Author:Patrick White

NOW A MAJOR MOTION PICTURE
Elizabeth Hunter, an ex-socialite in her eighties, has a mystical experience during a summer storm in Sydney which transforms all her relationships: her existence becomes charged with a meaning which communicates itself to those around her. From this simple scenario Patrick White unfurls a monumental exploration of the tides of love and hate, comedy and tragedy, impotence and and longing that fester within family relationships.
Beautiful and heroic...Every passage merits attention and gives satisfaction
—— New York Times Book ReviewOne of the greatest magicians of fiction ... White's scope is vast and his invention endless
—— ObserverPatrick White is, in the finest sense, a world novelist. His themes are catholic and complex and he pursues them with a single-minded energy and vision
—— GuardianThe outstanding figure in Australian fiction
—— New York TimesIn his major postwar novels, the pain and earnestness of the individual’s quest for ‘meaning and design’ can be felt more intensely than perhaps anywhere else in contemporary Western prose
—— Sunday TimesAn antipodean King Lear writ gentle and tragicomic, almost Chekhovian . . . an intensely dramatic masterpiece.
—— The AustralianReading 'The Chateau' is like meeting a very old friend with whom the conversation is always spontaneous, intimate, restorative and unpredictable... Maxwell is that rare thing, a kind writer... But what has made him so influential is his habit of interspersing his subtle accounts of character with sharp observations about human nature.
—— IndependentThe novel successfully depicts misunderstandings, isolation and disappointment: are they sensitive to local traditions? Are they laughing at the right jokes? Are they tipping too much?
—— GuardianPerennially endearing
—— SpectatorMaxwell's achievement is to show how human relationships work in spite of the confines of history, language and nationality
—— Daily TelegraphStylishly, subtly, the enjoyment of getting to know another country is conveyed with authority and a perceptions that's rare in our careless times
—— The OldieLurie weaves a characteristically sharp-eyed, deftly ironic comedy of cultural collisions and collusions that rightly won her comparisons to Henry James and Edith Wharton
—— Sunday TimesI am convinced that Alison Lurie's fiction will long outlast that of many currently more fashionable names. There is no American writer I have read with more constant pleasure and sympathy over the years. Foreign Affairs earns the same shelf as Henry James and Edith Wharton
—— John Fowles , Sunday TimesA brilliant novel - her best I think. The book is a triumph, and not simply of style...Foreign Affairs is witty, acerbic, and sometimes fiendishly clever
—— Paul Bailey , Evening StandardWarm, clever and funny
—— Times Literary Supplement






