A story of scandal, class conflict and bitter rivalry

Mary Barton is the first and arguably the finest of them. In it, early trade-union radicalism and competition between old industrial methods and new is the background to a powerful, often heartbreaking depiction of real rather than ideal Victorian family life

Elizabeth Gaskell, or Mrs Gaskell as she was known, also produced what has been called the first social novel. The living conditions she witnessed daily in her work among poor mill labourers spurred her to write a novel that would prick the social conscience of industrial Britain, while spinning a gripping yarn. It worked. "People on Turkish carpets," wrote one reviewer, "with their three meat meals a day, are wondering why working men turn Chartists and Communists. Do they want to know why? Let them read Mary Barton"

People who read her always come away surprised at how modern she sounds. You don't have to think yourself into her century in order to sympathise, since her guiding principle was no more or less than a sense of practical, day-today justice, totally outside the abiding gentleman-lady-peasant-donkey-peasant's wife hierarchy which surrounded her.

Carbin's brisk, funny first novel records the changes in a shallow, self-centered beauty brought on by a bun in the oven and an unlikely connection with a stranger. After being callous with many hearts, Brit Rachel Covington gets her comeuppance when her interoffice romance with superfoxy Nick Maxwell comes to an abrupt end. While pining for him and experiencing bouts of nausea, moodiness and ravenous hunger, she spies her friend Sarah McCarthy's husband, Glenn, passionately kissing another woman. Rachel also happens upon a lost cellphone and develops a friendship with its owner, charismatic Hector, soon revealed to be Glenn's successful older brother. When Rachel confirms her pregnancy, her decision to only let Hector know strengthens their bond and puts them on the fast track to potential romance, but circumstances prevent the would-be lovebirds from getting together. These are contrived in a necessary chick lit way, but Carbin fashions a convincing transformation for her protagonist. Other genre tropes abound (including the charged climax and Hector's wealth), but Carbin's engaging main character and swaggering sense of humor save the day

Debbie Carbin is a fresh and entertaining new voice in women's fiction. With an engaging style and an unrivaled sense of humor, she holds the reader willingly captive until the very last page. Do you see me sitting on my couch, reading this book until 3:00 in the morning? Notice how I just can't put it down. That's how much I loved it!

A lovely, thought-provoking tale

Touching and funny

The best book of its kind that his reviewer has come across in ages ... [Marian] Keyes has for years been the undisputed queen of applying the light tender touch to dark, painful subjects - well, Sinéad Moriarty is now a worthy competitor for that crown ... In My Sister's Shoes bounces with love, life and fun

Provocative

A good story, flourishing characters, and the most persuasive narrative voice

A classic tale of the triumph of youthful naivety over middle-aged cynicism

Classic coming of age novel