Author:Paul Robert Smith
Fielding Montanna might be dead, but doesn't know it. Sunday Daffodil wants to kill herself, but won't die. Louie Louie has the hots for Fielding's once beautiful mother, and the mysterious Moriarty hasn't slept a wink in twenty three years. Manhattan, meanwhile, is slowly sinking in a sea of sludge.
Obviously it was always going to have a happy ending.
The literary version of a Coen brothers film crossed with Catcher in the Rye. It's full of dry wit, glaring irony, and exaggerated language, and packed with eclectic characters, emblematic of a world gone to hell
—— www.bookbag.co.ukThe second novel from P. Robert Smith has as many twists and turns as you’d expect from the man who brought us Up A Tree At Night With A Hedgehog... It's a fun read
—— AestheticaA collage of inexplainable happenings and strange characters... Dream-like... Quirky
—— www.theskinny.co.uk[A] gloriously inventive follow-up to Up A Tree in the Park At Night with a Hedgehog...peopled with charming, quirky characters all in search of their own happy endings
—— www.thebookpeople.co.ukA wonderfully wistful and funny novel
—— Daily TelegraphThe author is not merely a dazzling entertainer, he is a no-nonsense moralist as well, and is as dextrous with the darker elements of betrayal and pain as with the farcical mechanics of love and clashing temperament
—— New YorkerI just love this classic romance about a married mother who succumbs to an unsuitable lover and becomes pregnant by him, which of course results in all sorts of pressures and heartache. The best love story ever told
—— Kay BurleyProbably one of the greatest novelistic treatments of the torments of love
—— Daily MailExtremely moving . . . you'll be gripped
—— Daily MailIrresistible comfort read
—— GlamourSo fluid, the pages turn themselves
—— Daily MirrorTissues are essential. You'll ricochet between delicately watering eyes at the romance of it all and howling sobs at the unbearable tenderness
—— HeatIt would be a hard heart indeed that remained unmoved . . . the tender feelings that Noble engenders in her readers are to be cherished
—— Daily ExpressIt's one of the best accounts of clever English schoolboyhood I've read
—— Times Educational SupplementIrony and imagery are deployed with a finesse even Flaubert wouldn't wince at...consummately elegant
—— Sunday TimesSinister, shocking and extremely powerful
—— Woman & HomeWonderful
—— RedHer writing is always thrilling and this is much more than simply a page-turner
—— Jane Wheatley , The TimesA successful novel, well made and written with a light touch
—— Alex Clark , The GuardianIt is beautifully written, and elegantly edited, and manages to pack in vivid characterisations built on tragic family histories... With its strong structure and interesting themes, it could be a textbook example of how to write a modern novel
—— Third WaySatisfying death-blow to place-in-the-sun escapism
—— Boyd Tonkin , Independent Summer ReadsA compelling novel
—— TatlerA wry family black comedy, a study in revenge, and an unlikely, if sinister, thriller...a characteristically intelligent, well constructed narrative... The prose is precise and fluent, the tone is neutral, and Tremain makes effective use of the fact that many adults remain children
—— Eileen Battersby , The Irish TimesA criss-crossing, sinuous tale of muted passion and sibling rivarly - and affection - set in the Cevennes. Its peculiar, particular atmosphere is conjured perfectly
—— Erica Wagner , The Times, Christmas round upA haunting and perfectly poised tale of incest and antiques.
—— Frances Wilson , Daily Telegraph, Christmas round upCreepily affecting
—— Katy Guest , Independent on Sunday, Christmas round upChilling and vivid
—— Charlotte Vowden , Daily ExpressSurely one of the most versatile novelists writing today... The scene-setting opening is languorous and beautiful, giving full rein to Tremain's descriptive gifts... A disturbing tale and one rich in detail
—— Daily ExpressIntriguing
—— James Urquhart , Financial TimesTremain expertly heightens the tension in a cleverly fashioned and astutely observed novel that reads like a cross between Ruth Rendell and Jean de Florette
—— Simon Shaw , Mail on SundayTremain's extraordinary imagination has produced a powerful, unsettling novel in which two worlds and cultures collide
—— Cath Kidson MagazineTremain writes about this part of France so well because she has known it since childhood, and she captures a sensuality in the landscape that is both attractive and eerie... It is an enthralling book about the catastrophic disruption honesty can bring
—— Siobhan Kane , Irish TimesThe novel has all the formal structure of a medieval morality tale, along with its traditional dichotomies: rus and urbe, avarice and asceticism, chastity and lust
—— GuardianRose Tremain's thrilling Trespass is set in an obsure valley in Southern France... To be read slowly; Tremain's writing is too exquisite to hurry
—— The TimesTimeless but rooted; tangible but otherworldly. Meticulously plotted, with the musty sadness that comes of cleaving to the past, Trespass will reward your reading time
—— Scotland on SundayRose Tremain's novel begins with a scream and barely loosens its grip amid the sumptuously written pages that follow...subtly harnesses the stifling heat and dangerously feral landscape of southern France to unspool a psychologically disconcerting story of family skeletons and outsider tensions
—— MetroLike a sinister edition of A Place In the Sun directed by Alfred Hitchcock, with the depth and subtlety that make the book far more than a mere thriller
—— You Magazine (Daily Mail)