Author:David Malouf
The year is 1827, and in a remote hut on the high plains of New South Wales, two strangers spend the night in talk. One, Carney, an illiterate Irishman, ex-convict and bushranger, is to be hanged at dawn. The other, Adair, also Irish, is the police officer who has been sent to supervise the hanging. As the night wears on, the two discover unexpected connections between their lives, and learn new truths. Outside the hut, Adair's troopers sit uneasily, reflecting on their own pasts and futures, waiting for the morning to come. With ironic humour and in prose of starkly evocative power, the novel moves between Australia and Ireland to explore questions of nature and justice, reason and un-reason, the workings of fate, and the small measure of freedom a man may claim in the face of death. A new novel by Malouf is a major event; The Conversations At Curlow Creek will confirm him as one of the greatest novelists of our time.
It effortlessly explores the way in which the class system and worker oppression can make the dark path look attractive...a well told filling-in of Sith history
—— DreamwatchA solid space adventure [that] charts the evolution of an anti-hero almost as chilling as Darth Vader
—— Publishers WeeklyNearly every writer of my generation in England has wanted, at some point, to be Bruce Chatwin; wanted, like him, to talk of Fez and Firdausi, Nigeria and Nuristan, with equal authority; wanted to be talked about, as he is, with raucous envy; wanted above all to have written his books…(he was) a writer no one who cares for literature can afford not to read.
—— Andrew Harvey , New York TimesA quiet, low-key novel, notable for its vignettes...[which] are so sharp, so rich in detail, that the book packs a real polemic punch...Fasting Feasting is a fine showcase for the delicate, distinctive skills of Anita Desai
—— Sunday TelegraphPoignant and laugh-out-loud funny . . . proof not just that Huberman can write, but that she can do so with wit, insight and charm
—— Irish TimesSpirited and sisterly . . . like Jane Austen on ecstasy
—— Sunday Independent on Hello, HeartbreakA funny romantic comedy - a bit like Bridget Jones on Viagra
—— Irish Daily Mail on Hello, HeartbreakShe can really write . . . a deserved No 1
—— Irish Independent on Hello, HeartbreakThe Thirteenth Sacrifice is suspenseful and creepy - I enjoyed it.
—— Michellesramblins.comA terrific thriller.
—— Alternativeworlds.comThe characters are well-rounded and interesting…the imagery beautifully described… I enjoyed The 13th Sacrifice immensely, and will definitely be following the Witch Hunt saga with interest.
—— Verity Hayter , Geek Planet OnlineFor Christmas, I will give to dinner party conversationalists:... Tom Wolfe’s Back to Blood.
—— Fay Weldon , Daily TelegraphWhat really drives all this is Wolfe’s extraordinary style.
—— Robert Murphy , MetroAs broad and panoramic as ever.
—— Craig Brown , Mail on SundayThere are some dazzling satirical riffs and politically incorrect laughs.
—— Jake Kerridge , Sunday ExpressWolfe’s prose is as punchy as ever.
—— Time OutEnergetically set against the deco licentiousness of Florida’s steamiest party capital.
—— VogueClass, family, wealth and corruption are all themes in this examination of life in Miami.
—— Sunday Business Post[Tells] us about the way we live now... enjoyable.
—— Wynn Wheldon , SpectatorClassic Wolfe. A delight
—— William Leith , Evening StandardEpic, hectic, satirical… It’s scathing, funny, and has great set-piece scenes
—— Brandon Robshaw , Independent on SundayContemporary Miami gets the Wolfe treatment in a grand, sweeping satire on race, class, lust and immigration
—— Sunday Telegraph
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