Author:Margaret Atwood

** THE SUNDAY TIMES NO. 1 BESTSELLER **
Discover the dystopian novel that started a phenomenon before you read the Booker Prize-winning sequel The Testaments
NOW AN AWARD-WINNING TV SERIES STARRING ELISABETH MOSS
Offred is a Handmaid in The Republic of Gilead, a religious totalitarian state in what was formerly known as the United States. She is placed in the household of The Commander, Fred Waterford – her assigned name, Offred, means ‘of Fred’. She has only one function: to breed. If Offred refuses to enter into sexual servitude to repopulate a devastated world, she will be hanged. Yet even a repressive state cannot eradicate hope and desire. As she recalls her pre-revolution life in flashbacks, Offred must navigate through the terrifying landscape of torture and persecution in the present day, and between two men upon which her future hangs.
Masterfully conceived and executed, this haunting vision of the future places Margaret Atwood at the forefront of dystopian fiction.
‘A fantastic, chilling story. And so powerfully feminist’ Bernadine Evaristo, author of GIRL, WOMAN, OTHER
‘This novel seems ever more vital in the present day’ Observer
Includes exclusive content: In The 'Backstory' you can read Margaret Atwood's account of how she came to write this landmark dystopian novel.
A fantastic, chilling story. And so powerfully feminist
—— Bernadine Evaristo, author of GIRL, WOMAN, OTHERCompulsively readable
—— Daily TelegraphOut of a narrative shadowed by terror, gleam sharp perceptions, brilliant intense images and sardonic wit
—— Peter Kemp , IndependentThe Handmaid's Tale is both a superlative exercise in science fiction and a profoundly felt moral story
—— Angela CarterMoving, vivid and terrifying. I only hope it's not prophetic
—— Conor Cruise O'Brien , The ListenerThe images of brilliant emptiness are one of the most striking aspects of this novel about totalitarian blindness...the effect is chilling
—— Linda Taylor , Sunday TimesPowerful...admirable
—— Robert Irwin , Time OutIt's hard to believe it is 25 years since it was first published, but its freshness, its anger and its disciplined, taut prose have grown more admirable in the intervening years... Atwood's novel was an ingenious enterprise that showed, with out hysteria, the real dangers to women of closing their eyes to patriarchal oppression
—— Lesley McDowell , Independent on SundayTurned 25 this year and...worth re-reading. As you grow, such books grow with you
—— Erica Wagner , The Times, Christmas round upFiercely political and bleak, yet witting and wise...this novel seems ever more vital in the present day
—— ObserverThe mother of all feminist dystopian novels.
—— Sarra Manning , RedThe novel satirises the strain of evangelical puritanism in American culture and the objectification and control of women’s bodies. It is more broadly a contemporary myth of despotic power, and how such power deforms those who are subjected to it.
—— Tim Adams , ObserverIt's mesmerising, compelling and considered one of her best.
—— Jennifer McShane , Image MagazineOne of Atwood’s finest pieces of work serves as a great reminder of what humanity is capable of.
—— Hannah Dunn , RedMargaret Atwood is a wry and perceptive observer of society as well as an original storyteller
—— Cecilia Heyes , PsychologistBrilliantly conceived and executed, this powerful evocation of twenty-first century America gives full rein to Margaret Atwood’s devastating irony, wit and astute perception
—— EssenceThis is a novel pervaded by violence, sex, terror, but also by contemplation, analysis and – occasionally – by hope… Atwood shockingly reveals what we could be capable of.
—— Elly McCausland , Cherwell NewspaperA fascinating and stimulating retelling of a familiar story.
—— Yvonne Bradbury , Jewish Telegraph[Jacobson] is a deft satirist, a genuinely funny writer…a beautifully written and fascinating novel.
—— Joanna Kavenna , Literary ReviewDarkly comic new novel… A gripping tale of love, death, art and a pound of flesh – as well as plastic surgery… Jacobson examines contemporary issues of Jewish identity with his sharp, biting, northern humour. He asks what it means to be a father, a Jew and a merciful human being in today’s modern world. He is the first author brave enough to take up the challenge of re-imagining the Bard’s most controversial tragedy, in a bid to tackle its much-debated tones of anti-Semitism.
—— Rebecca Wallersteiner , The Jewish NewsThis complex book challenges all assumptions, never shying away from controversy… For every bitter take on human shortcomings here decried, there is a counterbalancing acknowledgment of the grace inherent in human nature. The novel captures the essence of the original.
—— Christina Hunt Mahony , Irish TimesHoward Jacobson’s masterful retelling of The Merchant of Venice celebrates the play but speaks for itself about being Jewish… Jacobson [is] a skilful craftsman as well as an artist of rare individuality… He has written a comic novel which poses serious questions. He has been both inventive and faithful to Shakespeare. And as a bonus, he gives us a good many excellent Jewish jokes.
—— Allan Massie , The ScotsmanJacobson preserves the sense of ambiguity and uncertainty…that gives Shakespeare’s play much of its unsettling force… [My Name is Shylock] is the product of deep thought, deep feeling, deep scholarship. But this book is never leaden or lenten. It is fresh, exuberant, funny, almost preposterously entertaining and engaging. It is also possessed of an irony, wit and restless addiction to exploring conflicting arguments that leaves you feeling enriched… Jacobson’s prose is…vibrant, inventive, precise, arresting and full of memorable cadences and elegant modulations… A stunning achievement.
—— Matthew Adams , The NationalMy Name is Shylock does ample justice to the legacy of Shakespeare’s classic story… Jacobson has proved that his command of the art of storytelling is worthy of renewed praise.
—— UK Press SyndicationJacobson’s Mancunian Jewish voice (last seen to splendid effect in The Mighty Walzer) is rare enough. But when this voice is combined with high culture and rude comedy it is, despite its abject subject matter, utterly life-affirming.
—— Bryan Cheyette , The Times Literary SupplementCompelling retelling.
—— Paul Levy , The SpectatorExpect …The kind of comic intelligence that has made his name
—— Sam Parker , EsquireSet in a world of unimaginable wealth, football player celebrity, cosmetic surgery and reality TV, My Name Is Shylock does ample justice to the legacy of Shakespeare's classic story of honouring a debt with perhaps the ultimate sacrifice.
—— Roddy Brooks , The Northern EchoThe winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.
—— Paul Levy , The SpectatorExplores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.
—— IndependentThat Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.
—— Adam Lively , The Sunday TimesAlive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.
—— Hephzibah Anderson , Mail on SundayFunny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.
—— Rebecca Wallersteiner , The LadyA master of serious-minded comedy, Jacobson is one of the greats of his generation.
—— Culture WhisperBrilliantly witty inventive.
—— Kate Saunders , SagaA crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.
—— Emma Hughes , The TabletHilarious reimagining of Shakespeare’s The Merchant of Venice.
—— EsquireOffering witty twists to a play long experienced by many as a racial tragedy.
—— Tova Reich , Washington PostAffectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.
—— Giulia Miller , Jewish QuarterlyEven those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check
—— Mary leland , Irish ExaminerAs characteristically ingenious, witty and dark as his musings on what it means to be Jewish.
—— Simon Shaw , Mail on SundayIt hooks you into a great debate.
—— William Leith , Evening StandardI don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.
—— Tony Robinson , Radio Times Christmas Gift GuideAn intelligent, funny and enjoyable novel.
—— Brad Davies , i, Book of the YearFor my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.
—— Bel Mooney , Daily Mail, Book of the Year






