Author:Yan Lianke

SHORTLISTED FOR THE MAN BOOKER INTERNATIONAL PRIZE 2016
'One of China's greatest living authors and fiercest satirists' Guardian
In the ninety-ninth district of a sprawling labour camp, the Author, Musician, Scholar, Theologian and Technician - and hundreds just like them - are undergoing Re-education, to restore their revolutionary zeal and credentials. In charge of this process is the Child, who delights in draconian rules, monitoring behaviour and confiscating treasured books.
But when bad weather arrives, followed by the ‘three bitter years’, the intellectuals are abandoned by the regime and left on their own to survive. Divided into four narratives, The Four Books tells the story of the Great Famine, one of China’s most devastating and controversial periods.
WINNER OF THE FRANZ KAFKA PRIZE 2014
NOMINATED FOR CZECH AWARD MAGNESIA LITERA 2014
HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013
FINALIST FOR THE MAN BOOKER INTERNATIONAL PRIZE 2013
WINNER OF THE HUA ZHONG WORLD CHINESE LITERATURE PRIZE 2013
SHORTLISTED FOR THE INDEPENDENT FOREIGN FICTION PRIZE 2012
SHORTLISTED FOR THE PRIX FEMINA ETRANGER 2012
SHORTLISTED FOR THE MAN ASIAN LITERARY PRIZE 2011
WINNER OF THE LAO SHE LITERATURE AWARD 2004
WINNER OF THE LU XUN AWARD 1997
Arch and playful... [Yan Lianke] deploys offbeat humour, anarchic set pieces and surreal imagery to shed new light on dark episodes from modern Chinese history... A brave, brilliant novel
—— David Evans , Financial TimesIt’s a Chinese novel hailed across the planet as a masterpiece, and I’m normally the first to resist such an imposition before I’ve even opened the thing – but for once, the hype doesn’t go far enough... a devastating, brilliant slice of living history
—— Kate Saunders , The TimesNo other writer in today's China has so consistently explored, dissected and mocked the past six and a half decades of Chinese communist rule... it is an extraordinary novel
—— Isobel Hilton , ObserverOne of the masters of modern Chinese literature
—— Jung ChangStark, powerful and compelling... A privilege
—— IndependentA searing, allegorical view of Chinese society during some of the darkest moments of the Mao era. . . . Yan cements his reputation as one of China's most important—and certainly most fearless—living writers
—— KirkusYan's new work is vital historical testimony
—— Library Journal, USA biting satire about Chinese re-education camps during the Great Leap Forward that's as haunting as it is eye-opening
—— Publishers WeeklyOne of the masters of modern Chinese literature, Yan Lianke gives all the pleasures one gets from reading. He can extract humour from the bleakest situation. I whole-heartedly recommend this latest book
—— Jung ChangA rich reading experience and much light shed on this catastrophic period of Chinese history
—— 4 stars , New InternationalistWoven together, these “texts” reflect the catastrophe of the times and meditate on the meaning of integrity, truth, love and ethics when confronted with horror. It is an extraordinary novel
—— Isabel Hilton , ObserverAs a reader, you close the book with a profound sense of how ideology has permeated and changed very sector of collective human life, from trivial daily matters to the great ruptures of history
—— Xiaolu Guo , GuardianA powerful satire on ideology, veering between the grotesque and the horrific
—— Ángel Gurría-Quintana , Financial TimesI would absolutely recommend this to individual readers and reading groups alike. It’s not an easy read considering the subject matter but it is a very good one.
—— Eleanor King , NudgeAn eerie, compelling novel, its deceptively simple language is a 'slight rush of words' which hold much more than they seem capable of containing...This novel is about the need to create a story we can live with when the real story cannot be told...
—— Financial TimesStrout uses a different voice herself in this novel: a spare simple one, elegiac in tone that sometimes brings to mind Joan Didion's
—— The TabletThis is a glorious novel, deft, tender and true. Read it
—— Sunday TelegraphAn exquisitely written story...a brutally honest, absorbing and emotive read
—— Catholic UniverseHonest, intimate and ultimately unforgettable
—— StylistSympathetic, subtle and sometimes shocking
—— Emma HealeyPlain and beautiful...Strout writes with an extraordinary tenderness and restraint
—— Kate SummerscaleOne of this year's best novels: an intense, beautiful book about a mother and a daughter, and the difficulty and ambivalence of family life
—— Marcel TherouxElizabeth Strout's prose is like words doing jazz
—— Rachel JoyceElizabeth Strout's Olive Kitteridge is the best novel I've read for some time
—— David NichollsAn exquisite novel of careful words and vibrating silences
—— New York Times Book Review 100 Notable Books of 2016In this quiet, well observed novel, a mother and her mysteriously ill daughter rebuild their relationship in a New York hospital room. Deft and tender, it lingers in the mind
—— Daily Telegraph Books of the YearA worthy follow-up to Olive Kitteridge
—— David Nicholls , Guardian Books of the YearI loved My Name is Lucy Barton: she gets better with each book
—— Maggie O'Farrell , Guardian Books of the YearThe standout novel of the year - a visceral account of the relations between mother and daughter and the unreliability of memory
—— Linda Grant , Guardian Books of the YearIn a brilliant year for fiction, I've admired the nuanced restraint of Elizabeth Strout's My Name is Lucy Barton
—— Hilary Mantel , Guardian Books of the YearElizabeth Strout's My Name is Lucy Barton shouldn't work, but its frail texture was a triumph of tenderness, and sent me back to her excellent Olive Kitteridge
—— Cressida Connolly , The SpectatorA rich account of a relationship between mother and daughter, the frailty of memory and the power of healing
—— Mark Damazer , New StatesmanThis physically slight book packs an unexpected emotional punch
—— Simon Heffer , Daily TelegraphA novel offering more hope
—— Daisy Goodwin , Daily MailMy Name Is Lucy Barton intrigues and pierces with its evocative, skin-peeling back remembrances of growing up dirt-poor.
—— Ann Treneman , The TimesMasterly
—— Anna Murphy






