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The Chateau
The Chateau
Jul 11, 2025 12:47 AM

Author:William Maxwell

The Chateau

It is 1948 and a young American couple arrive in France for a holiday, full of anticipation and enthusiasm. But the countryside and people are war-battered, and their reception at the Chateau Beaumesnil is not all the open-hearted Americans could wish for.

Reviews

Not just a book of the year but now one of my desert island books.

—— Adrian Turpin , Herald Scotland

Delicious and dead-on... All the embarrassments and gratifications of European travel are preserved in the amber of Maxwell's much pondered, seemingly casual prose.

—— New Yorker

As the voices of Austen, Turgenev and Tolstoy have survived, so will Maxwell's. There aren't many truly great writers among us. William Maxwell is one of them

—— The Times

It's hard not to see it as a work of genius

—— Times Literary Supplement

His gentle urbanity is a joy

—— Sunday Telegraph

He combines educated intelligent and instinctive apprehension of human complexity in a way that would have earned Henry James' approval. William Maxwell is the very model of what a novelist should be

—— Independent on Sunday

Reading 'The Chateau' is like meeting a very old friend with whom the conversation is always spontaneous, intimate, restorative and unpredictable... Maxwell is that rare thing, a kind writer... But what has made him so influential is his habit of interspersing his subtle accounts of character with sharp observations about human nature.

—— Independent

The novel successfully depicts misunderstandings, isolation and disappointment: are they sensitive to local traditions? Are they laughing at the right jokes? Are they tipping too much?

—— Guardian

Perennially endearing

—— Spectator

Maxwell's achievement is to show how human relationships work in spite of the confines of history, language and nationality

—— Daily Telegraph

Stylishly, subtly, the enjoyment of getting to know another country is conveyed with authority and a perceptions that's rare in our careless times

—— The Oldie

An incredibly emotional read

—— Grazia

A thrilling page-turner

—— Alexander Larman , Spectator

This is a novel that strikes both horror and joy in the reader, the first-person narration deftly articulating Judith's escalating confusion and fear ... A talent to watch

—— Lucy Scholes , The Sunday Times

A touching, delicate book, it's hitting the shelves with high hopes...On March 1, head out and buy Grace McCleen's book

—— Louis Wise , Sunday Times

A distinctive debut that pulls off the use of a child narrator in delightful style

—— We Love This Book

Touching and funny… a compelling and wholly original debut.

—— Marie Claire

Shimmers with little miracles.

—— Peggy Hughes , Scotland on Sunday

This is a promisingly bold book and McCleen is a talent to watch

—— Lucy Scholes , Sunday Times

A gripping and mesmerizing debut of an unforgettable ten-year-old heroine and her battle with good and evil… A harrowing and powerful story about isolation and belonging

—— My Weekly

An original new voice... Haunting and absorbing, this is a joy to read

—— Jackie Carrier , Suffolk Free Press

A seemingly slight work that is, in fact, possessed of almost infinite depth. It's an elegant inquiry into what we can know and how we can know it - and it's gripping too

—— Erica Wagner , The Times, Books of the Year

It sets off a moving meditation on ageing, regret and the unreliability of memory

—— Sunday Express, Books of the Year

Has rightly been praised for its economy and elegance

—— Margaret Drabble , Guardian, Books of the Year

Belatedly and deservedly, this was the year of Julian Barnes

—— Mark Lawson , Guardian, Books of the Year

Exquisitely written and deeply engaging

—— Lorrie Moore , Guardian, Books of the Year

Elegant verbal exactness, analytic finesse and a witty portrayal of contemporary and 1960's life complement the intricate plot

—— Peter Kemp , Sunday Times, Books of the Year

A worthy Booker laureate of this or any other year, our most versatile novelist...a perfect present in these last days of the book as a singular object

—— Philip French , Observer, Books of the Year

A worthy winner of this year's Booker prize: short, but certainly not slight, precise and insightful

—— Kate Cunningham , Herald, Books of the Year

This novel packed more emotion into its 150 pages than any other I have read this year

—— Bob McDevitt , Herald, Books of the Year

Melancholic, suspenseful and thought-provoking

—— Kirsty Wark , Herald, Books of the Year

Several plot twists later, what started off as a thoughtful (and fascinating) meditation on memory becomes something close to a full blown thriller

—— James Walton , Daily Mail

Essential reading for any writer, aspiring or otherwise

—— Patrick Keogh , Guardian

A meditation on memory and regret slyly conveyed through the unreliable voice of a complacent man whose past gives him a nasty surprise

—— Justine Jordan , Guardian

A deserving winner

—— Éibhear Walshe , Irish Times, Books of the Year

Masterful, gripping and, above all, surprising

—— Victoria Hislop , The Week, Books of the Year

Barnes has always has an ear for the bleak comedy of the first person

—— Olivia Cole , GQ

Novel, fertile and memorable

—— Justine Jordan , Guardian

Julian Barnes’ Man-Booker prize-winning novel has extraordinary power and emotional density

—— Simon Shaw , Mail on Sunday

An eloquent meditation on relationships, emotional arrogance and the discomfort of remorse

—— James Urquhart , Financial Times

The key to this slender, tantalizing mystery is on its opening page: what you end up remembering isn’t always the same as what you have witnessed

—— Katie Owen , Daily Telegraph

His art is artful, often openly so, but never showy or obvious

—— Colm Toibin , New York Review

Described in Justin Cartwright’s review as 'a very fine book, skillfully plotted, boldly conceived’

—— Guardian, Holiday Reads

I am eager to read it, though I hear it needs to be read twice to be fully appreciated

—— Colm O'Gorman , Independent
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