Author:Andrey Kurkov,Amanda Love Darragh
Igor is confident his old Soviet policeman’s uniform will be the best costume at the party. But he hasn’t gone far before he realises something is wrong. The streets are unusually dark and empty, and the only person to emerge from the shadows runs away from him in terror.
After a perplexing conversation with the terrified man, who turns out to be a wine smuggler, and on recovering from the resulting hangover, Igor comes to an unbelievable conclusion: he has found his way back to 1957 Kiev. And it isn’t the innocent era his mother and her friends have so sentimentally described.
As he travels between centuries, his life becomes more and more complicated. The unusual gardener who lives in his mother’s shed keeps disappearing, his best friend has blackmailed the wrong people, and Igor has fallen in love with a married woman in a time before he was born. With his mother’s disapproval at his absences growing, and his adventures in each time frame starting to catch up with him, Igor has to survive the past if he wants any kind of future.
Kurkov is a master story teller, using a simple lean style for a narrative that reads like a fable or myth, rich in invention, brought to life by the deadpan depiction of local people and local events
—— The Bay, SwanseaKurkov masters the details superbly, writes with constant consummate wit and soufflé lightness
—— Tom Adair , ScotsmanSome see him as a latter day Bulgakov; to others he’s a Urkanian Murakami… With a characteristic mix of realism and fantasy it [The Gardener from Ochakov] will delight fans… Kurkov combines the mundane details of life in modern Ukraine (minibus taxis, tins of sprats and bottles of moonshine) with surreal elements from thrillers and sci-fi: knife wielding gangsters, or quantum leaps in the midnight suburbs. The plot rattles along like a Kiev commuter train, regularly stopping for vodka, salami and salted cucumbers…
—— Phoebe Taplin , GuardianQuickly becomes an absorbing rollercoaster, an understated fantasy with an unlikely but likeable hero
—— Matthew Dennison , The TimesMore than a clash of ages… It’s also a tale about fathers and sons and what they need from each other
—— Lesley McDowell , Glasgow Sunday HeraldAndrey Kurkov, author of Death and the Penguin, has perfected a brand of deadpan magical realism; his latest reads like a mixture of Mikhail Bulgakov and a rejected script for the amiable 1990s sitcom Goodnight Sweetheart. Kurkov’s unadorned style accentuates the narrative’s simple, fable-like quality but The Gardener from Ochakov is thematically rich: one might read it as a reflection on the role of alcohol in Ukrainian society, or the no less pernicious effects of post-Soviet nostalgia
—— David Evans , Financial TimesThe Children Act is a…sophisticated exploration of how society treats children and how children’s welfare can be considered in the complex world in which we live, where issues about how children should be raised are not subject to consensus.
—— Carol Storer , Legal ActionColeman's newest novel tells a mature, thoughtful story, successfully juggling a large cast of characters and creating men and women alike with balance and humor
—— Publishers WeeklyA fresh, warm and hugely enjoyable read ... truly brilliant. Her captivating style leaps off the page, engrossing you from the first sentence
—— CompanyEmotionally satisfying page-turner
—— CloserPacked with intelligence, sharp observation and a clever innocence... It marks the emergence of a compelling new voice – one that will continue to grow in range and authority
—— Andrew MotionI have wondered why the wit, warmth and energy of the West Midlands had no voice amongst the younger English poets. Now it has. Liz Berry is the Black Country’s shining daughter.
—— Alison BrackenburyWhat makes Berry an uplifting arrival is her rampant imagination and fully formed conceits
—— Tom Payne , Daily TelegraphAn utterly new voice, fresh, soaring, thrilling, she is one of those rare poets that make you want to wolf the book down and come back for more… A stunning debut
—— Jackie Kay , Big IssueIt is unusual for a young poet to have such a developed sense of how questions of voice, identity, place and readership can be resolved in poetry
—— Paul Batchelor , New StatesmanAn amazing debut that signals great things to come in the future from this original, proud poet
—— Jade Craddock , NudgeWonderful…incredible words
—— Birmingham MailUtterly beautiful poems of being in love, being a woman and being free. She is destined to be a star in the cosmos of poetry!
—— Daljit Nagra , Big IssueLiz Berry has an ability to bring the Black Country dialect to life with her poems
—— Diane Davies , Express and StarContemporary literature is overloaded with millenarian visions of destroyed landscapes and societies in flames, but Jacobson has produced one that feels frighteningly new by turning the focus within: the ruins here are the ruins of language, imagination, love itself.
—— Tim Martin , Daily TelegraphThe savagery of his imagery and his conclusions are impossible to forget, and maybe even to deny.
—— HeraldConfounds expectations but confirms Jacobson’s reputation.
—— New StatesmanI loved this book. A compelling tale that is bound to be a hot contender for the Booker.
—— Rebecca Wallersteiner , LadyImpressive, disturbingly timely – a massive step aside and a noticeable step up from most of his other fiction.
—— Bharat Tandon , Times Literary SupplementA pivotal – and impressive change of direction for [Jacobson].
—— Gerald Isaaman , UK Press SyndicationSentence by sentence, he remains perhaps the best British author around.
—— James Walton , SpectatorThis is Jacobson at his provocative, surprising, brilliant best.
—— Kate Saunders , Saga MagazineThrilling written and the most ambitious work on the shortlist… Once you’ve worked out what’s going on, you’ll be gripped by its hints of an anti-Semitic armageddon.
—— Mail on SundayIt’s stark and daring.
—— Gaby Wood , TelegraphA brilliant conspiracy yarn examining the manipulation of collective memory.
—— Mail on SundayIt's not just the subject of this book that will shock Jacobson fans, its distinct narrative style also comes as a surprise. A pleasant one at that.
—— Dan Lewis , Travel GuideA dystopian vision, haunting and memorable
—— William Leith , Evening StandardIt’s a triumph of creative writing. I finished it and started it again
—— Philippa Gregory , Daily ExpressJacobson has written a subtle, topical, thought-provoking and painfully uncomfortable novel
—— John Sutherland , The Timeschilling and provocative, Jacobson is at the height of his powers here
—— HeraldTrue to life [as well as] being well-written.
—— Catherine Taylor, family solicitor , Latest HomesVery deft, urgent and morally plangent.
—— Lewis Jones , OldieImpeccably crafted.
—— Stephanie Cross , LadyThe Children Act is in part a tribute to the best of the legal profession and, as a wordsmith, his deep respect for the best of their prose… The book has some landmark McEwan features of skillfully created tension.
—— LancetHe offers the reader a masterful study of a mind devoted to fairness… The Children Act is also a fascinating, painstakingly researched look inside the judicial process… Conveyed in crisp prose, this attention to detail elevates the moral conundrums…beyond the sensationalism lesser authors might have pursued. It is, in all respects, a novel that is carefully judged.
—— Irish ExaminerIt explores the tension between cool-headed secularism and ardent belief. It is at times preposterous – and yet it has a magical readability and is slender enough to read in one intense, absorbing sitting.
—— Jason Cowley , New StatesmanIn typical McEwan style, The Children Act is unputdownable and hauntingly beautiful.
—— Sushmita Bose , Khaleej TimesThe Children Act is a…sophisticated exploration of how society treats children and how children’s welfare can be considered in the complex world in which we live, where issues about how children should be raised are not subject to consensus.
—— Carol Storer , Legal ActionIf you have any unanswered letters on your desk, McEwan’s latest will have you grabbing your pen pronto.
—— IndependentThe Children Act shows McEwan as a master of fiction who strives to teach us how to live.
—— Olivia Cole , GQ Magazine UKPowerful and moving.
—— Sir David Bell , Times Higher EducationTaut, sparing and effortless, this is another exquisitely wrought novel from the master of the novella.
—— Good Book GuideA subtly musical arrangement of urgently topical issues…it may be read at a sitting, but resonates for much longer.
—— Lewis Jones , SpectatorIt’s absorbing and, almost a novella, it doesn’t outstay its welcome.
—— Nick Bevan , Times Higher EducationDefinitely one of the best books I have read this year.
—— Natalie K. Watson , Church TimesThis is a wonderful read with sharp, crystalline prose and, together with a superb moral dilemma, this is a beautiful and moving story.
—— Bath ChronicleOffering a window into a compelling world of life or death dilemmas, this is told in prose as polished as you’d expect.
—— Daily MailThe book is bursting of beautiful writing. You’ll want to read it all over again.
—— Kirsty Brimelow , The TimesA story of human behavior told in a raw, uncluttered, unforgiving way.
—— Cambridge NewsRenowned author McEwan manages to surprise throughout this book, right to the last page.
—— Mayfair MagazineA story of human behavior told in a raw, uncluttered, unforgiving way – and we could all have done with another couple of hundred pages.
—— Cambridge MagazineMcEwan writes in taut, sparing and effortless prose.
—— Good Book GuideIan McEwan writes stories of exquisite precision and clarity. This one is ace.
—— William Leith , Evening StandardA page-turning novel
—— John Koski , Mail on SundayAs one has come to expect, McEwan sets up the moral issues with delicacy and precision.
—— John Sutherland , The TimesIan McEwan is at his most compelling with the story of Fiona Maye… Awesome
—— Marcus Field , IndependentA wonderfully readable and thought-provoking book
—— Kathryn Atkins , Bristol MagazineA short novel that will linger in your mind for a long time
—— Woman’s WeeklyAnother beautifully written masterpiece
—— Beyondrelevant, emotive, moving, this is beautifully written and a guaranteed page turner
—— Matthew Smith , H EditionOne of our best authors at his best.
—— Murray Neil , Hertfordshire LifeOne of my favourite authors… McEwan’s fascination with judicial issues, with music and poetry, and with the moral conundrum of how far you place your religious beliefs above the life of someone you love, all feature in this book which will leave you thinking long after you have finished it.
—— Frances Colville , Frost MagazineIt's an enjoyable and often surprising novella.
—— Charlotte Heathcote , Daily ExpressIt asks fundamental questions in a sober, intelligent way about the choices we make and our blindness when it comes to our beliefs.
—— Francois Ozon, film-maker , ObserverHere he is again: vulnerable, insightful, passionate and utterly in control. He’s amazing.
—— Robert Webb , Mail on Sunday