Agnes Grey is the most perfect prose narrative of English letters... Simple and beautiful... The only story in English literature in which style, characters, and subject are in perfect keeping

For too long [Anne] has been undervalued as the third-best Bronte. But her fiction, exploring the lamentably still current themes of addiction and domestic violence and the abuse of vulnerable women working away from home, has a vigour and bracing satirical intelligence which places her in the first rank of what is arguably the greatest ever generation of novelists in English

Brontë depicts in detail the isolation inherent in a governess's life, as an educated – but by necessity not too educated – woman trapped in an awkward halfway world between the classes

Bennett has long been one of my favourite writers

Ashland & Vine proposes solace and joy in intergenerational friendship, and an optimism in what can be accomplished through talking and listening.

Few writers manage distinction in even one form. John Burnside has achieved it in two… [A]s Burnside publishes a novel and a poetry collection on the same day, the doubled nature of his practice is impossible to ignore – and it is to be celebrated… Like his verse, his fiction captures the untidiness of life and provides no neat conclusions; neither points of arrival, nor nicely illustrated morals. Yet, instead of being artless, it creates satisfying, haunting wholes. A Burnside narrative stays in the mind like a half-broken dream; it’s often hard to pin down just why it is so compelling… The book may be a serious examination of social history but its cultural observations are sharp to the point of satire… If you have hitherto admired John Burnside in only one genre, now is the time to take the smallest of sideways steps and read both.

Burnside offers a fictional tale—a story built around a medley of American history, human fallibility and the possibility of hope.

Burnside’s new novel Ashland & Vine is a story about telling old stories again, and never quite settling the truth of a childhood long past… This is a delicate, beautiful novel, filled with tender details and sharply evoked, lyrical moments.

With the very first line, this novel sets up its emotional world with remarkable efficiency. “The day I met Jean Culver was also the day I stopped drinking”… We can sense that the next 300 or so pages are going to bring us revelations, connections and transformation… Although the obvious comparison is with Scheherazade, Burnside’s narrative is more complex than the tale-within-a-tale structure. There is a linear quality to the storytelling, but it is one in which the lines switch, double back and tie themselves in knots, or are cast aside only to be picked up again later.

John is a masterful storyteller, and this is a book all about stories. How they connect us; how they save us. I know I’m in safe hands whenever I pick up a book by him.

There are moments of shocking brutality, but they cannot overwhelm the novel’s curious tenderness. It is far and away Burnside’s most optimistic and gentle book.

Carries a healing and redemptive charge.

A Gentleman in Moscow is exquisitely propped and styled, from the silver samovars to the red covers of Baedeker guides . . . [T]he count charms and disarms, and his story sparks much joy and a new anti-Kondo philosophy: chuck much, but keep all the books.

A sheer delight … a gorgeous comic epic.

I adored A Gentleman in Moscow . . . This is a lovely, meandering story as charming and elegant as the Count himself.

What makes it a great work of historical fiction are the creations the author builds outside the hotel in a truly tumultuous time.

If we do a better book than this on the [Simon Mayo Radio 2] Book Club, we'll have a very very good year!

A Gentleman in Moscow is quite a novel. Towles’ use of language is a pleasure and you can’t help but savour every word . . . a great work of fiction.

A love story like no other, in a beautiful-looking book.

The perfect escapist read, Amor Towles’ A Gentleman In Moscow is utterly mesmerising.

An inventive and charming novel

The same gorgeous, layered richness that marked Towles' debut shapes this novel

A masterful writer . . . a talent for conjuring up scenes from the past and present and bringing them into remarkable focus

This novel is as much a celebration of that great culture as it is a biography of an irrepressible and indomitable spirit . . . an absolute must read.

Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom and philosophical insight.

This is parable for all world travellers.

A charming novel.

Lovely, long and lingering story.

Written with a clipped, capering style and comic flair that can't fail to charm.

A profound, often funny survey of mid-20th-Century Russia

Unputdownable

Among the greatest comic novels of all time . . . told with such style and wit that every page reduced me to helpless laughter and admiration

The book I would recommend to anyone who appreciates what only fiction can do … It’s a page-turner and a delight.

I love the novels of Amor Towles, especially A Gentleman in Moscow - he has this ability to nail the idiosyncrasies and quirks of a character in just a few words.

A heart-warming story that asks the reader to consider what is important in life. We loved it. *****

I can highly recommend A Gentleman in Moscow by Amor Towles as lockdown reading ... The story resonates because we have all endured restricted lifestyles of late and may continue to for months to come.

It is a good book to read during this pandemic because it's about how he is being confined to Moscow's Hotel Metropol.

Towles's book is a delight, with a beguiling central character and lively descriptions of life in Russia over a period of 30 years.

A wonderful bookwhich gives the reader an understanding of life in post revolution Moscow.

Totally original novel ... A great deal of Russian history is also subtly woven into this magical book, which is tear-jerking but never sentimental, with a quite unexpected and thrilling ending.

Wonderful, combining brilliant storytelling with beautiful writing.

I love the novels of Amor Towles, especially A Gentleman in Moscow - he has this ability to nail the idiosyncrasies and quirks of a character in just a few words.

It's hard not to fall in love with Count Rostov, an impeccably mannered and mischievous aesthete placed under permanent house arrest at Moscow's Metropol hotel ... An endearing and frequently hilarious novel that covers big topics with a velvet touch.

The fear, danger and paranoia felt in those times rise memorably from the pages.

Barnes stands out, so vivid are his images and so poignant his insights. His works stand among the classics of the postmodern era, and for good reason.

A marvellous meditation on the Cold War era and particularly the battles of conscience that besiege a man living under tyranny.

The tone is intimate and aphoristic, the paragraphs succinct.

A fascinating account of the life of Dimitri Shostakovich… Perceptive, symbolic… The Noise of Time is an essential read, and not only for musicians.

A finely-tuned masterpiece... Barnes' prose is supreme.

An intimate portrait of a public intellectual living in a totalitarian atmosphere… Immersive… The Noise of Time presents a compelling story in engaging and original prose.

Kaleidoscopic portrait… Barnes deftly constructs a life history... A masterfully told story of survival. *****

Beautifully composed.

Without a doubt, Barnes has succeeded the high expectations of the people who waited with bated breath for the release of The Noise of Time. In a work that feels both original and authentic, he encourages us to consider the importance of art, in whatever form, and the influence it can have on us all.

Barnes at his best...a poignant fictional recreation of the artistic agonies of the composer Shostakovich.

A very sensitive account of how art can be in conflict with naked political power.

A book I’d like to tuck myself away for a day to read. It’s short in length but by all accounts big on ideas and power.

His Dmitri Shostakovich is completely believable.

[A] brilliant study of the relationship between art and an oppressive regime… A compelling depiction of the country’s history and a richly imagined close-up of the artist.

A poignant and thoughtful portrait of the persecuted artist.

[It is] elegant.

Another Brilliant reinvention by Barnes.

My favourite book of this year is The Noise of Time.

His best for ages. It is gripping, outward-looking, generous with plot and atmosphere and far beyond the powers of McEwan, Amis, Ishiguro, Rushidie et al…. This book grabbed me by the nuts like nothing of his since Starting at the Sun.

[A] haunting novel on the agonies of Shostakovitch under Stalin and his successors… I recommended it to a friend who for years was one of the great reviewers at the Washington Post. His reply: “It’s an extraordinary book. It’s a book that makes me wish I were reviewing again.”

A mini-masterpiece.

An elegant portrait of Shostakovitch.

Written with Barnes’ characteristic low-key elegance, the book becomes a meditation on artistic integrity and its limits in a brutal regime

An impressive narrative of personal integrity.

As a portrait of the composer and his time this book is a complete success… The Noise of Time is also convincing in the details… A book in which a certain grim humour is never too far away.

[A] gem of a novel.

A compelling read that combines sharp insights, lyrical passages and dramatic tension.

Black humour and retrospective anguish prevail in Julian Barnes’s latest novel.

A beautifully told story, this is subtle and powerful.

This small novel is an elegant and unflinching account of a life lived under extreme pressure, during Stalin’s Great Terror. Julian Barnes fleshes out the life of the composer Shostakovich whose life is under threat. A powerful story, well-crafted and beautifully written about the humanity and torments of a creative soul… An informative, thought provoking read.

An immense emotional and intellectual punch.