a beautifully written portrayal of a girl trying to understand her mother's mental illness.

[A] compact surrealist memory box of a novel. . . Its particular quality of stillness hums with so much mystery and intensity that the book never feels static . . . I felt considerably more altered by the experience than I often am by novels that travel much further from their beginnings . . . One finishes the novel with the eerie sense that we too are objects who have slipped accidentally into being.

[A] dazzling rumination on time and mental illness ... Bender has a gift for rooting wonderfully inventive fables in a very recognisable walkable world [and the] middle-class Los Angeles of backyards and hatchbacks, bus stops and craft shops, is overlaid with mythic events-modest miracles, observed by few, that expose a world of mystery. . . [Francie's] receptiveness to the marvels eddying around brightens every detail in a small, deeply felt life.

[A] poignant novel of love and mental illness.

A work in the high aesthetic mode, a historical novel cast in delicately evocative prose and filled with witty references to the great figures of modern European literature. In it Italians could examine their political consciences through an artful image of another country's past. The pleasures to be had from Pereira Maintains are rich and varied, but best of all it's very enjoyable

Tabucchi's prose creates a deep, near-profound and sometimes heart-wrenching nostalgia and constantly evokes the pain of recognizing the speed of life's passing which everyone knows but few have the strength to accept

A stunningly good novel, and it goes on getting better in one's head after one has stopped reading it - it works as an experience - something that has happened to one, which is of course the proof of great writing

A brilliant, profound book that also manages to be a thriller

Three Rooms is a masterpiece of attentiveness. Hamya's rooms are not just filled with furniture, air and light, but with social codes and gestures, politics, privileges and precarities; they are rooms filled with all the clatter and pressure and bullshit of the infosphere, and the exhausting acclivity of trying to find a meaningful home within it, or just somewhere vaguely affordable to live. Incisive, funny, sad and true: I felt every thought of it.

A meticulous portrait of a hostile present drawn from a year spent haunting others' houses, Hamya's prose is both spectral and steeped in contemporary reality.

Hamya is razor-sharp on what it means for a young woman to try and make their way in a world delineated by privilege, (still) dominated by those with the 'right' connections.

This incisive, acerbic meditation on possession, politics and privilege is among the summer's hottest debuts.

Three Rooms is one of the most candid and subtle explorations of class by an English novelist in recent years. Hamya writes with a Cuskian pellucidity, but confronts capital and the precariat in a way Cusk never does, in its many smudgy, insidious forms. This is a novel about bumping against the walls of the life you've be told to build and finding the doors locked.

A brave, experimental debut... Jo Hamya possesses a powerful and powerfully enquiring intellect.

Fascinating and insightful...a profound, well-written and relatable novel that expertly captures the mood of a generation.

[With] sharpness of observation... Hamya cherishes detail... [and] gives a vivid and persuasive picture of life as lived by highly intelligent well-educated young people today... Jo Hamya is a very talented writer.

A vital look at the precarity felt by many millennials.

A prismatic portrait of British life and millennial angst emerges, with echoes of Zadie Smith and Sally Rooney, but the presiding spirit of the novel is Virginia Woolf... Scintillating prose and sly social observation make this novel a tart pleasure.

A furious encapsulation of Generation Rent.

From the first paragraph, I was hooked. Tension drips through every scene and Hamya depicts London so well.

The Paper Palace paints a vivid picture of family secrets and tensions, against the backdrop of a sun-soaked summer

Miranda Cowley Heller's debut The Paper Palace . . . finds Elle on the point of leaving her near-perfect family life for the visceral thrill of Jonas, green-eyed soul mate of her youthful vacations. With its atmospheric setting and rich backstory, the denouement is set to be an August talking point and a mini-series is already slated.'

A stirring and sensual story

This accomplished family saga is gripping and poetic, capturing the complexity of the human heart

A richly detailed family saga that nods to tales by Johns Cheever and Updike . . . this immersive novel makes for a lushly satisfying read

The novel unfolds like a set of dark short stories, with a different character narrating or guiding each one. But there's a twist: Luckenbooth is not just haunted by the realities of time and history, but also by the strong musk of the gothic imagination ... Thickly worked and carefully assembled, the novel functions as a claustrophobic chiller and as a testament to lives led beyond the margins and in the shadows.

Luckenbooth ... is littered with lines like this. The sort of lines that demand to be read and reread: splendid in isolation, electric in combination. Fagan writes with drama. She can pick out the fine detail, in neat brush strokes, no doubt, but it is in drawing her arm back and attacking a story with great, sweeping lyricism that she propels Luckenbooth forward, dragging the reader through the 20th century, as experienced by a compelling cast of characters.

Slips and slides through layers of history, tears in the fabric of time and a series of strange shape shifting characters - it's a wonderful work that is a trip into a spectral interzone but also staged in a warped reality - great writing and a major talent.

A novel for readers with sophisticated tastes.

Uniquely gripping visions of the hidden social, economic and spiritual forces at play in 20th-century Edinburgh.

Dazzlingly ambitious.

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble

Prize-winning author Jenni Fagan does not disappoint with her latest novel, Luckenbooth, which is easily her most compelling yet. In her usual poetic style, Fagan tells of a nine-storey Edinburgh tenement just off the Royal Mile that is creaking with secrets. Throughout this haunting novel, characters' secrets and memories live on in the howling gales of the spirit world, desperate to re-enter their lives. The narrative takes us through eight decades - from 1910 to 1999 - working its way up all nine floors of the building in hopscotch fashion, allowing for an intriguing interpretation of 20th-century life in the capital. Prepare to be transported into a Fagan's weird and wonderful imagination. It is a whirlwind read and one that I could not put down until the final page had turned.

As sexy and horrifying as any fairy story, it is a book concerned, not only with a structure, but with structures: alphabetical, architectural, societal, what they are built upon and how they crumble.

An Edinburgh tenement building is haunted by tall stories and unnerving strangers, from William Burroughs to the devil's daughter, in this weird and wonderful gothic confection.

Her "world building" is highly effective, and each character fully inhabits their decade. Fagan's writing is anchored in societal issues, the wrongs done and the ways individuals have challenged those wrongs and asserted their individuality and sexuality in ways that might make them seem misfits, outcasts. Fagan certainly pulls no punches and is determined that these passionate, authentic stories should not be confined to the periphery.

A deliciously weird gothic horror

An ambitious and ravishing novel that will haunt me long after

Ambitious in scope… The physical atmosphere of the Bass Rock and its surroundings are wonderfully evoked… But it is the relationships between women in this tessellated work that triumph... I wholly recommend this book.

Wyld is often praised for her lyrical prose, and The Bass Rock is most certainly a continuation of this form.

[A] dark, beautiful and funny gothic family saga for the #MeToo generation… an atmospheric book that transports you within a few sentences… The tension is always building as the story takes on an otherworldly dimension.

The Bass Rock is complex, rich, challenging… Like David Mitchell’s Cloud Atlas, The Bass Rock offers a universal history of subjugation and oppression… Violence…runs through the book like veins in marble… Vivid and gripping.

A gripping look at three women's stories across four centuries.

Evie Wyld’s passion for horror shines through in the setting of this novel.

Utterly enthralling… [Wyld’s] eye for human foibles and idiosyncrasy is incredibly sharp, and this novel once again exhibits her bravura way with narrative structure… Dark, disturbing and very sophisticated.

[An] intensely absorbing gothic novel, which weaves together the fate of three women across three centuries. That it can also comfortably accommodate episodes of off-the-wall, Fleabag-esque hilarity confirms the acclaimed Wyld's brilliance.

Wyld's thought-provoking plots separate this book from many others on the shelves... Wyld's three narratives are artfully crafted to suit the shifting time frames.

Wyld's ingeniously linked narratives weave a haunting tale of fear and defiance.

A novel of such subtlety and hope