives on both sides of the battle lines… Depicting a war spinning rapidly out of control, destined to become a modern classic, Spoils is an unsparing and morally complex novel that chronicles the achingly human cost of combat.

Spoils reeks of the fog and futility of war… It has its own blue-collar beauty as it tells its tale from three perspectives: a gay, female US soldier, an Egyptian jihadist and a US tank commander.

Brian Van Reet has firsthand combat experience to draw upon for this powerful piece of fiction, rendering it an intensely humane story, giving credible authenticity to the plot, and scenes presented to the reader… Enlightening, thought provoking and hauntingly mesmerising, I cannot recommend Spoils highly enough to anyone interested in novels about war and conflict.

Every page brims with brutal authenticity.

Spoils bears eye-widening witness to valour, horror, violence, cruelty and absurdity.