Author:Paul Durcan

In The Art of Life Paul Durcan takes us around County Mayo in his "filthy, two-door, bottle-green Opel Astra", stopping off at Westport and Achill Island, where he declares himself to be "globally sad", but "locally glad". Next he travels east to Dublin to hold in his arms his newborn granddaughter and thence to Tuscany, Poland and Japan. Along the way he reflects upon parental pride, the aches and pains of old age, the trim bottoms of snooker players, the wisdom of ex-wives and dogs on Sandymount Strand, while introducing us to a host of colourful characters, including a bishop, a roofer, a milkman, a priest and an unmarried mother.
Is there an art of living or is life a work of art? This magnificent collection - originally published on Paul Durcan's sixtieth birthday - reveals one of Ireland's most successful and popular poets at the height of his powers and continuing to challenge, amuse and delight.
An embedded poet catching the strains, hysterical and sad, of contemporary Ireland
—— Colm Tóibín , GuardianPaul Durcan's Ireland is the one we inhabit. At times he is ready to celebrate the bizarre and the ordinary; at other times he is full of surreal rage against both order and disorder
—— Colm TóibínDurcan is a God. He can break your heart in supermarket or petrol station. He is unafraid, masterful and exactly what this world needs more of: wild abandon, wild love and sheer mad genius
—— Alice SeboldThe world is all the richer for this man’s verse
—— Irish IndependentDurcan’s voice speaks clearly on the page in poems of harrowing intimacy, politics and love
—— Carol Ann DuffyAn edifying moral lesson as well as a tale of inter-generational sleuthing
—— SpectatorThe Jane Austen of W11
—— ScotsmanJohnson is excellent on period detail and captures the flavour of an era when the storm clouds were gathering
—— Mail on SundayA wonderfully majestic and evocative tale of 18th century Russia at a key moment in history
—— Candis MagazineAn intensely written, intensely felt saga of the early years that shaped the 18th century's famous czarina, Catherine the Great. Her survival in the treachery of the Russian court was an amazing feat, and Eva Stachniak captures the fluidity and steeliness that propelled Catherine from a lowly German duchess to one of the towering figures of the century
—— Karleen Koen, author of Through a Glass DarklyA riveting reconstruction of a crucial era in Russian history… shows iconic figures of the period as real people
—— BBC History MagazineCovering the twenty years that turned Catherine the Great from a young bride on approval to the legendary Empress of Russia, Eva Stachniak's novel gives a magical insight into the hopes and fears that haunted the corridors of the St Petersburg palace. It brings alive the very tastes and textures of the mid-eighteenth century
—— Sarah Gristwood, author of Arbella and The Girl in the MirrorAn intimate portrait of 18th century girl-power
—— IndependentA wry moral tale exploring the little evasions and compromises of everyday life. Translator Agnes Scott does justice to Solstad’s measured voice
—— Emma Hagestadt , IndependentThis short-but-striking novel quickly reveals itself to be…crime fiction, yes, but also a subtle and deeply introspective consideration of the inertia of lonely middle-age, its philosophy existentialist in the manner of Jean Paul Sartre, Ingmar Bergman and certain novels of Georges Simenon. The result is a highly complex and accomplished work
—— Billy O'Callaghan , Irish ExaminerIntriguing tale… Solstad expertly navigates the bizarre mind of a clever but lonely man locked in an existentialist nightmare
—— TelegraphThis is no straightforward crime novel…an exploration of guilt, inaction and moral quandaries
—— Nic Bottomley , Bath Life






