Author:William Palmer

It is 1792 and a group of English gentlemen is recruiting settlers for a new world. Anti-slavers, they foresee the shining vision of a free colony in Africa where all races and classes can live together in harmony.
More than a hundred men, women and children set sail from London bound for Muranda, an island off the west coat of Africa. To lead them, they have Sir George Whitcroft; to sail their ship, the gallant Captain Coupland; Dr Owen to treat their ills; the Reverend Tolchard to guide their spiritual lives; and Caspar Jeavons, a young aristocratic poet, to record their exploits.
When they land, Muranda seems a paradise. Fruit hangs from the trees, the waters swarm with fish, the local king is friendly. Some begin to work. Others prefer to laze and swim, to drink and dance at night. But then the tropical rains begin and beat relentlessly down, fever strikes arbitrarily, and violence reveals itself in this brave new world...
Historical fiction at its most immersive
—— Emma Hagestadt , IndependentOne of the most important novels of our time.. Read it and be ennobled
—— New York TimesSplendid...it is rough, it is elegant, it is pure. It is also indispensable, if you earnestly desire to know what is happening to the human soul in the USA.
—— Saul BellowOne of our truly fine writers...Moving and excellent
—— Washington Post'A blinding debut from a Yorkshire mother-of-two who could be Alan Bennett's baby sister...straight-up simplicity veils the depth, poignancy and poetry of her story'
—— Time Out'Enchanting. It hops with sprightly omniscence from past to future and back again'
—— The Sunday TimesA really gripping, emotionally satisfying family saga written with warmth and wit. I've re-read it countless times.
—— RedThe Childhood of Jesus represents a return to the allegorical mode that made him famous... The Childhood of Jesus does ample justice to his giant reputation: it’s richly enigmatic, with regular flashes of Coetzee’s piercing intelligence
—— Theo Tait , GuardianHe’s not quite the Messiah but J.M. Coeztee is a devilishly clever novelist… J.M. Coetzee fashions prose of a lapidary clarity and grace… Coetzee has returned to the (paradoxically) clear and yet opaque fable mode of master-works such as Waiting for the Barbarians. Given the title, one might expect a bleak retelling of gospel stories…but Coetzee never makes things so simple for disciples
—— Boyd Tonkin , IndependentThis book will continue to act, silently and unexpectedly, on the reader’s imagination. It unpicks the Christian myth and braids it together with folk tales, the early novel, Pythagorean mysticism, Platonic philosophy, Buddhist epigrams, mathematics – powerful and poetic languages that underwrite our world
—— Hedley Twidle , Financial TimesAs well as an intriguing literary and metaphysical puzzle, the book is also one of profound and painful humanity, preoccupied with some of the most essential questions about what it means to be a parent and what happens when noble principles are confronted with the grubby details of everyday life
—— Patrick Flanery , Washington PostIt's a relief after reading a lot of contemporary fiction to come across the sober prose of Coetzee. He doesn't shout at you... He knows what he's doing... The whole novel is a kind of escape act, an elaborate rope trick... magical
—— Benjamin Markovits , ObserverThis is a book to make you think. This is a book to forcefully turn you away from mindless entertainment and set you on a journey inwards, where you ask yourself the important questions in life. It's philosophy as fiction... Part of his achievement is down to how fit for purpose his prose is. It is remarkably sparse and yet feels dense, weighted with layers and layers of meaning
—— Irish Independent[A] moving but mysterious story of a lost childhood... Is it possible to be deeply affected by a book without really knowing what it's about? Before reading J.M. Coetzee's new novel I might have said no - but now I'm not so sure... [As] disquieting as it is moving... [All] I can say is that ever since I finished it, it's been going round and round inside my head like nothing else I've read in ages
—— John Preston , Sunday TelegraphWhat JM Coetzee writes matters... [A narrative mode] akin to that of Kafka... At once lucid and elusive
—— David Sexton , Scotland on SundayReading JM Coetzee is like swimming in a sea with a calm surface and a savage undertow. His sentences are lean; his subjects menacing: power, race, animal rights and confession
—— Intelligent LifeTormented states of mind, ambivalence and guilt stalk his work, as do the dual influences of Kafka and Beckett
—— Eileen Battersby , Irish TimesA retelling of the gospels? A fable about Utopian, Chaves-style socialism? Coeztee moves in mysterious, but mesmerising, ways
—— iThere are knotty concerns here on reading, on order and chaos, on political engagement, on almost anything you can think of. But, “you think too much,” Elena says to Simón. “This has nothing to do with thinking.”... What Coetzee has given us is a book not of answers but of questions... Coetzee’s prose is clean and efficient, driving the reader on through the mazy stasis of life in Novilla. There is plenty of what, to avoid a cliché, we might call Kafkaish stuff... These qualities, combined with the enjoyable and unaccustomed exercise of thinking about the book – wanting to think about it – all the way through, meant that in a strange sense, The Childhood of Jesus is the most fun I’ve had with a novel in ages
—— The AsylumThere aren’t many subjects bigger than the question of faith – and with The Childhood of Jesus, Coetzee appears to have found a subject worthy of his high-level craftsmanship
—— Nadine O'Regan , Sunday Business PostAn intellectual adventure
—— Shanice McBean , Socialist ReviewA perversely comic, intellectually profound and obscurely allegorical novel
—— Vivek Santayana , Edinburgh Journal