Unputdownable . . . [The End of the Story] freed me from the preconceptions I had then about the way novels were supposed to work . . . it deals with the heat and the thirst of infatuation, the desperation to find an end to the torment when a desired object won't reciprocate

Can't and Won't is the most revolutionary collection of stories by an American in twenty-five years

Lydia Davis's short stories are perfected economies, witty devices, precision-made, primed to release intelligence, philosophy, hilarity. They celebrate the thinking universe while they redefine the possibilities of the form. There is no other writer quite like her

Davis is a high priestess of the startling, telling detail. . . one of the best writers in America

Her work is exquisite, finely wrought and devastating. . . Read her now!

Extraordinary

Breathtakingly elegant

Brilliant

A hugely enjoyable journey though the riches of [Wood’s] extraordinarily well-stocked mind.

His [Wood’s] concept of literature is generous, inclusive and fundamentally democratic.

Few can match Welsh's verve for spinning a yarn, for putting you inside the minds of characters that are by turn grotesque, joyful, hilarious and – crucially – utterly compelling.

A Decent Ride, while his most comedic novel, is also his darkest.

More furious, filthy brilliance from Welsh.

Packed with filthy charm and characters old and new, it was a comic triumph with plenty of depth through its exploitation of celebrity culture and the treatment of sex workers.

Welsh carries realism to its limits and sometimes beyond… [He] Creates a world more real than a great many worlds we enter in today’s fiction.

A gripping read that fans of Dorothy Koomson will love

I laughed aloud at this funny, outrageous story of a girl from Wolverhampton council estate who reinvents herself as Dolly Wilde

as irreverent, amusing and vibrant as Moran herself

rowdy and fearless ... sloppy, big-hearted and alive in all the right ways

Ms. Moran['s] ... funny and cheerfully dirty coming-of-age novel has a hard kernel of class awareness ... sloppy, big-hearted and alive in all the right ways.

there’s so much real feeling too. Johanna’s vulnerability and bravado, as she moves out of her world and falls in love is beautifully done’ or ‘ and running through it all, with a visceral power that most writers should envy, is the shame and grinding anxiety of being poor

Moran also writes brilliantly about music, and especially about what music can do. She carries Johanna through this novel with incredible verve, extravagant candour, and a lot of heart. Johanna is … a wonderful heroine. A heroine who cares, who bravely sallies forth and makes things happen, who gives of herself, who is refreshingly unashamed. She’s so confident, it’s glorious

an entertaining read, with Moran in fine voice – hilarious, wild, imaginative and highly valuable…Moran is in danger of becoming to female masturbation what Keats was to Nightingales…

rude, big-hearted, wise-cracking novel…so filthy she’ll make you blush

This is going to be a bestseller…A sharp, hilarious and controversial read

Ali Smith is a master of language. Vigorous, vivid writing that is Ali Smith incarnate

Ingeniously conceived, gloriously inventive

Dizzyingly ambitious . . . endlessly artful, creating work that feels infinite in its scope and intimate at the same time. [A] swirling panoramic

Brilliant . . . the sort of death-defying storytelling acrobatics that don't seem entirely possible

Having read this now twice, in both directions so to speak, I've decided - and I do not write this flippantly - that Ali Smith is a genius

Approaches the world as only a novel can. The book moves not so much in a straight line as in a twisting helix pattern . . . delivers the heat of life and the return of beauty in the face of loss

A unique conversation between past and present

Wildly inventive . . . lyrical, fresh