A gamey, pungent, vulgar sprawl of a novel, somewhere in the hinterland where Damon Runyon meets James Joyce

Swing Hammer Swing! is a great novel

A crazily good read... this [is a] fantastic first novel

It is such a good novel, with such energy of language and gift for striking off memorable scenes, that its appearance at any time would be welcomed . . . It prompts reflection on how much it would have benefited Scottish writers if 20 years ago a novel had been published with Jeff Torrington's absolute lack of compromise or temporising explanation in the use of Glasgow material and dialect

This might be the Gorbals, and the banter might be exchanged on the steps of tramp-haunted urinals, but the reference points are Nietzsche, Pascal, Chekhov and Sartre'

Strikes a blow for Scottish literature in particular and non-metropolitan writing in general... Jeff Torrington has made language new. Hats off!

This is the rare sort of novel that a reviewer resents not being able to quote in its entirety

Torrington has a wonderful eye for this abandoned underworld, but above all this is a triumph of dialect, poetry, obscenity and high culture. Another great Scottish novel

A masterful novel

Tessa Hadley is funny, precise, sensuous, and one of the best writers of family life that you are ever likely to encounter – simultaneously sympathetic and penetrating

She deserves all the prizes. Hadley is psychologically acute, drily witty and…absolutely wonderful on place

Splendid… Hadley’s gift for depicting the interior lives of children and adults rivals Ian McEwan’s

Tessa Hadley excels at presenting the contrasting viewpoints of children, teenagers and adults, and her evocative descriptions of the English countryside are a delight.

Poetic, tender and full of wry humour. A delight

Tender dissection of a certain sort of English middle-class life is magnificently done: half celebration, half elegy.

Tessa Hadley has an exquisite eye for detail.

Full of wonders

A brilliant British take on two generations of family inhabiting the same house.

An astute and finely written novel

Exquisite… For anyone who cherishes Anne Tyler and Alice Munro, the book offers similar deep pleasures. Hadley crystallizes the atmosphere of ordinary life in prose somehow miraculous and natural.... Extraordinary

An extremely affecting novel of cumulative richness, yet there is nothing ponderous about Hadley’s sparkling and sensuous prose: she captures the comedy of family life brilliantly.

No one writes family like Hadley

A classy, observant page turner.

Sharply delicate.

Tender and well-made and poignant, it is a gentle delight.

Masterly yet understated fiction.

Time and again, the sheer truthfulness of Hadley’s writing blows me away. In the last section, the beauty of the structure unfurls like a peacock’s tail.

Subtle and beautifully written.

Probably the best novel of the year.

Draws sibling love and rivalries with as much gentle satire as poignancy.

No one delineates familial bad behaviour the way [Hadley] does.

Tessa Hadley has the natural bent of a short-story writer, given to careful description and the kind of feinted closure that pushes uncomfortably past happily ever after.

Hadley is so insightful, such a lovely writer, that she pulls you right into the tangle of wires that connect and trip up the stressed siblings.

Her best so far

Hadley is expert at conveying emotion... The way she draws each character is so good the book feels like a huge achievement. Her best so far.

Hadley, who won the Hawthornden prize this month for The Past, is literary fiction’s best kept secret. Don’t let her fellow novelists keep her for themselves.

[The Past is] magnificently done: half celebration, half elegy.

There are hints of Larkin in her tender descriptions of landscape and imaginative responses to the ineffable… All her books are wonderful.

This is a hugely enjoyable and keenly intelligent novel, brimming with the vitality of unruly desire.