'A gripping psychological thriller...capturing the nervous mood of a city preoccupied, like one of its most famous residents, with sex and death'

'This is a captivating thriller that blooms into vivid life ... It's a novel written with immense skill, its sense of place and language constantly surprising and invigorating. A superb debut.'

'Highly unusual, eerie...a glorious maze of dead ends and false leads. Sometimes gruesome and highly mysterious, it is an exciting new brand of detective story'

'An artful and evocative thriller...rich in the texture of corruption' Independent

'An intensely powerful sense of time and place in this atmospheric and accomplished period whodunit'

'Astonishingly original and vivid...one of the chief attractions of the novel is the laconic and elegant style. The writing is vivid and highly visual, but reveals very little about the character's feelings. Understanding and judging the motives of the characters is, with brilliant effectiveness, left to the reader'

'Enjoyable and intelligent...tense, sophisticated and wholly tempting, it is good entertainment, with barely a word out of place'

'Lush with dreamy suspense, gypsy portents and forensic detail'

'Shields has a powerful gift for poetic and painterly imagery. Her startling scenes, rich in metaphor, linger long in the memory...Beautifully written'

'Eerie and erotic - a Viennese dance of death'

'Suspenseful, atmospheric and highly intelligent, Jody Shields focuses a brilliant light on the murky world of imperial Vienna'

City on Fire is an extraordinary performance. Radiating youthful bravado that will make older authors sniff with contempt (or sweat with envy), Hallberg has conjured what he calls the “muchness” of New York City in the late 1970s … A novel whose Whitmanesque arms embrace an entire city of lovers and strivers, saints and killers … Dazzling

The hype is justified: this is the year’s must-read book

A big, stunning first novel and an amazing virtual reality machine, whisking us back to New York City in the 1970s … It’s a novel of head-snapping ambition and heart-stopping power – a novel that attests to its young author’s boundless and unflagging talents.

It’s a big ask to give up a week of your reading life to an unknown guy from North Carolina whose middle name is Risk. However, then you start reading this classic thriller set in the graffiti-splashed 1970s New York, about a girl called Sam being shot in Central Park, and it’s immediately apparent that here is a writer who knows how to do suspense. You’re soon zipping through Hallberg’s vividly realised New York like a child discovering Hogwarts for the first time.

It’s been a while since a debut novel received as much pre-publication scrutiny as City on Fire… It happens that the hype wasn’t for nothing… Hallberg writes with style and sophistication about everything from urban decay and punk rock to domestic terrorism and the dissolution of the nuclear family, seamlessly melding disparate character arcs, and deploying a host of storytelling modes in the process… Those who commit will come away with the bracing sense that they’ve discovered a writer of immense talent, confidence and self-awareness… It’s exciting to see a writer start his career with such an extravagant display of talent and assurance, and pleasing to learn that behind all the hype, there’s a tremendous amount of substance. Hallberg’s going to be fun to follow for a long time.

Were it not such an emphatically personal work, City on Fire might have suffered from the preemptive (and inaccurate) comparisons freely employed by critics and publisher alike. Hallberg is not David Foster Wallace, nor (thankfully) is he Jonathan Franzen. However, he is now indisputably in their league. That is the only comparison with such authors required…Hallberg's New York is not that of Tom Wolfe, Lou Reed or Jonathan Lethem. It is vividly and indisputably his own…The author, it seems, is not dead yet … Some critics already resent City on Fire for doing too many things. One suspects what they truly resent is that it does too many things well. Hallberg occupies a middle-ground between the social epics of the 19th century and the all-encompassing endeavour of modernism, and achieves much inside that comfortably gigantic expanse…Though the novel confronts identity, idealism, love, youth, art, ambition, the political and the personal, the persistent charm of City on Fire is how it luxuriates in an impressionistic recreation of place, mood and atmosphere. If there are lengthy, luminous descriptive sections of Hallberg's prose that exist for no other reason than to be beautiful, there is nothing wrong with that. Quite the opposite: the beauty of such passages permeates the entire book, and could easily support another hundred pages. That's right. City on Fire – all 900-plus pages of it -– is, if anything, too short.

City on Fire is the kind of exuberant, Zeitgeisty New York novel, like The Bonfire of the Vanities or The Goldfinch, that you’ll either love, hate, or pretend to have read

Mesmerizing

[Hallberg conjures] a pulsing metropolis out of legend, lyrical prose, studious imitation, and the thrilling arrogance of imagination … City on Fire is a novel of connection, forgiveness, and empathy

Gunshots ring out in New York’s Central Park. Various colourful characters revolve around this event, their lives interlocking. Don’t be put off by its length. It’s sprawling, brilliant and all-consuming – I couldn’t put it down.

Like great American writers before him, he taps into the energy of a moment and makes you wish you had witnessed it … The verdict: believe the hype around City on Fire. Five stars.

Looks as if it might be the most propulsive New York novel since Bonfire of the Vanities.

His New York City is ablaze, with fireworks, trashcan infernos and the burning Bronx.

A fantastic achievement; mesmerising, addictive in a way that a book this long really shouldn’t be, and full of intrigue. Hallberg’s writing is clear, insightful, and accessible; for all that it runs to almost 1,000 pages, each sentence has been crafted just so.

An epic of New York…a kind of punk Bleak House.

This magnificent first novel is full to bursting with plot, character, and emotion, all set within the exquisitely grungy 1970s New York City...Graceful in execution, hugely entertaining, and most concerned with the longing for connection, a theme that reaches full realization during the blackout of 1977, this epic is both a compelling mystery and a literary tour de force.

The very-damn-good American novel.

A vivid immersive novel.

Clocks in at a cool 944 pages, but we breezed through it in no time. It’s the story of a shooting in Central Park and its effect on ‘70s New York – the city’s scuzzy, punky peak.

Glitzy, gritty storytelling.

An outstanding novel… what an accomplishment.

Ambitious and assured – and stunningly good.

An American epic…But don’t wait for the movie. There’s writing here that’s too good to miss.

The biggest and boldest novel of this generation

Approach as you would a box set or a Shirley Conran novel - in stages. It's glitzy, gritty storytelling that is worth sticking with.

A fantastic achievement; mesmerising, addictive in a way that a book this long really shouldn't be, and full of intrigue. Hallberg's writing is clear, insightful, and accessible; for all that it runs to almost 1,000 pages, each sentence has been crafted just so.

This year’s most exciting fiction debut is a wild ride through the grimy, glorious city of the 1970s...a book that is truly that great, rare thing: a wholly inhabitable universe, reflecting back our lives while also offering an exhilarating escape from them

Expert storytelling, lyricism and authenticity…Fans of Donna Tartt’s The Goldfinch: you’re going to love this book

The hype is justified: this is the year’s must-read book

A gripping, atmospheric and authentic take on the decade when the Big Apple seemed almost rotten to the core

For almost a thousand pages, he swirls around a single tragedy — the shooting of a college student in Central Park — sweeping up tangential characters and making every one of them thrum with real life until the lightning strikes, the electric grid overloads and the city goes mad on that dark summer night in 1977.

The grit of the city provides an equal lure. As garbage blows, graffiti scrawls, and street fashions strut through Vinyl and City on Fire, who wouldn't swoon?

A vast cast of characters and intricate sub-plots, City on Fire has been compared to everything from Bleak House to the early work of Jonathan Franzen. Not to mention nods to Don DeLillo and Tom Wolfe.

Despite being a debut, it shows a technical maturity matched to a playful, sexy wit… A thriller, albeit an extremely clever and stylish one.

Imaginative debut… His eyes for the tiny things that make up life suggests better is to come.

This is one of those enormous books that might, if you’re luck, grab you and keep hold for days and days.