Author:Tennessee Williams,Anastasia Hille,George MacKay,Patsy Ferran,Sope Dirisu

Anastasia Hille stars as Amanda Wingfield and George MacKay as her son Tom in BBC Radio 3’s landmark production of Tennessee Williams’ masterpiece
Tennessee Williams's iconic play tells the story of a family trapped in their own unhappy situation and the shattering of their quiet existence when is stranger is brought home.
Tom shares the cramped and claustrophobic tenement home with his over-bearing mother, Amanda and painfully shy sister, Laura. He works in a warehouse but dreams of becoming a poet, escaping his mundane life. Laura hides at home lacking the confidence to engage meaningfully with the outside world, preferring instead to lose herself in her collection of fragile glass animals. Amanda sells magazine subscriptions over the phone and commits herself to finding a match for her daughter. One day, Tom succumbs to his mother's pressure and brings home a gentleman caller…
Creating a dream-like atmosphere, The Glass Menagerie has remained one of Williams’ most touching, tender and painful works.
Tennessee Williams's drama is one of the most loved and well-known stage plays of the 20th century. It won the New York Drama Critics' Circle Award in 1945 and paved the way for Williams to become one of America’s most highly regarded playwrights.
The Glass Menagerie is introduced by John Lahr, author of the acclaimed biography Tennessee Williams: Mad Pilgrimage of the Flesh.
Cast:
Amanda . . . . . Anastasia Hille
Tom . . . . . George MacKay
Laura . . . . . Patsy Ferran
Jim . . . . . Sope Dirisu
Directed and produced by Sasha Yevtushenko
Sound design by Peter Ringrose and Caleb Knightley.
Production co-ordinator: Mabel Wright
Music for violin arranged and performed by Bogdan Vacarescu
These short, punchy sketches are wickedly funny, oddly affecting and completely life-affirming.
—— Deirdre O'Brien , Sunday MirrorVery funny... The kind of book that you read in public at your own risk
—— Herald ScotlandThe Librarian will wring the heart of anyone who fell in love with books as a child. It is a hymn to the power of literature...delightful
—— The Times on 'The Librarian'A nostalgic treat...involving and hopeful
—— Mail on Sunday on 'The Librarian'Miss Tyler never loses her control. She writes with virtuosity and perfect confidence, insight and compassion
—— The TimesThe book’s interest comes almost entirely from its strangeness – its world continues to be charmingly, earnestly weird.
—— Roger Bellin , Literary ReviewHe is a proven master with an increasingly wilful streak, always a writer to excite, while for a reader with a fondness for backing a good horse, here it is. While it is always dangerous to push an as yet unpublished work, but in the case of Coetzee, this could be a book of the year, never mind an expected contender.
—— Eileen Battersby , Irish Times[It is] surprisingly involving...richly suggestive.
—— Stephanie Cross , Daily MailFreed from literary convention, Mr Coetzee writes not to provide answers, but to ask great questions.
—— The Economist[A] tenaciously absorbing sequel.
—— Duncan White , Sunday TelegraphIt’s a subtly different project from the strenuous fictions that won Coetzee his Nobel and two Man Booker prizes: still intense but, by his standards, a bit rambling yet oddly focused. Perhaps what we’re seeing is Coetzee having fun. There are certainly times in the novel...when I pictured the ghost of a smile behind the page.
—— Christopher Taylor , Financial Times[A] captivating tale.
—— Amy Hunt , Woman & HomeIt will keep you philosophically and morally on the edge of your seat throughout.
—— Maggie Gee , Guardian[It] is pleasingly baffling, suggesting hidden depths and multiple layers without ever quite revealing them.
—— Alex Preston , Observer, Book of the YearWhat stands out, and stays with you, is the fable-like aura which makes this feel like a children’s book for adults.
—— Theo Hobson , Tablet, Book of the YearCoetzee doesn’t want to be understood, or explained. He wants, merely, to be read. The Schooldays of Jesus is, indeed, very readable.
—— John Sutherland , The TimesThe prose is limpid, the plot simple, the style hypnotic, but what it all means I wouldn’t like to say.
—— Simon Shaw , Mail on SundayThe best poetry out since Warsan Shire.
—— Symeon BrownA fast-paces, dense, poetic, original and bewitching story by an important new writer. That Reminds Me will long be remembered by readers.
—— Alain MabanckouDeserves the same recognition that greeted Max Porter's similarly constructed fictionalised memoir Grief is the Thing With Feathers... uses its broken-up style to explore experiences that defy easy comprehension. There is nothing indulgent about this quietly observed account of a black man Owusu gives the name of K... There is a physicality to his writing, the impression of incoherent feelings being wrestled into shape, that lends his book heft. K's future is, in the end, ambiguous, but Owusu's surely gleams bright.
—— Claire Allfree , MetroA bold prose poem written in novella form, That Reminds Me is one of the most powerful pieces of writing to be published in 2019.
—— FoylesThe latest release from Stormzy's increasingly impressive #Merky imprint, this is a stylistically ambitious memoir of a precarious Tottenham upbringing. Owusu writes with a poet's gift for seemingly incidental observation in a potent story that's left deliberately, troublingly fragmented.
—— MetroA virtuosic debut by a raw new talent. An honest and timely evaluation of a black man's struggle to belong and later come to terms with failing mental health. Utterly convincing and deeply sad, Owusu's storytelling will bring readers to tears.
—— Scarlett Sangster , The Irish NewsDerek Owusu is not just a brilliant writer, he’s a deep thinker. Anything he does is relevant, and meaningful. It would be easy to say that he is mainly concerned with the condition of young black men, but in truth he speaks truth to all of us.
—— Benjamin ZephaniahA magnificent achievement.
—— Paul GilroyWritten with candour and verve, and full of moments of heart-stopping anguish and beauty.
—— Stephen Kelman