A return to form, absurd and digressive in a way that makes clear Lethem’s debt to Thomas Pynchon

Lethem can turn a sentence like few others

Lethem is a renowned stylist who turns out funny, exuberant, surprising sentences, and who has a deep love of genre fiction

Lethem’s phrasemaking is as vivid and funny as ever

The Blot does not disappoint. It sets a high bar for 2017’s fiction… There are moments of genuine, inexplicable tenderness as well as the sarcasm, venality and schadenfreude that swirl around the book… It also shows… that the genre best equipped to speak truthfully about the world we are in is not a flat-footed and sententious realism, but un-realism.

The encounter Lethem depicts in the German’s ostentatiously costly study […] is one of the finest standalone scenes I’ve read in some time… there is much to admire here: the author’s ability to bend genre; the depth of his knowledge of his chosen subjects (backgammon; brain surgery) and the breadth of his pop culture references… Few writers can compete with Lethem for fluency and panache.

There are probably a dozen novelists whose new books, every one, I’m predisposed to read. Jonathan Lethem is one of them. I like his fundamental literary ratios — plot-to-pensées, comedy-to-tragedy — and the prose is a pleasure, lucid sentences that swerve and surprise without being show-offy

Jonathan Lethem’s new novel combines a little of the intrigue of James Bond with all the sexiness of backgammon. The result is a literary game that’s shaken not stirred.

This novel is a tragicomedy; it plays at its best like a “Twilight Zone” episode filmed by the Coen brothers … Lethem has intense gifts; nothing he writes is a waste of time.

Lethem's 10th novel is a romp in which history, both personal and collective, can't help but assert itself... Think Thomas Pynchon, especially in the scenes set in Berkeley, a landscape of hipster burger shops and lost souls still longing for a revolution that washed out in an undertow of drugs and dissolution decades before. [A] fitting follow-up to Dissident Gardens (2013)... Lethem takes real pleasure in the language and writes with a sense of the absurd that illuminates his situations and his characters... In this tragicomic novel, nothing is ever exactly as it seems.

A humorously surreal and articulate story of Bruno's search for himself after having his face and brain rearranged, both by surgery and by modern life in general, this is, among other things, a great Berkeley novel like Michael Chabon's Telegraph Avenue.

A brilliantly plotted story of mermaids, madams and intrigue in 1780s London and I wouldn’t be surprised to see it become the Essex Serpent of 2018.

It’s now the fate of new historical novels to be hyped as ‘the next Essex Serpent’ … The good news is that Imogen Hermes Gowar’s sparkling debut more than merits the comparison... Pure storytelling pleasure.

Gowar has crafted a dazzlingly original novel, full of heady pleasures and shot through with the kind of irreverent humour you might expect to find in Georgian London.

This ambitious debut has many virtues: the writing is rich, opulent, at times witty, and Gowar captures the decadent, febrile atmosphere of late-18th-century London in impressive detail.

2018’s most hyped literary debut… [Imogen Hermes Gowar is a] soon-to-be literary star.

The richness and rhythm of the writing is irresistible.

A story of curiosity and obsession, this is full of rich detail and is a book to get lost in

A gloriously assured debut, set in a beautifully drawn London… A story of obsession and destruction, hope and heart, which beguiles as much as the mermaid herself.

The most buzzed-about book of 2018 so far is also the most magical… the definition of ‘must-read’

It feels like 2018 has more than its share of debut novels to get excited about. The Mermaid and Mrs Hancock by Imogen Hermes Gowar nails the 18th century as convincingly as Francis Spufford in Golden Hill, but with supernatural elements that bring to mind Susannah Clarke and Sarah Perry.’

A deliciously salty slab of historical fiction… The Mermaid and Mrs Hancock crests a new wave of historical fiction that brings the complex lives of historical women out of the shadows.

Big, big things are predicted for this debut. Set in 1785, merchant Jonah Hancock finds himself in possession of a mermaid (“More of a sea-goblin, aint it?”) and is invited by an ageing courtesan to pool their resources and turn it into a society showstopper which just happens to take place in her “high-society parlour” where he meets the wonderful Angelica. Rich in detail and utterly charming, it’s the natural successor to The Essex Serpent and The Miniaturist.

An epic and intricately researched historical novel evokes 1780s London – an era of spectacle, Soho courtesans, lavish parties and dark secrets.

A wonderful romp through Georgian London.

A wonderful read

Beautiful courtesans, destructive mermaids, mercenary madams, raucous sailors; there's little Imogen Hermes Gowar doesn't throw at her extraordinary debut novel. And thanks to her deft, skilfully weaved plot and gorgeous writing, it all comes together beautifully.

A fabulous new author... A wonderfully atmospheric historical novel which is vivid and rich enough in its depiction of 18th century London. Posing questions of social mobility, the status of women and the role of family, this is a debut novel in which you can get lost.

Absolutely delightful... I read it greedily, savouring the characters’ adventures and their wit, resilience and humanity as they contend with the glittering, filthy, dangerous city that was Georgian London. The novel is a well-researched, charming, immensely entertaining read

Immerse yourself in Georgian London... beautiful storytelling with a hint of magic.

I was captivated by this beautiful book until the last perfect sentence

Good god, it is a wonderful book

Exquisitely written, flawlessly imagined, The Mermaid & Mrs Hancock's siren song - of courtesans and merchants, shipwrecks and wonders, love and grief, ambition and passion - will echo like the ocean in a seashell long after the last page is turned.

[A] gripping debut… independence, love, class, death and gender stereotypes — are skilfully explored here through a late 18th-century lens

Beautifully written, sinuous, enchanting, brilliantly researched, The Mermaid and Mrs Hancock goes deep into the eighteenth century - its grand front rooms, the secret places, the streets and the ocean that changed everything about Britain and it lays bare the hearts of a cast of unforgettable characters

This story really is spellbinding, an unforgettable jewel of a novel, filled to the brim with intelligence, heart and wit.

Beautifully written… By turns bawdy, witty and moving this is a glorious romp through Georgian London, in “the age of unlikely ascents”. With a truly gorgeous package á la The Essex Serpent, it deserves to be huge

Delightful… A gloriously immersive read, bringing Georgian London vividly to life… The Mermaid and Mrs Hancock impresses with Gowar’s attention to vivid and sensual detail

Its energy, characterisation and great sense of period completely seduced me.

An utterly absorbing read.

A gorgeously immersive novel.

Stunning.

In 2018 [mermaids] are back in vogue.

A terrific debut

The Mermaid And Mrs Hancock is the rare book that actually lives up to its hype and I’d be surprised if it wasn’t this year’s The Essex Serpent. Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style, it’s historical fiction even for people who don’t like historical fiction.

A tale of love, family and social status movingly told.

An absorbing tale of curiosity and obsession… Gowar’s prose is marvellous… There’s a beautiful balance of rhythm and intrigue, and an eye for what brings a book alive.

The most anticipated novel of the year.

An accomplished, captivating debut novel.

- The Mermaid and Mrs Hancock is a roistering, swaggering, bawdy novel… [a] confident and accomplished debut

Lush, vivid descriptions of 1780s Soho, proto-feminism, sparkly dialogue and a pleasingly irreverent style.

Prose that’s as effervescent as it is intelligent.

Gowar’s prose shimmers.

Rich and humorous, it’s a heady period whirl with a magic realist twist.

A highly impressing debut… An absorbing tale of sex, money, ambition and the lure of the new.

Gowar’s wonderful novel expertly captures that sense of a more fluid society… An engrossing and well-paced novel, shot through with melancholy, yet filled with wonder and desire. The sort of book you lose yourself in for days.

Imogen Hermes Gowar’s bawdy, picturesque romp through the heady miasma of Georgian London is easily one of the most wonderfully immersive, richly drawn books I’ve read in years… This piece of historical fiction is really something special… Some truly exquisite writing.

All-consuming and spellbinding.

Gowar's writing is energetic, and she has wonderful attention both to physical and emotional detail and to the circumstances that constrain lives

This glittering debut novel examines every rung of 18th-century London’s social ladder with keen wit and in delicious detail

A Dazzling account of dreams and desire in Georgian London