Author:Neal Stephenson

Neal Stephenson continues his extraordinary Baroque Cycle in this sequel to his bestselling Quicksilver, bringing to life a cast of unforgettable characters in a time of breathtaking genius and discovery.
It is the late 1600s, on the high seas. A group of Barbary galley slaves plot as they ply the oars of a pirate ship, hatching a daring scheme to find an enormous cache of Spanish gold. Amazingly, they succeed - leaving some very unhappy men behind who vow to hunt down the vagabonds and bring them to justice, no matter the cost.
Meanwhile, back in France, the beautiful Eliza - toast of Versailles and spy extraordinaire - attempts to return to London with her baby, a child whose paternity is shrouded in mystery. Making her way home, her ship is stopped by a French privateer and she is returned to the Sun King's court. Thrown back into a web of international intrigue, Eliza must contend with all manner of characters, including buccaneers, poisoners, Jesuits, financial manipulators, and even a stray cryptographer or two...
Ideas about currency and calculus become thrilling because of the way Stephenson incorporates them into his story... Huge in scope - rich in detail... This weird, wonderful collision of scholarship and storytelling has no peer
—— Time OutA rip-roaring, swashbuckling Romance with a capital R ... A blood-soaked, silver-plated depiction of 17th-century life from both ends of the economic scale, and with enough headlong, balls-to-the-wall buccaneering and Machiavellian plotting to satiate the most jaded of palates
—— InkStephenson excels in marrying geekspeak wtih riotous action. When he describes a battle or a duel, his prose acquires thrilling panache... Jack Shaftoe is magnificent, a swashbuckling hero with a foul mouth and few morals, and his adventures are most appealing
—— GuardianThe definitive historical-sci-fi-epic-pirate-comedy-punk-love story. No easy feat, that
—— Entertainment WeeklyIt is hard to see who could have done the job better than Schmidt
—— Times Literary SupplementSchmidt gives us a chance to settle down with poets we wish we had known better
—— Daily TelegraphA satisfying selection that reminds us that Lawrence didn't just write about animals, Betjeman wasn't always jolly, and Plath is more interesting for her collapsed perspectives than for her self-exposure
—— New StatesmanThe selections from the greats are generous and well chosen
—— GuardianBeing an Amis novel it’s not without the odd good joke, and he is, of course, incapable of writing and inelegant line. It’s almost as if he alone can sense both the golden ratio of a sentence, and its perfect rhythm: it’s like he’s Michelangelo and Keith Moon
—— Sunday TelegraphFull of hilarious set-pieces, wisecracks and wordplay.
—— Daily ExpressTillyard is a fluent and attractive chronicler of detail and some of her imaginative liberties are ingenious
—— Jane Shilling , Sunday TelegraphThis saga of lives swept up in the Peninsular War recalls Georgette Heyer at her best...impossible to put down
—— Kate Saunders , SagaA thrilling romance brought to life with exquisite detail
—— PrimaA prodigious talent able to combine meticulous research with novelistic devices...there is much to enjoy and admire
—— Norma Clarke , Times Literary SupplementFluently written and impeccably researched
—— The LadyGripping
—— Easy LivingIt is time we stopped thinking of the historical novel as a genre, and an inferior one at that. If its ostensible subject matter means that it doesn't attempt to tell us how we live now, nevertheless a novel set back in time may, if it is good, say as much about what it is to be alive as one set in the next street or another country today. Tides of War is such a novel. It is diverting, but not a diversion
—— The SpectatorA well written, engaging read...beautifully observed
—— History TodayA vivid account of a couple of years in the Peninsula Campaign and a sympathetic portrait of those left behind
—— Joanna Hines , Literary ReviewA delicious novel by an experienced author who captures the scientific atmosphere of the early 19th century with a devastating study of infidelity
—— Colin Gardiner , Oxford TimesThe real life players of the Napoleonic era spring to life
—— iCompelling
—— Big IssueHighly assured and almost educational with its broad sweep of history
—— Jane Housham , GuardianTillyard’s achievement is in this original portray log the Regency era and its relevance to our own time
—— Philippa Williams , The Lady