Unfolds in shimmering Ellroyvision

Purgatory is rarely this much fun

Like drinking a pint of espresso

Extraordinary... Ellroy's legion of fans will love it

James Ellroy is the king of macho noir

A characteristically vigorous tour of his established territory ... Like drinking a pint of espresso

His most compelling novel in ages

I thought it was brilliant

Great fun

Very definitely one for Ellroy fans to lap up like warm milk

What astonishes at first is how an apparently breathless style forces you to slow down: there are passages where the prose reads more like poetry. It's writing to relish, even if the events described are a non-stop cavalcade of debauchery, double-dealing, drugs, drama, deceit, and death. The Demon Dog delivers, indubitably

Ellroy still lives and breathes in the 1950s and no one could have come up with a book like this but him. Fascinating, gripping, dubious but unique

Graphic, stunning and in many instances hilarious. . . . No punches are pulled, and no literary expense is spared

This 1950s standalone outing, told in a lacerating first person, represents the barely coherent confessions of a corrupt cop who has become an equally compromised private investigator for the scandal mag Confidential. Freddy Otash leads the reader through a Dante's Inferno reimagined as a sleazy Hollywood (with real-life figures galore - such as film star James Dean - all handled in scurrilous fashion) as he tracks down the killer of one of Kennedy's mistresses. Purgatory is rarely this much fun

Widespread Panic is quintessential Ellroy, but with enough alliteration, Hollyweird flavor, booze, distressed damsels, communist conspiracies, and extortion to make this the most Ellroy novel he's ever written. . . . Wildly entertaining and memorable. . . . Otash's voice is unlike anything else in contemporary fiction. . . . A spiritual companion to L.A. Confidential

There is here, as in Ellroy's other novels, so fully researched and plausible an evocation of the world about which he writes, so deft an intermingling of the real and fictional characters that the novelist asks the reader to believe that these events could have happened, and that some of them (Jack Kennedy's exhaustive and exhausting philandering, for example) probably did. This commingling of fact and fiction is, of course, the basis upon which the myths of Hollywood, and hence, at this point, those of our broader American culture, rest

[Ellroy is] the dean of Los Angeles crime novelists. . . . You come [to Ellroy] to roll around in the blood and the mud, to ping along to the plot twists and betrayals

If you love Ellroy, you'll love this wild ride

Devious and delicious. . . . Ellroy's total command of the jazzy, alliterative argot of the era never fails to astonish. This is a must for L.A. noir fans

Wildly flamboyant. . . . A spectacular explosion of language. For those with a taste for foul-mouthed fireworks and freeform jazz solos, both dazzling and exhausting, Ellroy is your man

A noirish romp through the sewage of 1950s Hollywood sleaze. . . . Entertainingly hop-headed. . . . The author [is] operating at maximum efficiency, mainlining a primo blend of over-the-top alliteration and down-in-the-gutter scandal. . . . A delirious thrill ride through the tabloid underbelly of Tinseltown. Relentlessly rabid, for those with a taste for the seamier

A tangled and mesmeric novel that consists entirely of conversation which is about all the things that don't need to be spoken and the things that can't be said.

[A] tender, funny novel about love, loss and male friendship.

With each new novel, Roddy Doyle’s work grows deeper and more contemplative. Love is a profound examination of friendship, romantic confusion and mortality

Absorbing… Enright’s prose is so beautiful that even the shadows are graced with flickers of light… Actress is an elegant novel.

A warm and generous portrait of a relationship between a daughter and her famous mother… skilfully interwoven with Norah’s own story, and the twists and turns of her own life and marriage.

Gripping drama and a pitch-perfect evocation of the stages of Seventies Dublin and London’s West End.

A potent brew of fame, sexual power, hypocrisy and bad men.

A powerful novel.

Actress is a fabric of musings… The characters in Enright’s novels are absorbing because they seem recognisable in an unassuming way: they’re as lovely, boring and complex as the people outside the books.

Enright, herself a former actress, captures all the comedy and pathos that comes from living the strange, unreal life of an actor.

A raw, tender portrayal of a woman undone by her work, and the men who control it. Seamlessly wrought, it is quite bewitching.

Actress is a poignant tale of the vicissitudes of fame and its effects on the loved ones of the famous.

Compelling.

The next stage in an illustrious writing career… stuffed full of dark wit, memorable lines and striking images.

Enright is to Dublin as Didion is to California.

I've just started reading Anne Enright's Actress. I very much enjoyed her previous novel, The Green Road. This one has glorious lines even in the opening pages.

I would definitely recommend Actress by Anne Enright, it is her at her very best.

Few reviews said how absolutely hilarious [Actress] is. Enright skewers beautifully those creepy provincial aesthetes of Dublin of the sixties and seventies.

Enright is formidable in combining the concrete detail of lives – think of the extraordinary array of sibling portraits in her last novel, The Green Road – with an acute understanding of the inchoate lives of families: the push and pull of loyalty; the projection of desires; the smothering of disappointment and unhappiness. Here she conjures [a] rollicking story.

A rich, impressively imagined work about a stage and screen star who may never have existed but seems considerably more human than many real-life figures as seen through their own eyes or those of any but the finest biographers.

This story is about mothers and daughters, but also secrets in families and women in Ireland. It's an easy read, with a quintessentially Irish tone... It's brilliant.

Anne Enright's brilliant novel is a darkly glittering account of the cost to both the mother and her daughter of Katherine's complicated fame.

A gem from a former Booker winner.

Anne Enright['s]...writing is simply glorious. Comedy and tragedy in one.