This remarkably intricate 1994 novel by the veteran Spanish author (of, most recently, Variable Cloud, 1996) won her country's National Prize for Literature. It reveals, through a series of skillfully juxtaposed overlapping scenes (set both in the present and in a painstakingly remembered past), the ongoing ordeal of Leonardo Villalba, recently released from prison (for his complicity in an unspecified scandal) and now compelled to explore both the mystery of his wealthy parents deaths in an automobile accident and the enigma of his own detached, affectless personality.

The key to these secrets is Hans Christian Andersen's tale The Snow Queen, which bears crucial symbolic relevance to Leonardo's emotional opacity, the imperious grandmother who essentially raised him, and the strange new owner of Quinta Blanca, the clifftop house where the seeds of Leonardo's compromised manhood were sown.

A Proustian journey into the interior, a dazzling psychodrama and, arguably, one of the best novels out of Spain in recent decades.

Blurring the boundaries between real life and a dream, this richly imagined, meticulously crafted tale by Spanish novelist Gaite (Variable Cloud) borrows from a fairy tale to redeem a young man's past. Moments after his release from prison in the 1970s (he was arrested for involvement in a "shady deal"), Leonardo Villalba, a restlessly ruminative but despondent soul, learns of the death of his financier father and icily distant mother in an automobile accident. He arrives home in Madrid like the prodigal son and, unable to grieve, embarks on a vertiginous journey to reclaim his emotions. Revisiting Hans Christian Andersen's The Snow Queen, which his grandmother often read to him as a child, Leonardo imagines himself as Kay, the fabled young boy who grows estranged from his best friend, Gerda, after a splinter of glass enters his eye and turns his heart cold. Consumed by his own riddle of identity and committed to piecing together a plausible narrative of his life, Leonardo conjures the specters of his father and his beloved grandmother, whose visitations turn his attention to the Quinta Blanca, his grandmother's large seaside home where he spent much of his childhood. Startled by his failure to remember that he sold the Quinta Blanca to a reclusive writer soon after inheriting it from his grandmother, the somnambulant Leonardo resolves to buy it back. While studying correspondence stored in his father's safe, he discovers a likeness between the serendipitously procured essays of Casilda Iriarte, the Quinta Blanca's current owner, and letters from the mysterious "Sila." Beyond confirming his suspicion that the "lady of the Quinta Blanca" and Sila are one, a Christmas visit to the Quinta Blanca dislodges Leonardo's splinter of glass, reveals the secret between his father and the lady of the Quinta Blanca and renders Leonardo twice orphaned. By the sheer force of her prose in this liquid translation, Gaite delivers an engrossing tale inhabited by deeply human characters and passionate landscapes. The novel glistens with intelligence and heart.

The Farewell Angel was awarded the Spanish National Prize for Literature in 1994.

. . . a classic children's fantasy

He was so enthusiastic - he was a performer as well as an author

The nature of the magic in Bellania felt particularly fresh, and will appeal to the imaginations of young readers. For me though, the most enjoyable part of the book was its villains [On Crow's Revenge]

This is better than all the Harry Potter books put together. This is by far the best fantasy novel that has been published since Percy Jackson and the Lightning Thief. This book's awesome characters, gripping plot and emotion use make this a true must-read!

The minor flaws here, then, are reassurance that Wood is merely one of the finest critics around.

All these essays are shot through with his characteristic light humour and moral seriousness, each expertly constructed paragraph rich with metaphorical insight.

This is a book that's impossible to read without gaining a greater appreciation of what it means to write well, both in the case of the work under review and, just as pleasurably, the reviews themselves

A passionate and instructive case for great writing.

A source of continuous enjoyment.

The Fun Stuff displays the steely verve that makes James Wood's criticism thrilling for literature specialists and general readers alike.

This collection is, as the title suggests, a lot of fun. Even when you disagree with his judgements, it's impossible not to be dazzled by the breadth of his reading.

[A] seriously enjoyable collection of essays by the New Yorker's resident literary critic

James Wood writes superbly about writing

This scintillating collection offers trenchant analysis and original insight into the works of a wide range of important writers

Viewed through Wood's eyes, even the best-known novels appear before us looking naked and strange

[Wood's] encyclopaedic knowledge and compact, energetic prose makes him an illuminating and acerbic guide to literary giants

[Wood] delivers some golden insights

[Wood's] insight into writing is impressive and the sheer joy that he takes in others' literary dexterity is infectious

A panoramic look at the modern novel

Elegant little novel and a real delight to read