Author:Jim Cartwright

Sitting among the rows of tills in Supersafe supermarket in the North of England, the fortunes of a young checkout girl are on the brink of change ...
Linda works the tills at Safeshop. It's what everyone does. The grammar school girls get the careers; the comp girls get the two-bit college courses and the low wage jobs. But when model agent Rafe brings his disposable razors to Linda's till, he recognises the raw talent that could transform both their lives. Almost overnight, Linda becomes Crystalline, a supermodel catapulted onto the international stage. But in the blur of first class flights and flashy restaurants, will she begin to forget where Crysatline ends and Linda begins?
The bittersweet story of a young checkout girl's rise to fame, this is prize-wining playwright Jim Cartwright's first novel. Bearing the hallmarks of his best-loved play, THE RISE AND FALL OF LITTLE VOICE and ROAD, this rollicking debut takes the reader on a journey from which there is no going back.
Class act...a rollicking, sexy, pacy yarn
—— GuardianWritten in fizzing, high-voltage vernacular ... Cartwright is an intoxicating writer
—— IndependentBold and brash, this playful Cinderella story is told with warm-hearted exuberance... Cartwright is adept at conjuring up vivid characters in a whizz-bang flash by giving them sparking, convincing dialogue.
—— Daily MailThe plot of SUPERMARKET SUPERMODEL is unlikely to the point of unbelievable, but it's meant to be...Cartwright's strength is in his dialogue and creation of character ...the playwright in him keeps the action moving along, and keeps the reader's interest alive
—— TimesTouching and funny
—— ObserverFunny, cheeky...full of cracking dialogue
—— ImageMust Read Book. 'Bittersweet debut from a respected playwright'
—— BellaFast-paced, fresh and funny
—— Candis Book of the MonthRussell's primeval imaginings and gutsy language lurk long in the memory
—— Emma Hagestadt , IndependentThe novel packs a genuine punch
—— Jonathan Gibbs , Daily Telegraph[Russell] is certainly very talented...This novel has already received great reviews...and it's easy to see why. Many of her descriptions are quite dazzling
—— GuardianHer imagination is undoubtedly of unbounded proportions, and she creates a refreshingly unique community and seductively charms the reader...[Russell] is a refreshing change from the usual.
—— PlatformAva's narrative occupies fertile territory half-way between realism and fantasy, innocence and experience... Russell leaves just enough for us to question our reading of events, so that when the scales fall from Ava's eyes we are implicated in her naivety
—— London Review of BooksWe unanimously loved it - to the point where words like 'genius' and 'masterpiece' were being bandied around. With figurative language enriching every sentence, Russell effortlessly transports the reader
—— Cambridgeshire JournalThis novel [is] beautifully written and very witty, yet often extremely sad too
—— Thebookbag.co.ukOn one level, this is a sweet, slightly sentimental comin-of-age story; on another, it is a postmodern satire
—— Scarlett Thomas , GuardianRussell is really finding her feet with this one, making good on the promise of her eerie debut
—— Alastair Mabbott , HeraldA testament to a truly vivid imagination
—— LadyRussell creats a vivid sense of how reality and fantasy can intertwine in a child's mind and become indistinguishable... What comes through most powerfully in Russell's fertile prose is the humid, mosquito-ridden atmosphere of the Florida swamp and the beguiling strangeness of the creatures - humans included - that make it their home
—— Killian Fox , ObserverThe novel is an experiment in how children's minds comprehend loss, and Ava is a compelling guide...Russell's strength is her use of language: each sentence is vividly rendered and the pages are as dense with images as the island is with life
—— Fiona Wilson , The TimesMight be read as a quietly suspenseful, and angry, judgement on postwar culture
—— Boyd Tonkin , Independent, Books of the YearA seemingly slight work that is, in fact, possessed of almost infinite depth. It's an elegant inquiry into what we can know and how we can know it - and it's gripping too
—— Erica Wagner , The Times, Books of the YearIt sets off a moving meditation on ageing, regret and the unreliability of memory
—— Sunday Express, Books of the YearHas rightly been praised for its economy and elegance
—— Margaret Drabble , Guardian, Books of the YearBelatedly and deservedly, this was the year of Julian Barnes
—— Mark Lawson , Guardian, Books of the YearExquisitely written and deeply engaging
—— Lorrie Moore , Guardian, Books of the YearElegant verbal exactness, analytic finesse and a witty portrayal of contemporary and 1960's life complement the intricate plot
—— Peter Kemp , Sunday Times, Books of the YearA worthy Booker laureate of this or any other year, our most versatile novelist...a perfect present in these last days of the book as a singular object
—— Philip French , Observer, Books of the YearA worthy winner of this year's Booker prize: short, but certainly not slight, precise and insightful
—— Kate Cunningham , Herald, Books of the YearThis novel packed more emotion into its 150 pages than any other I have read this year
—— Bob McDevitt , Herald, Books of the YearMelancholic, suspenseful and thought-provoking
—— Kirsty Wark , Herald, Books of the YearSeveral plot twists later, what started off as a thoughtful (and fascinating) meditation on memory becomes something close to a full blown thriller
—— James Walton , Daily MailEssential reading for any writer, aspiring or otherwise
—— Patrick Keogh , GuardianA meditation on memory and regret slyly conveyed through the unreliable voice of a complacent man whose past gives him a nasty surprise
—— Justine Jordan , GuardianA deserving winner
—— Éibhear Walshe , Irish Times, Books of the YearMasterful, gripping and, above all, surprising
—— Victoria Hislop , The Week, Books of the YearBarnes has always has an ear for the bleak comedy of the first person
—— Olivia Cole , GQNovel, fertile and memorable
—— Justine Jordan , GuardianJulian Barnes’ Man-Booker prize-winning novel has extraordinary power and emotional density
—— Simon Shaw , Mail on SundayAn eloquent meditation on relationships, emotional arrogance and the discomfort of remorse
—— James Urquhart , Financial TimesThe key to this slender, tantalizing mystery is on its opening page: what you end up remembering isn’t always the same as what you have witnessed
—— Katie Owen , Daily TelegraphHis art is artful, often openly so, but never showy or obvious
—— Colm Toibin , New York ReviewDescribed in Justin Cartwright’s review as 'a very fine book, skillfully plotted, boldly conceived’
—— Guardian, Holiday ReadsI am eager to read it, though I hear it needs to be read twice to be fully appreciated
—— Colm O'Gorman , Independent






