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The Frederica Quartet: The Virgin in the Garden, Still Life, Babel Tower & A Whistling Woman
The Frederica Quartet: The Virgin in the Garden, Still Life, Babel Tower & A Whistling Woman
Jan 28, 2026 2:41 AM

Author:A. S. Byatt,Full Cast,Rosemary Leach,Indira Varma,Kate Buffery,Anna Massey,Penelope Wilton,Sheila Mitchell,Clive Owen,Hannah Watkins

The Frederica Quartet: The Virgin in the Garden, Still Life, Babel Tower & A Whistling Woman

A BBC Radio 4 full-cast dramatisation of A.S. Byatt's 'Frederica Quartet', plus selected short stories and a fascinating talk by the author

Inspired by the novels of D.H. Lawrence, particularly The Rainbow and Women in Love, this ambitious quartet from Booker Prize-winning novelist A.S. Byatt charts the lives of the Potter family between 1953 and 1970. Set against the changing social and political landscape of England in the '50s and '60s, it follows the heroine, Frederica, from precocious teenager to TV talk show host, and from her Yorkshire home to the heart of swinging London.

The Virgin in the Garden sees the Potters preparing to celebrate Elizabeth II's coronation, while Frederica auditions for a play about Elizabeth I written by the beautiful Alexander Wedderburn. Will she win the part, and Alexander's heart? In Still Life, Frederica's ambitions - both academic and sexual - come to fruition, as she gains a place at Cambridge University to study English - and men. In Babel Tower, she has given up her carefree, independent lifestyle - but as the Sixties' cultural revolution explodes and the quest for personal and public freedom becomes all-important, will settling down bring her happiness? And in A Whistling Woman, as events build to a tragic climax in Yorkshire, back in London, Frederica is faced with a difficult choice... These acclaimed adaptations star Rosemary Leach, Hannah Watkins and Indira Varma as Frederica.

Also included are four fantastic short stories: 'The July Ghost', dramatised with a star cast including Kate Buffery and Clive Owen; and 'Rose-Coloured Teacups', 'Gode's Story' and 'A Stone Woman', read by Anna Massey, Sheila Mitchell and Penelope Wilton respectively. Plus, in Finding A Voice, A.S. Byatt reflects on her approach to her work, explaining where her desire to write came from and how she honed her craft.

Track listing

1: Introduction

2-9: The Virgin in the Garden

10-16: Still Life

17-24: Babel Tower

25-31: A Whistling Woman

32: The July Ghost

33: Rose-Coloured Teacups

34: Gode's Story

35-37: A Stone Woman

38: Finding a Voice

© 2021 BBC Studios Distribution Ltd

(p)2021 BBC Studios Distribution Ltd

Text copyright © AS Byatt 1978 (The Virgin in the Garden), 1985 (Still Life), 1987 ('The July Ghost', 'Rose-Coloured Teacups'), 1994 ('Gode's Story'), 1996 (Babel Tower), 2002 (A Whistling Woman)

Reviews

Sparky, thoughtful, inventive, and fun, it's also the mix of these qualities that makes this a fantastic collection

—— Buzz Magazine

This slim volume is a joy, packed with wry observation, vim and wit that deftly captures the spirit of these strange times we inhabit. Journeying through topical subjects, from rising oceans and adultery in lockdown to seaside staycations and an ode to Laura Kuenssberg, poet Roger McGough has a keen eye for the magical moments within the mundanities of modern life

—— Herald

Probably the best-known contemporary poet in the country, Roger McGough still tours his brand of zany takes on British culture . . . Safety in Numbers runs with several themes, including the pandemic, how to write poems and even being a narrator and voice-over artist. . . . [with] a lot of characteristically clever imagery and wordplay, such as in Warning Signs, a list of aphorisms, "Time to hit the road? You stumble, hit the road".

—— Expert Reviews, Best Poetry Books for 2022

McGough is a true original and more than one generation would be much the poorer without him

—— The Times

McGough has done for poetry what champagne does for weddings

—— Time Out

Memorable and enduring and fresh. Age has not withered [his lines] nor diminished their potency. Of how much modern poetry can you say that?

—— Sunday Herald, on ‘joinedupwriting’

McGough's trademarks: the craft worn as lightly as the crown, the jokes that are something more, the underlying heartache, the acute sense of the way time slips away

—— Poetry Review, on ‘joinedupwriting’

The patron saint of poetry

—— Carol Ann Duffy

Gulpable fictive entertainment . . . Eggers is a wonderful storyteller with an alert and defiant vision

—— Observer

You read it and think: yes, this is set in the future but it is actually going on here and now. It is an urgent and necessary book. It's also fun. You catch more flies with honey than vinegar

—— The Scotsman

More playful and satirical than Orwell, Eggers's digital totalitarianism is a touchy-feely affair; where Orwell has the boot on the face, Eggers has online shopping and emojis. But it is no less of a serious warning . . . it scores as a series of brilliant set pieces and a devastating overall critique.

—— Sunday Times

Zayyan brings attention to a period of history that many may be unaware of and reckons with some of the real world consequences of colonialism in an interesting and personalised way. It is a brave book in those terms ... we also witness some very believable and relatable instances of modern day racism as well as a strong and interesting account of how he struggles to balance his way of life with the wishes of his parents ... Zayyan writes very well ... in Sameer she writes a complex, interesting character who makes sense as a product of his life circumstances ... We Are All Birds of Uganda does tell stories that I haven't often read before, and brings attention to parts of history that really need to be focused on in our current climate.

—— Bookmunch

Rapper Stormzy's favourite debut soars by asking: Who are we - and how do we belong?

—— Shivani Kochhar , Mail Online

On the evidence of this book, which is set in England and Uganda, [Zayyan] is an exciting new literary talent.

—— Phoenix Paper

[A] tender, beautifully written read ... This remarkably accomplished debut is a moving tale of love and loss, told between two continents over a troubled century.

—— Irish Country Magazine

Zayyan's novel is emotive, multi-layered and makes for necessary reading.

—— Studio

From the moment the Afrori Team saw this book we were captivated. It is one of the most remarkable debut novels we have come across. A book you will not forget.

—— Afori Books

...It's a complex and delicately flavoured dish to be savoured and digested slowly.

—— The Northern Echo

Impressive and admirable.

—— Shiny New Books

Beautiful.

—— Lonesome Reader

So brilliant, moving and just prescient for today that I just want to keep on waffling about it.

—— Crazed Red Head

A truly thought provoking novel which makes you wonder and question yourself and the world long after putting it down. A real success.

—— Candid Book Club

A stirring exploration of love and displacement.

—— Woman & Home

A remarkably accomplished, polished debut.

—— Malorie Blackman

There are flashes of brilliance throughout, reminiscent of John Berger.

—— Stephanie Sy-Quia , Times Literary Supplement

Acts of Desperation creates an immersive experience of toxic romance through a suffocating and addictive narrative.

—— New Statesman

Painful, sharp and absorbing.

—— Susie Mesure , i

A reflection on compulsion, addiction and what it's like to exist as a young woman in a world that is hostile to you. Read the first page and you won't be able to stop.

—— Irish Times

Nolan...stakes out thrilling new territory in an intense, unflinching novel that is always intelligent and utterly unafraid of ugliness.

—— Claire Lowdon , Spectator, *Books of the Year*

A devastating stripping back of the gendered and politicised conditions that shape desire, a revelation of the unnerving ways we are made vulnerable to others in unequal systems. Its crisp, knowing prose is unparalleled, its anger remarkable.

—— Anahit Behrooz , Skinny, *Books of the Year*

Nolan's intelligent, elegant first novel, a gripping portrait of love turned toxic.

—— Daily Telegraph

The star feature of Nolan's narration is her ability to cut through received ideas about women, relationships and even rape. Her headlong, fearless prose, feels like salt wind on cracked lips. You wince and you thrill.

—— Claire Lowdon , Sunday Times

A raw read of vulnerability, desperation, and most definitely a new voice in fiction

—— Chloe Brown , Cosmopolitan

A thrilling read...if you want a visceral, honest, unputdownable summer read then this is it. You'll devour it in a day.

—— Stylist, *Summer Reads of 2022*

A very elegant novel, with coercive control at the core. She has such a strong voice and not a sentence is extraneous

—— Emma Frost, author of BUSY BEING FREE , i

I read this in one go... I found it raw, honest, brutal and real.

—— Lykke Li , Observer

Written with acerbic style and wit, this is an intoxicatingly good look at romantic obsession, delusion and desire.

—— i

Beautifully written…and the short chapters keep things moving at an addictively fast pace. Most importantly, it’s shamelessly real

—— Crack
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