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Summer Lightning
Summer Lightning
Dec 2, 2025 6:40 AM

Author:P.G. Wodehouse

Summer Lightning

'Wodehouse is so utterly, properly, simply funny' Adele Parks

'Line for line, no other author brings me as much pleasure' Joe Dunthorne

--

'I like that young man. He is sound on pigs. He has his head screwed on the right way.'

The Empress of Blandings, prize-winning pig and all-consuming passion of Clarence, Ninth Earl of Emsworth, has disappeared.

Blandings Castle is in uproar and there are suspects a-plenty - from the scandalous memoirist Galahad Threepwood to the Efficient Baxter, and the chilling former secretary to Lord Emsworth. Even Beach the Butler seems deeply embroiled. And what of Sir Gregory Parsloe-Parsloe, Clarence's arch-rival and neighbour, whose own pig competes with the Empress for local glory?

With the castle full or imposters and deception around every corner, how will the Earl ever get to the bottom of the disappearance of the castle's most precious occupant?

Reviews

Exceptional . . . Every detail rings true, every character is fleshy and real and heartbreaking . . . Magee has a remarkable talent

—— Sunday Times (Laura Hackett)

Taut and impressive, unfaltering and deftly executed . . . [It] feels like that rarest of things: a genuinely necessary book

—— Guardian (Keiran Goddard)

An exceptional debut destined for novel of the year shortlists

—— Irish Times (Martin Doyle)

Michael Magee is a born storyteller. By the end of the novel I wanted to book a flight to Ireland just to walk around and imagine who was where . . . I read this in two or three sittings only because I wanted to slow down and spend more time with Magee's considered and companionate writing. I finished it only last month, but plan to take it with me abroad to enjoy it once more

—— Guardian ‘2023 Summer Reads’ (Derek Owusu)

A vision of a post-conflict Belfast that didn't deliver what it promised, blighted by poverty, pain and memory. But far from being bleak, I laughed out loud many times. And it is full of love. Each character is so vividly drawn that I felt like I had met them somewhere before; even the most flawed of them is treated with dignity and respect, and an absence of judgement that reminded me of Annie Ernaux. And the writing! Supple, rich and demotic - Kneecap meets Chekhov - no one else is doing this. I had great hopes for this novel and Michael Magee has booted it out of the park. Absolutely glorious.

—— Louise Kennedy, author of 'Trespasses'

Unflinching, direct, disarmingly sensitive . . . Suffusing his narrative with honesty and grace, Magee succeeds in bringing his neighborhood to life for readers and suggests that, amid what seems like a never-ending struggle, there is always room for hope

—— The Washington Post

Michael Magee's Close to Home, amazingly a first novel, is about what it's like to be young and working class right now in Northern Ireland, and is a tremendous read, tensed and immersive, punching the air between hope and despair, deeply decent, unputdownable

—— Guardian '2023 Summer Reads' (Ali Smith)

Wonderful. A debut overflowing with years of experience and carefully worked craft. By turns hard-edged and soft-hearted, this novel is a gift from Michael Magee to us all

—— Jon McGregor, author of 'Reservoir 13'

The message of Michael Magee's dead-on debut novel is universal. At its core, Close to Home is about finding a way to transcend the pain, the people and the place you're born into

—— The New York Times

A complex and compassionate portrait of modern Belfast by an impressive new talent . . . Close to Home is a working class novel, an Irish novel, a bildungsroman, a novel about the self-congratulatory failures of Northern Ireland's political elite . . . [and a] sharp deconstruction of toxic masculinity

—— Times Literary Supplement

Lucid and stirring . . . Magee's persistently evocative and beautifully matter-of-fact descriptions of Belfast's landmarks and people are intertwined with a sensitive awareness of the city's social, political and religious history

—— Literary Review

A convincing, nuanced debut, bleak but powerful, marrying the thematic unsentimentality of Edouard Louis with prose reminiscent of Irvine Welsh

—— Sunday Independent

A beautiful, rich, tough, kind portrait of a life in the balance. And a great study of masculinity, the brother, the friends, the long-lost dad. It's full of hope

—— Russell T. Davies

Magee skilfully paints the landscape of a city still scarred by the Troubles . . . The book's themes - masculinity, class and history - don't offer easy resolutions. Instead, Magee deftly conveys the anxieties of a generation facing an uncertain future

—— Irish Times (Mia Levitin)

A lyrical examination of masculinity, class, and poverty. Magee's prose sings with the tenderness of a writer beyond his years

—— Electric Literature

Glorious. A bittersweet love letter to Northern Ireland... Magee confer[s] on even the ugliest of things (poverty, sectarianism, illness and death) a kind of sharp-edged elegance

—— The Times, ‘2023 Summer Reads’

Beautifully observed and sharp as a knife tip - as real and as raw as the truths you tell on a comedown, in the early hours, in the darkness of some stranger's house. Deeply affecting and badly needed, this is a novel I will be thinking about for a long time

—— Lisa McInerney, author of 'The Glorious Heresies'

A shard of authenticity, originality and brilliance

—— The Times (Summer Reads: 'Ask a bookseller')

Terrific debut fiction

—— Anne Enright , Observer

Michael Magee's first novel is superb. An emotionally true, keenly observed book that goes deep into the troubled territory of home, family and friendship, returning with a message of love

—— David Hayden, author of 'Darker With The Lights On'

Close to Home does for Belfast what Shuggie Bain did for Glasgow. Its portrayal of a particular kind of masculinity - self-destructive and romantic by turns - is unsparing, funny and desperately sad. Keep an eye on Michael Magee; he's the real deal.

—— Patrick Gale, author of 'A Place Called Winter'

How beautifully Magee has brought his characters to life, and how intricately he has created their world

—— Irish Independent (Kevin Power)

Magee is his own man in his restrained approach . . . I took Sean to my heart and the last line of the book left me with a satsifying shiver

—— The Times (John Self)

The best debut I've read in years - a tender examination of class, masculinity and place

—— Nicole Flattery, author of 'Show Them A Good Time'

Amazingly assured first novel. Magee is too good a writer... Gentle as well as brutal

—— The Tablet

As beautiful as it is brilliant. Reading Close to Home is like crossing a frontier into a new and thrilling territory

—— Glenn Patterson, author of 'The International'

Close To Home announces an exciting new voice - at once open and wary, tender and unyielding - and sharply alive to the pains and discoveries and mysteries of youth

—— Colin Barrett, author of 'Young Skins'

Ringing out clear and true as a bell, it gleams with tenderness and perception. There are few narrators so unassuming and unaffected, yet so full of sharp intelligence

—— Wendy Erskine, author of 'Dance Move'

Precise, compulsive, companionable and genuinely moving. Michael Magee writes a world we see far too little of in contemporary literature. We need books like this

—— Seán Hewitt, author of 'All Down Darkness Wide'

A beautiful and devastating debut novel about political memory, violence, masculinity, and the impossibility of escaping your origins.

—— Jacobin

A sharp and humane novel about a young man, and a city, caught in the painful throes of reimagining themselves. It rings with authenticity, and the wisdom of hard-won observation and experience - a hymn to the ways in which art can be a lifeline and an escape. Michael Magee's debut is an important addition to the burgeoning new canon of Belfast literature

—— Lucy Caldwell, author of 'These Days'

Compulsively readable - you will need to know how this ends!

—— Emilie Pine, author of 'Notes to Self'

Sharp, immediate, beautiful writing. A vivid portrait of modern Belfast and of how our circumstances shape our lives. Every character is drawn with nuance and complexity, with great precision and attention to detail. I really loved this book

—— Rachel Connolly, author of 'Lazy City'

Artfully crafted, compassionate, precise and unafraid. I loved this book

—— Susannah Dickey, author of 'Common Decency'

Close to Home tracks brilliantly written characters across a vividly drawn Belfast

—— Business Post

One of the year’s most distinctive and immersive debuts . . . Drawing on his own experiences, Michael Magee refreshes the post-Troubles novel to wrestle with his community’s painful heritage of violence and poverty. It sounds bleak, but Sean’s voice fizzes with life

—— The Times, 'Best Novels of 2023'

It's hard to find fault with a debut novel that unfold its storylines and characters with such care, handling themes of class, masculinity, addiction and trauma with both tenderness and a matter-of-factness

—— RTÉ, Book of the Week

Michael Magees Close to Home is yet another brilliant novel to emerge from Northern Ireland, making sense of the impact of the long conflict and the transition to troubled peace; Magee powerfully delineates the psychology of those crushed by betrayal

—— Irish Times, 'Best Books of 2023'

Perceptive, hilarious and deeply moving, this is a wise and insightful look at modern life

—— Sunday Express

Switch the phone to silent, banish all distractions: it's time for a book binge

—— Saga Magazine

Fabulous. I loved becoming reacquainted with the Walsh family

—— My Weekly Special Series

A masterclass in creating the perfect follow-up story . . . This sequel shone

—— Jane Harper , Daily Express

Included in 'Best Paperbacks of April 2023'

—— THE TIMES

There aren't many books that come along . . . where on one page you can be laughing hysterically, and then you turn the page and you're nearly in tears for the opposite reason. This is that book. Beautifully told. Loads of warmth, loads of humour.

—— Phil Williams , Times Radio

She is a genius stylist. Her characters are so vivid, her situations feel so real and authentic. This is my favourite book of hers.

—— Hannah Beckerman , Times Radio

Amazing

—— Beth O'Leary

Enticing

—— Stylist

There's light and dark in all Keyes' novels, equal measures of hilarity and heartbreak

—— Scotsman

Hard to put down

—— Sunday Express

Lovable, funny. Doesn't disappoint

—— Sunday Life

Keyes at the peak of her powers

—— Scotsman

Praise for Marian Keyes

—— :

Messy, tangled complex humans who reminded me that few of us ever really sort out our lives at all

—— Jojo Moyes

A novel that is warm and witty but never afraid to tackle the big stuff

—— Elizabeth Day , Mail on Sunday

Magnificently messy lives, brilliantly untangled. Funny, tender and completely absorbing!

—— Graham Norton

Keyes knows how to make serious issues relatable - and get a few grownup laughs, too

—— Guardian

There should be a word to describe the sadness and satisfaction you feel when you read the last page of a Marian Keyes novel: the ending is perfect but you still want more, more, more

—— Liane Moriarty

Charming, funny and poignant. But also profound, heartbreaking

—— Nina Stibbe

Keyes at her best: capturing everyday voices with humour and empathy with writing that you'll devour in a weekend. Just pure and simple joy

—— Stylist

Funny, thought-provoking and will get you right in the feels

—— Red

Sensitive, funny, wonderful, immensely touching

—— Nigella Lawson

Marian Keyes's gift for storytelling is utterly magnificent

—— Liz Nugent

Rachel Walsh is back with a bang. Wickedly shrewd and fun

—— RTE Guide, 'Top 10 Fiction of 2022'
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