Ingeniously twisted… expertly draws us into the unpredictable labyrinth of the protagonist’s mind, and is seldom less than grimly compelling… Exerts a pleasingly icy grip

Hugely impressive and entertaining

This is a finely honed work of sophisticated gaming that flirts with truth; yet it never forgets that it's also a plot-driven fiction

If writing about creative writing is to risk a novel eating itself, we can be thankful that a writer of Royle’s skills put himself in charge of the banquet

An intricate story with an unsettlingly noirish effect

Dead clever and occasionally macabre… Intricately plotted, proper wince-inducing stuff… A cutting-edge, vital new British novel for now

Highly recommended… First Novel is a clever book, but as well as having brains it has guts: it begins slowly but soon acquires the characteristics of a thriller, and the ending is a revelation

Only a man with prodigious talent, not to mention a capacity for multi-tasking, would even attempt a book of such monumental ambition… Far too good to be a debut. Which, of course, it isn’t.This is a novel that demands to be read more than once.

I began by simply enjoying the novel and ended up being thrilled, horrified, disturbed. First Novel is absolutely at the forefront of everything I’ve read in British fiction over the last couple of years.

A crafty puzzler that folds the Shipman murders into the tale of a no-mark writing tutor with a fetish for car sex under the Manchester flight path.

Blurs fact and fiction with aplomb… Royle’s novel is a sharp portrait of a man going very wrong.

Extremely good.

Dazzling… Royle attended last year’s Man Booker Prize ceremony as editor of one of the shortlisted titles, Alison Moore’s The Lighthouse… I wouldn’t bet against Royle having to dry-clean the tux on his own account next time.

Royle’s coup is to deliver the pithy sting of a good short story many times over the course of a whole novel.

I admired it so much and wanted to go back and see how it was all put together. His book absolutely enchanted me.

This may be a tricksily metafictional novel but Royle hasn’t forgotten his readers.

5 stars, gripping, innovative and fluent.

Nicholas Royle has produced the holy grail: a literary page-turner. Although it’s published in January, I’ll be astonished if it doesn’t make the short list of many a prize at the end of the year.

A strange, unsettling brew that simply entertains at first before revealing darker and more dangerous depths as it progresses; a dark and delicious treat for lovers of literary fiction who like to have their grey cells tickled.

A vertiginous murder mystery with echoes of JG Ballard, David Lodge and Alain Robbe-Grillet

If writing about creative writing is to risk a novel eating itself, we can be thankful that a writer of Royle's skills put himself in charge of the banquet

A brilliant, eerie mix of campus meta-novel, whodunnit, failed-love story and existential contemplation

This just might be the exceptional book which should be judged by its cover

An ingenious tale

Cleverly metafictional, humorously perverse, and impressively original

Funny, charming and heart-warming

In this extremely bold, swashbuckling novel, romantic and disillusioned at once, intellectually daring and even subversive, Rachel Kushner has created the most beguiling American ingénue abroad, well, maybe ever: Daisy Miller as a sharply observant yet vulnerable Reno-raised motorcycle racer and aspiring artist, set loose in gritty 70s New York and the Italy of the Red Brigades

Riveting

Rachel Kushner's The Flamethrowers is remarkable for its expansiveness and for its exhilarating succession of ideas

National Book Award finalist Rachel Kushner brings NYC's art scene to life so well in The Flamethrowers you could get high off the paint

Fast-paced, sexy and smart

Electric...addictive...smart and satisfying

Captivating and compelling

This is a work of ferocious energy and imaginative verve, straining at the seams with ideas, riffs, jokes, set-pieces, belly-laughs, horror and heartbreak

Kushner writes with authority, passion and humour, her characters richly drawn and her story packed with delicious anecdotes and side lines from a wide array of memorable characters

Sexy and brilliant

Incandescent

Kushner's second novel comes loaded with recommendations and it's easy to see why…highly unusual and written with great seriousness and potency

It manages to relate the art scene in 1970s New York to the Red Brigades in Italy, with lots of motorbikes thrown in

Kushner’s writing is a kind of marvel

This novel has undeniable force and power… it’s beautifully written

You can feel the wind whipping through your hair, your pulse racing, as Kushner’s daring heroine, Reno, motorcycles across salt flats and down city streets, on the prowl for art, for love, for a cause

Kushner’s take on 1970s radicalism, art and politics is a big, absorbing read

A self-consciously cool mash-up of motorbikes, art and unpleasant Italian politics

In fiction I enjoyed Rachel Kushner's The Flamethrowers for its style and its daring

The Flamethrowers by Rachel Kushner manages to connect the art scene in New York in the 1970s with the Red Brigades in Italy, through the medium of motorcycles and drag car racing. Ambitious and beautifully written, it is one of the more surprising books I have read this year

Introducing a fresh new voice

A left-field and potentially ludicrous literary concept – a multigenerational transcontinental historical epic built around a speed-freak biker heroine – is executed with élan by American novelist Rachel Kushner … Genius

The novel, Kushner’s second, deploys mordant observations and chiseled sentences to explore how individuals are swept along by implacable social forces

A Bildungsroman set against the violence of the 20th century, The Flamethrowers is less a litmus test for misogyny than a standard for the recent historical novel

It should've won the National Book Award... It is second to none

Some of the prose is as thrilling as riding a motorbike on a mountain road with no lights

Has the kind of poise, wariness and moral graininess that puts you in mind of weary-souled visionaries like Robert Stone or Joan Didion

For a while last spring it seemed like every single person I knew in New York was reading The Flamethrowers, which is normally enough to put me off a book, but in this case I did read it and found that its ubiquity was more than justified. Then in September I happened to visit the Bonneville Salt Flats in Utah, where one of its most memorable set-pieces takes place, and I wanted to read it all over again. If I say it captures a young woman's experience of the downtown art world in the 1970s, I'm going to make it sound boring, but in fact it's superbly enjoyable

Much of what makes this book so magnificent is Kushner's astonishing observational powers; she seems to work with a muse and a nail gun, so surprisingly yet forcefully do her sentences pin reality to the page. I was pinned there too –– BEST BOOK OF 2013

A terrific, gripping, poetic book... Kushner's meandering plot and pacy pose has completely won me over

Kushner’s prose dazzles with invention