Engaging, effortlessly readable… Lasdun’s writing style is clean and straightforward. All the complexity resides in character and detail. This is masterfully controlled 2am noir.

What a sinister and searching novel this is – and what a delight. James Lasdun is one of our great writers.

Exceptionally entertaining…The Fall Guy reads like early Ian McEwan or late Patricia Highsmith… Lasdun is masterly in his story’s construction… This is exactly what a literary thriller should be: intelligent, careful, swift, unsettling.

Nothing is straightforward in this slick, Highsmithian thriller, and while the damaged Matthew’s capacity for self-deception is flagged early, Lasdun’s skill lies not least in letting us think that we might therefore have his number. Wrong – and yet the novel’s denouement feels fated even as it smoothly steals the breath.

Impossible to put down.

A deftly constructed narratives of guilt and buried resentment

Already drawing comparisons to Gone Girl and The Girl on the Train — but more aptly described as the literary descendant of Dostoyevsky and Patricia Highsmith in an alluring contemporary setting — The Fall Guy is a twisty, chilly, exquisitely written, and tautly suspenseful exploration of big ideas in the guise of a psychological thriller.

James Lasdun seems to be one of the secret gardens of English writing…when we read him we know what language is for … In sentence after sentence, the reader feels Lasdun’s words shaping and then freely donating a world to us, with great flexible artistry.

The early pages crackle with a gut-level sense of menace… [There is] a brilliantly unbearable pivotal scene… The artistry in this morally complex, coolly seductive portrait of an imploding psyche means that there is plenty to admire on a repeat visit.

James Lasdun has written an elegantly suspenseful novel set in a brilliantly realised affluent upstate New York community not unlike Woodstock – his characters are achingly real, and the self-deceptions that drive them so insightfully depicted, we might almost mistake them for our own. Truly a “page-turner” – propelled toward just the right ending.

In The Fall Guy, James Lasdun brings the signature gifts to contemporary noir that he’s displayed in other literary venues – wit, style, an attractive gravitas. And the tale itself is sharp, acute in its observations, and absorbing. It’s a rich read.

Elegant and disturbing…This simple-seeming novel, so graceful in its unfolding, proves dense with psychological detail and sly social observations.

Lasdun serves up another complex psychological thriller. . . A gripping, often unnerving page-turner perfect for fans of Thomas H. Cook, Ian McEwan, and Joyce Carol Oates.

Lasdun's controlled, devious storytelling style infuses every tick of the clock with tension.

[A] terrific novel… Lasdun presents the inexorable turnings of fate in a subtle and disconcerting way.

This sleek, sexy, expertly constructed thriller oozes with a malign, overheated atmosphere.

Lasdun has produced a fascinating study of how friendship can sometimes become obligation.

Irresistibly devious.

Lasdun is a renowned writer.

Expertly playing the noir card, Lasdun dissects the mercurial relationships among a wealthy financier, his photographer wife and an aimless cousin during a long hot summer in upstate New York. There are plenty of lies and betrayals in this stylish thriller, but it’s the slow burn of obsession that makes it sing.

The Man Booker-nominated author's critically praised new novel is a Trump Age thriller: A rich banker and his cousin, an unemployed chef, both covet the banker's wife, who is having an affair with a fourth person. Things end badly.

This is a one-sitting read, a whitewater ride to hell in which Lasdun hurls headlong into the psyche of his stalker, in this instance a thirty-something former chef called Matthew… In fearlessly observing sentences, Lasdun – who has an architectural imagination – unlocks room after room of Matthew’s psyche… Brilliant.

We all wish we could erase, obscure, or even simply accept the past. Perhaps the message of The Fall Guy is that, however extreme our mistakes, we will still regard them as aberrations, bizarre swerves away from our true selves, rather than what they really are: the purest expressions of our prejudices, fears and desires.

Superbly engaging and intelligent psychological thriller… A compulsively readable tale of money, power and betrayal.

A creepy little satire.

A riveting psychological thriller.

The story becomes very intense as Lasdun masterfully turns the screw.

A hugely affecting, moving read. I was heartbroken by the end, but adored every chapter

Beautiful

Each section displays Ryan’s range as a writer... [he] writes with brilliant empathy.

Exquisitely rendered, with raw anguish sublimated into lyrical prose.

Heartbreaking … Arguably the best of the new wave of Irish writers to have emerged over the last decade

Ryan has the gift of ventriloquism - he inhabits his fictional creations thoroughly, enveloping you in their worlds

Sublime

From a Low and Quiet Sea by Donal Ryan made me laugh and cry and forced me to look strangers in the eye

Beautifully bleak and characterised by his remarkable ability to write about grief and common humanities.

Beautiful, compassionate

Superlatives wouldn’t do for describing From a Low and Quiet Sea … understated, and gloriously heart rendering

Strout turns her clear, incisive gaze on the intricacies and betrayals of small town life

Anything is Possible is predictably great because it's written by Elizabeth Strout, and brilliantly unpredictable - because it is written by Elizabeth Strout