Author:Chinua Achebe
Chinua Achebe is considered the father of African literature in English, the writer who 'opened the magic casements of African fiction' for an international readership. Following the 50th anniversary of the publication of his ground-breaking Things Fall Apart, Everyman republish Achebe's first and most famous novel alongside No Longer at Ease and Arrow of God, under the collective title The African Trilogy.
In Things Fall Apart the individual tragedy of Okonkwo, 'strong man' and tribal elder in the Nigeria of the 1890s is intertwined with the transformation of traditional Igbo society under the impact of Christianity and colonialism. In No Longer at Ease, Okonkwo's grandson, Obi, educated in England, returns to a civil-service job in colonial Lagos, only to clash with the ruling elite to which he now believes he belongs. Arrow of God is set in the 1920s and explores the conflict from the two points of view - often, but not always, opposing - ofEzuelu, an Igbo priest, and Captain Winterbottom, a British district officer.
In spare and lucid prose,Achebe tellsa universal tale of personal and moral struggle in a changing world which continues to resonate in Africa today and has captured the imaginations of readers everywhere.
Courageous... Her writing is spirited and insouciant in its fusing of love of words and sensual desire
—— ScotsmanWinterson is in fine form in these essays about art
—— ObserverFlashes of sly wit have an epigrammatic power... On Joyce, Woolf, Conrad, Dickens and the development of English literature she is acute and always interesting...covetable, infuriating, stimulating
—— IndependentIn Hervey, Mallinson has a character worthy of comparison with Forester's young Hornblower ... And as always there is a splendid backdrop of action.
—— PunchConsistently inventive, evocative and uncompromising. Haunting is a word much overused, but Lark and Termite is exactly that: a novel whose elegant lingering images are hard to shake from the memory. This is a glowing, powerful and immensely readable paean to the power of family
—— IndependentJayne Anne Phillips's intricate, deeply felt new novel reverberates with echoes of Faulkner, Woolf, Kerouac, McCullers and Michael Herr's war reporting, and yet it fuses all these wildly disparate influences into something incandescent and utterly original
—— Michiko Kakutani , New York TimesAn intense tale of love, loss and the bond of family that survive, almost miraculously, over time and space... What could have been a fairly conventional story... is transformed by Phillips into something extraordinary
—— Neel Mukherjee , The Times'A moving meditation on the redemptive power of family and love'
—— ObserverPhillip's writing is distinctive, audacious and powerful
—— Daily TelegraphRemarkable. It is a strange and joyous book which will yield much to the patient reader
—— Elis Ni Dhuibhne , Irish TimesLark and Termite, Phillips' fourth novel, has high expectations to live up to. That it meets, and even surpasses, such expectations is only one of its many achievements
—— Angel Gurria-Quintana , Financial Times'A richly textured novel with a wondrous story at its heart about the many permutations of love'
—— Sunday Heraldcompulsive, innovative, challenging
—— Lesley McDowell , Independent on SundayA moving meditation on the redemptive power of family and love.
—— Sarah Churchwell , ObserverThe voices and structures are remarkable
—— Meaghan Delahunt , The ScotsmanTender story
—— Angel Gurria-Quintana , Financial TimesWith its almost mystical exploration of love in all its forms, this is a tender portrayal of a family that proves unsinkable
—— Elizabeth Buchan , The Sunday TimesPhillips's characters...are alive and intimately rendered; their warmth suffuses the novel like low-burning embers
—— Eimear Nolan , Irish TimesCompelling... utterly engaging... for anyone whose interest in his subjects is great to enough to bear their unflinching portrayal The Kindly Ones is an essential novel
—— Chris Power , The TimesIt's an amazing picture of evil, wonderfully written (and very well translated from the original French by Charlotte Mandell), and left me feeling as though I had supped with the damned
—— Jane Knight , The Times