Author:Anne McCaffrey

Aramina's family were 'holdless'.Driven out of their home after the massacre at Ruatha, they were forced to roam the land, seeking shelter and protection wherever they could.And now, after a period in the Igen caverns, they had to flee yet again -for the evil Lady Holdless Thella had discovered Aramina's unusual gift - she could 'hear' dragons - and Thella planned to exploit this gift for her own ends.At dead of night the little family began their flight through the forests and mountains of Pern - pursued by Lady Thella.But this time the dragons were to play a part in Aramina's destiny.
The Girl Who Heard Dragons and fourteen other stories of alien worlds and strange beings - from the magic pen of Anne McCaffrey.
Extraordinarily mature - technically as well as emotionally
—— Sunday TimesIt is impossible not to be dazzled by the brilliance of Marina Warner
—— GuardianThis is a writer with power to change your imagination
—— IndependentFull-blooded, dramatic, exciting
—— ObserverOne of England's foremost historical novelists
—— Birmingham MailFilled with intrigue and secret plots...Vividly capturing life under the Tudors and giving us an insight into the hearts and minds of characters long dead, it is easy to see why Jean Plaidy is still regarded as the Queen of historical fiction.
—— Claire Gaskell , Cambrian NewsHe handles words like a great poet
—— ObserverHe comes near to defying all criticism
—— Sunday TimesA creature of pure light and joy
—— New StatesmanA comic genius recognised in his lifetime as a classic and an old master of farce
—— The TimesThe funniest writer ever to put words to paper
—— Hugh LaurieThis is a ground-breaking piece of work. One of the crucial missing pieces in the great, slow, ongoing process of reassessment of literary reputations from that Soviet period. An immensely difficult task of translation...brilliant
—— Dr Susan Richard, author of Lost and Found in RussiaAndrey Platonov is one of Russia's greatest modernist scribes. Like his fellow science-fiction writer Yevgeny Zamyatin - author of the astonishing futurist novel We, published in the 20s - he was also among that tortured country's most prescient literary artists...The Foundation Pit, written in 1930 and now published for the first time in English, is his most striking attempt to convey the extreme estrangement suffered by ordinary people as collectivisation in agriculture proceeded across the USSR...one of the most prophetic nihilistic tales of this ruined century.
—— The West AustralianCompleted in 1930 but unpublished during his lifetime, Platonov's masterpiece, a scathing satire of the Soviet attempt to build a workers' utopia, gauges the vast human tragedy of Stalinism, portraying a society organized and regimented around a monstrous lie, and thus bereft of meaning, hope, integrity, humanity...His dark parable is a great dirge for Mother Russia as well as a savage analysis of the split consciousness fostered by an oppressive system. Platonov's books are still being unearthed in Russia decades after his death.
—— Publishers WeeklyA 20th-century Russian masterpiece...The Foundation Pit is a savage satire on collectivisation, a nightmarish vision of humanity trapped by the infernal machinery of totalitarianism...Platonov's grimly comic vision of a brave new world is as universal in its implications as any other account of a hellish utopia our century has produced..the dance of madness in The Foundation Pit is articulated as the suppression of anything human - sorrow and joy, hope and despair.
—— Sydney Morning Herald