Author:G.W. Dahlquist

The adventure continues in The Glass Books of the Dream Eaters chapter 3, Surgeon, the third instalment of the ebook serial of G.W Dahlquist's fantastic fantasy novel.
Assassin Cardinal Chang is hot on the pursuit for a murderer but stumbles across an eerie chamber in which a book-like object made of glass pulses with an indigo blue light . . .
'If HBO are looking for a project to follow Game of Thrones, they need seek no further . . . an epic'Scotsman
'Fantastic. Somewhere between Dickens, Sherlock Holmes and Rider Haggard. I was in seventh heaven' Kate Mosse, author of Labyrinth
G. W. Dahlquist is a novelist and playwright. When he fell asleep during a snowstorm, his first book The Glass Books of the Dream Eaters came to him in a dream. He is the author of the acclaimed The Dark Volume and The Chemickal Marriage. Originally from the Pacific Northwest, he now lives in New York.
Fantastic. Somewhere between Dickens, Sherlock Holmes and Rider Haggard. I was in seventh heaven
—— Kate Mosse author of LabyrinthA page-turner, a rollicking ride . . . stupendous
—— Giles Foden , GuardianA novel of desire, sensation and desperate jeopardy . . . genuinely exciting and intriguing
—— Time OutAn erotically charged, rip-roaring adventure for adults with scarcely a dull moment to be had . . . keep[s] the reader on the edge of his seat
—— Daily MailAn extremely clever book, an obvious affection response to Joyce, to Ulysses , to all serious literature
—— Kevin Breathnach , Totally DublinAn exquisite and original book in which literature does not make us think about life: it is life
—— Le Magazine LittéraireThe masterpiece of one of Spain’s leading writers
—— Cara MagazineA true literary treat
—— El Mundo'Be careful of this book ... it's reading-on-the-escalator stuff'
'An incisive tale of real feeling'
'Intelligent themes deftly delivered; bound to be a hit'
—— Elle magazine'I'd have been proud to have written this book as it manages loads of things most writers want to achieve - a clever, funny, sad story with a big heart and an even bigger brain' Jenny Eclair
—— Jenny Eclair, Glasgow HeraldFrom debates over the mysteries of genetics to footnotes on popular culture, Cadwalladr wears her intelligence so lightly, and with a tone so natural, it's hard to believe this is her first novel
—— Arts TelegraphCadwalladr also captures the desperation at the heart of most good comedy. She maintains the tragicomic balance to the end and has the confidence to chose the right, realistic ending over the wrong, romantic one
—— The Observer/ReviewA hilariously funny and moving chronical of three generations of the Monroe family told through the eyes of Rebecca in the 1970s. It is not just a habit of quoting proverbs and a recipe for sherry trifle that have passed down the maternal line. There's a habit of broken marriages, dubiously fathered children and untimely deaths.
—— EliteRebecca Monroe is really stumped when it comes to her family's behaviour. Why, on the day Charles and Camilla got married, did her mum lock herself in the loo and refuse to come out? Was it due to the collapse of her chocolate cake, or because Rebecca's grandmother ended up marrying her first cousin?
Pondering what it is that makes her clan click, Rebecca is determined to discover whether it is genes or fate that affects the different generations.
A fun little romp about the joys of family and the genes we inherit.
Touching and surprising...A moving account of the personal and social pressures that shape our childhood experiences and resonate throughout out lives
—— The Sunday TimesThis exciting first novel by a talented writer is a moving exploration of family life in the twenty-first century...You won't want to put this book down
—— My WeeklyHilariously funny and moving chronicle of three generations
—— Peterborough Evening NewsShe grips from start to finish - a grip which held me against my will because the sustained atmosphere of mild hysteria is hard to take . . . I couldn't put it down.
—— Literary ReviewNoViolet Bulawayo has created a world that lives and breathes - and fights, kicks, screams and scratches, too. She has clothed it in words and given it a voice at once dissonant and melodic, utterly distinct
—— Aminatta FornaNoViolet Bulawayo's We Need New Names is an exquisite and powerful first novel, filled with an equal measure of beauty and horror and laughter and pain. The lives (and names) of these characters will linger in your mind, and heart, long after you're done reading the book. No Violet Bulawayo is definitely a writer to watch
—— Edwidge DanticatI knew this writer was going to blow up. Her honesty, her voice, her formidable command of her craft -- all were apparent from the first page.
—— Junot DiazI was bowled over... by NoViolet Bulawayo's shatteringly good first novel, We Need New Names
—— Anne Tyler, Good HousekeepingNoViolet Bulawayo is a powerful, authentic, nihilistic voice - feral, feisty, funny - from the new Zimbabwean generation that has inherited Robert Mugabe's dystopia
—— Peter Godwin, author of When a Crocodile Eats the SunA work of gritty naturalism
—— Adam Kirsch , ProspectWitty... ebullient... heartbreaking... our feisty heroine's sparkle never dims
—— iA truthful, profound snapshot of the kind of life that often gets overlooked. Moving, fresh, enlightening. A fantastic novel
—— Alice , Waterstone's AberystwythA fresh, engaging take on the relationship between rich and poor
—— WanderlustA bittersweet coming-of-age tale of displacement during the southern African nation's 'lost decade'
—— VoiceA tale of our time, a powerful condemnation of global inequality from the point of view of a 10-year-old in impossible circumstances... a stunning piece of literary craftsmanship
—— Weekly TelegraphBulawayo, whose prose is warm and clear and unfussy, maintains Darling's singular voice throughout, even as her heroine struggles to find her footing. Her hard, funny first novel is a triumph.
—— Entertainment WeeklyWonderfully, this is a novel whipped with the complexities of African identities in a post-colonial and globalised world and its most compelling theme is that of contemporary displacement, a theme that will resonate with many readers
—— We Sat Down BlogThis is a young author to watch
—— Suzi Feay , Financial TimesThis is a very readable tale, thanks to some excellent writing and its central character: a likeable heroine in a difficult world
—— Sarah Warwick , UK Regional Press SyndicationWe Need New Names is a distinct and hyper-contemporary treatment of the old You Can’t Go Home Again mould, and the book has more than enough going for it to easily graduate from the Booker longlist to the final six
—— Richard Woolley , Upcomingdeeply felt and fiercely written first novel
—— ScotsmanBulawayo's novel may scream Africa, but her deft and often comic prose captures memories and tastes, among them the bitterness of disappointment, that transcend borders
—— Jake Flanagin , AtlanticBulawayo excels... there is an inevitable nod to Achebe and the verbal delights and child's-eye view of the world is redolent of The God of Small Things. Otherwise, the magic is all Bulawayo's own
—— Literary ReviewProof again that the Caine prize for African writers really knows how to pick a winner… [It’s] a tour de force. Ten-year-old Darling is an unforgettable and necessary new voice: add her to the literary cannon
—— Jackie Kay , ObserverThis brilliant novel was shortlisted for the Man Booker Prize
—— Marie Claire UKAn exceptionally fine novel, as powerful and memorable as Coetzee's magnificent Disgrace... We need new novels like this – authentic, original and cathartic
—— Judy Moir , HeraldThere is no doubt that a new star of African female writing is truly born. The one-to-watch
—— New AfricanFollow ten-year-old Darling from the Paradise shantytown to America in this searing indictment of Mugabe’s Zimbabwe
—— Patricia Nicol , MetroShocking, often heartbreaking – but also pulsing with energy
—— The TimesA poignant, witty, original and lyrical coming of age story
—— Caroline Jowett , Daily ExpressTalented and ambitious
—— Helon Habila , GuardianA powerful fictional condemnation of global inequality
—— Sunday TelegraphFrom the opening chapter…the first-person narrative achieves a breathtaking vibrancy, ambition and pathos
—— Irish ExaminerDeserved all the publicity it got
—— Michela Wrong , Spectator






