Author:Richard Powers

An enthralling story about desire, new love and the mysteries of science from the Pulitzer Prize-winning author of The Overstory
Stuart Ressler, a brilliant biologist, sets out in 1957 to crack the genetic code. His efforts are sidetracked by other, more intractable codes – social, moral, musical, spiritual – and he falls in love with a member of his research team.
Years later, another young man and woman team up to investigate a different mystery – why did the eminently promising Ressler suddenly disappear from the world of science?
Strand by strand, these two love stories twist about each other in a double helix of desire.
‘A love story of charm and substance, brimming over with ideas, yet anchored in emotional truth’ Sunday Telegraph
A love story of charm and substance, brimming over with ideas, yet anchored in emotional truth. The plot is as labyrinthine as any by Umberto Eco... Extremely witty... Dip into this book at random and the chances are it will sit up and bite you like a rattlesnake
—— Sunday TelegraphThe most lavishly ambitious American novel since Gravity's Rainbow... An outright marvel
—— Washington PostThe Gold Bug Variations has everything... Stunning... Almost every sentence is a heroic tour de force... The joy to be taken in reading the book is, like the pleasure of studying crystal multiplication, in seeing a pattern swarm mosaically over everything, watching a stencil laid over life
—— New York TimesOne of the best writers working now
—— Audrey NiffeneggerPowers has triumphantly restored...the philosophical novel
—— ObserverA work of art
—— New StatesmanIt comes to remind the Western reader that the razzle dazzle of electric lighting was foreign for thousands of years … above all, it highlights the fact that shadow is inseparable from our holistic and spiritual relationship with light -
—— LightingA highly infectious essay lauding all things shady and subtly hidden
—— GuardianThis translation...reads like a glorious poem... The descriptions of interiors are much more evocative than any image could be - just stunning. They are words to live by
—— House and GardenA perfect novel
—— Financial TimesIn Olive Kitteridge, Strout has created one of those rare characters...so vivid and humorous they seems to take on a life independent of the story framing them
—— GuardianElizabeth Strout is... one of the undisputed heavyweights of generous, clear-eyed domestic realism
—— Daily MailA special, precious book...full of hope and humanity
—— RedFunny, sad, tender and truthful, this is pure joy
—— StylistA powerful storyteller immersed in the nuances of human relationships
—— ObserverStrout really can write you into a world until you feel you are there with her, in that house, that life, that little Podunk of a place
—— The TimesWriting of this quality comes from a commitment to listening, from a perfect attunement to the human condition, from an attention to reality so exact that it goes beyond a skill and becomes a virtue
—— Hilary Mantel on 'My Name is Lucy Barton'Strout, always good, just keeps getting better
—— VogueA writer at the peak of her powers
—— Literary ReviewIt's hard to believe that a year after the astonishing My Name Is Lucy Barton Elizabeth Strout could bring us another book that is by every measure its equal, but what Strout proves to us again and again is that where she's concerned, anything is possible. This book, this writer, are magnificent.
—— Ann Patchett on 'Anything is Possible'Strout animates the ordinary with astonishing force
—— New YorkerA book that speaks volumes about our need for connection - human, feline or otherwise.
—— SAN FRANCISCO CHRONICLEThis touching novel of a brave cat and his gentle, wise human will resonate with lovers of animal tales, quiet stories of friendship, and travelogues alike.
—— PUBLISHERS WEEKLYGentle, soft-spoken, and full of wisdom
—— KIRKUS REVIEWSA delight to read
—— FINANCIAL TIMESPrepare to have your heartstrings tugged by this quirky tale
—— SUNDAY MIRROR