Author:Erik Fosnes Hansen

From nineteenth-century Sweden to Renaissance Italy, Hansen weaves together exquisite stories in a searching and impressive enquiry into why things happen the way they do...
Bolt has died and lies in his coffin reflecting on the past. An eccentric scientist, he devoted his life to a vast research undertaking - collecting random incidents from the history of the species and finding the underlying pattern that connects them. His reveries lead him to tell two other tales - one of a doomed lighthouse keeper on a Swedish island and another of rivalry among Renaissance artists - until, finally, he tells a startling tale from his own early manhood.
A breathtaking journey from a nineteenth-century lighthouse community in the Swedish Baltic, besieged by shipwreck and sickness, to a group of scheming artists in Renaissance Rome...Superbly intricate plots
—— GuardianHis prose is both clear and poetic, and Nadia Christiensen's does full justice to his style, leaving the reader pondering on nothing less than the nature of existence itself
—— Kirkus ReviewsFor readers of Michael Ondaatje and Isak Dinesen, Erik Fosnes Hansen's imaginative narration brings an original and searching inquiry into why things happen the way they do and suggests a theory of 'seriality' -a half-science about the power of human connections
—— www.goodreads.comA thrilling conclusion to a fantastic trilogy.
—— BOOKLISTJohansen has consistently taken huge narrative risks with this series, which started as a traditional fantasy and then began incorporating glimpses of a dystopian alternate world... richly developed characters who are never boring black and white, and villains who are as fascinating as the heroes . . . outstanding.
—— LIBRARY JOURNALGenuinely subversive: social commentary in the guise of supernatural adventure.
—— LOCUS magazineJohansen creates her most sweeping vision of Kelsea and her world yet . . . political machinations and explosive revelations . . . the stunning ending makes a bold statement about sacrifice and rebirth. Astonishing.
—— SHELF AWARENESSKaroo is a very good and very funny novel of the old-fashioned American kind, the tragi-comic story - familiar from Philip Roth and JP Donleavy - of a selfish but vulnerable and oddly lovable monster whose own shortcomings don't disqualify him from saying some sharp things about the hypocrisies of the allegedly better-balanced types who despise him
—— HeraldAdulterous alcoholic and pathological liar, it is, nevertheless, hard not to love Karoo, whose sardonic observations are both poignant and extremely funny. This is comic writing at its best. Clever, well crafted and proof that Tesich was master of the medium
—— The TimesBrilliantly funny in its early chapters, but also very wise, the virtuosic irony turns to bitterness as a tragic story develops. Tesich died just after completing this marvellous, heart-felt valediction.
—— Scotland on SundayA sad novel with a jaunty, upbeat tone that disguises the tragedy of Tesich's magnetic characters
—— Observer[A] bold and deeply wise collection
—— BuzzFeedStartlingly, blazingly original.
—— BookPage[A] riveting collection of short stories ... darkly imagined, slightly surreal
—— San Jose Mercury NewsExhilarating ... His mastery of setting simply wowed me.
—— THE SAN FRANCISCO CHRONICLEMarked by the conflicts of heart and mind, and the exuberant quality of its compassionate prose.
—— THE HUFFINGTON POSTCompulsively readable ... Johnson serves up six sinewy stories that shock and surprise.
—— Elle MagazineA rare combination of inventiveness, intellectual pyrotechnics and emotional sophistication ... these stories are treasures.
—— BBC.ComBittersweet, elegant, full of ward-won wisdom: this is no ordinary book either.
—— Publishers Weekly (starred and boxed review)Hefty and memorable ...the stories provide one of the truest satisfactions of reading: the opportunity to sing into worlds we otherwise know little or nothing about.
—— Starred Kirkus ReviewTerrific. Shows exactly why Johnson is rated as one of the hottest writers of his generation.
—— Mail on SundayThe perfect antidote to Trump.
—— Sarah Churchwell , GuardianThis book is a compelling study of the relationship between artist and spectator, and how suffering feeds into art, and he’s made of it a bravura performance… Extraordinary.
—— Alastair Mabbott , HeraldA haunting, intense and Man Booker International prize-winning novel from a great writer.
—— Mail on SundayIncredibly fast paced, and the dialogue comes at you like a machine gun… It is powerful in its own right.
—— Sara Garland , NudgeAbrasive, unexpected and eventually heartbreaking, it is a masterclass in characterisation and structure, and it beat off some exceptionally strong competition to win the prize… A Horse Walks into a Bar is quite unlike any other Grossman book except in one important respect: it’s another masterpiece.
—— Nick Barley , New StatesmanExcellent.
—— Dara Ó Briain , ObserverPitch-perfect black comedy
—— Salman Rushdie , Guardian