I love their delicacy, their exquisite taste, and the sense of their sustained happiness together.

This is a compact and intense read full of twists, turns and intrigue. The fast-moving shifting allegiances and rivalries that dominate the playground provide a backdrop full of heightened emotion that cleverly reflects the atmosphere of the original play

Chevalier is at her best when describing the tenderness of young love or conveying the inner thoughts of her protagonists ... Chevalier deftly and succinctly gives [her characters] all more of a backstory than Shakespeare ever allowed ... transposing this story to the playground makes absolute sense. It is of interest as an exercise in illustrating the universality of the original, and works equally well as a standalone piece which tells of a tightly wound, intimately imagined situation hurtling towards inevitable tragedy

What Chevalier has done is recast the play to illuminate the peculiar trials of our era... a fascinating exercise ... In Chevalier's handling, the insidious manipulations of Othello translate smoothly to the dynamics of a sixth-grade playground, with all its skinned-knee passions and hop-scotch rules ... How Chevalier renders Iago's scheme into the terms of a modern-day playground provides some wicked delight. She's immensely inventive about it all

Chevalier’s modern interpretation of Othello deftly explores race relations in the schoolyard in 1970s suburban Washington, and captures how it feels to be an outsider

Othello as a Seventies schoolyard drama? Yes, it works marvellously. The emotions of emerging adolescence are a potent brew, with friendships, rivalries, budding sexuality, and the desire to fit in combining unflinchingly with the racism of the teachers (and some of the pupils). This is an evocative retelling of Shakespeare, and his characters’ interactions and motivations fit surprisingly well into the brutal world of childhood

Powerful and intriguing

To add urgency to an everyday story of high-school bullying, [Chevalier] compresses the action into the cycle of a school day. It's a clever strategy, executed with typical aplomb by the gifted author of Girl With a Pearl Earring... Her New Boy is an often inspired riff on adolescence and alienation

New Boy is in the tradition of movies such as 10 Things I Hate About You or West Side Story, or Toni Morrison's play Desdemona ... A deft examination of the accommodations a boy such as Osei must make wherever he goes ... Chevalier is delicate in her description of the emotional and mental cost of all this careful avoidance

Tracy Chevalier's powerful drama of friends torn apart by jealousy, bullying and betrayal will leave you reeling

It is undoubtedly a real page turner

The tightness of Chevalier’s version is admirable… She is careful to make this a book full of movement and observation… The plot works terrifying well in a playground. Fifteen-year-olds are brutal, especially fired by the conflicting aches and desires of puberty… Prior knowledge of Othello’s ending makes the final act, played out over monkey bars on a jungle gym, all the worse: such adult consequences to the actions of those so young makes the outcome breathtakingly sad

Chevalier has transposed the tragic manipulation and downfall of Shakespeare's black Venetian general to a 1970s American school playground where a new eleven year old black pupil finds and loses love within a day. Tactfully, Chevalier uses this cushion of time to make the racism of the novel easier to digest, while subtly encouraging us to reflect on current progresses which can still be made.

The literary fiction debut of the year… the coming of age story of a 21-year-old girl from Delhi, laced with poetry, confusion, sex and drugs. A fan of Marguerite Duras’ The Lover? Get this book.

A dream-like debut that explores the dark side of Delhi...the story is quick to move, charged with the energy of a racy page-turner, and visceral in its treatment of female desire and sexuality.

Kapoor paints a vast and detailed landscape of Delhi, canvassing the city and its people, its smells and stories, its ability to harbour hope and heartbreak in the same breath. With remarkable candour, she crafts sentences that stand out for their elegance and brevity; they linger in your memory long after the last page has been turned.

The sparely elegant phrases pack a wealth of colour, smell and association, evoking the reality of a city straining at the leashes, pulsating with deviant, joyous life.

Fractured, fragmented and beautiful.

[Kapoor] writes with a keening, furious sorrow that rang in my ears well after I finished the book.

An intricately crafted novel, sharp-eared, current and full of heart, about a lost teenager in a lost England.

An upmarket take on the Gone Girl mystery.

With tremendous flair, Thorpe opens up a vista of present-day middle England.

The whole novel is full of hilarious, brilliant observations about writing, life and crushes.

One of the funniest and most inventive youngish writers of non-fiction in America… Selin’s meandering observations and gentle humour make her an engaging narrator… Batuman examines complex subjects with an appealing lightness of touch… The scene when Selin leaves the Hungarian village is surprisingly moving and encapsulates the overall effect of a novel which reminds us that dead time can be full of life.

Sweetly funny, The Idiot rejects the doctrine of omitting needless words in favour of marvelling…at the complexities of language and communication.

Charming… A gentle coming-of-age novel drawing on Batuman’s time at Harvard in the mid-1990s… It’s in such acute portrayals of early adulthood’s uncertainties that this pleasantly rambling tale leaves its most vivid impression.

A delightfully digressive campus novel.

There is more than one idiot in this delightful and slyly funny coming-of-age novel... Will strike a chord for any former fresher who felt the same way. (That would be all of us.)

Batuman, in seemingly writing a novel about nothing, has produced an incredibly complex, accurate and funny novel.

I never want to finish it, so I’m reading it very slowly.

Every page is thicketed with jokes, riffs, theories of language. It’s a portrait of an intellectual and sentimental education that offers almost unseemly pleasure.

Elif Batuman is a real writer, and should be allowed to write whatever the hell she likes.

Selin’s deadpan narration is often very funny indeed

This is a capacious book that creates an alternative world

At once clever and clueless, Batuman’s heroine shows us with just how messy it can be to forge a self

One of the best novels I read all summer... a painstakingly accurate depiction of the balancing act that is student-life. As clever as it is funny, Batuman's debut novel allows us to laugh at our own stupidity, and celebrate our own cluelessness.

The Idiot... manages the trick of being laugh-out-loud funny while not actually being a comedy. It just observers life, in all its truth and is hilarious for page after page.

I finally read The Idiot by Elif Batuman and everyone is correct, she is clearly a genius