A tour de force

Whimsical, evocative, heartfelt... Synthesizing a blur of images, Hideous Kinky is a song of childhood exile, a paean to the troublesome beauty of life on the run

Funny and appealing... It has a delightful lightness of being

Just open the book and begin, and instantly you will be charmed, then intrigued and finally moved by this fascinating story

Genuine and endearing... Esther Freud is adroit at capturing the way adult follies appear to a child [and] she has a gift for unstated hilarity... Like the sword swallowers in the marketplace, she manages to make it look effortless

A riveting testament to home, exile, survival, and inheritance

As transfixing as a flame

A History of Burning is that rare epic that manages to retain both its sweep and its intimacy... This is a beautiful book, unflinching yet deeply engaged

[Oza's] writing reminds people that vulnerability and openness are the only ways we can save each other. A History of Burning is the art we need now

An astonishing debut

Intimate and epic... this book is a triumph

Ambitious in scope and dazzlingly executed, A History of Burning is a marvelous debut. A tour de force

[A] highly accomplished debut novel... a multi-stranded, intergenerational, poly-vocal epic that charts the struggles of an Indian family over the course of almost a century

As bracing as saltwater... Cline possesses unmistakable talent; her bursts of genuine originality and startling insight make that clear

A tale of the ultimate grifter. Doused in ambiguity and foreboding

A new tense summer adventure

This unsettling but gripping novel takes us deep into the mind of a woman living a shadowy half-life

Crucial reading for any young woman

Undeniably compelling and atmospheric... a poolside-worthy page-turner

A taut, tense novel... The Guest is a strong follow-up... Her [Cline's] prose is limpid and propulsive, sustaining an atmosphere of dread.

[An] arresting observational eye

Cline has a crime writer's gift for revelatory storytelling, ramping up tension like an HBO pro

A searing portrayal of the precariat? Or a slick summer thriller? The answer is: both . . . you won't be able to look away

Supremely readable... propulsive

A dream-like, foreboding novel and worthy follow-up to the sensation The Girls

The talented Ms. Cline . . . Her prose is drifty and wire-taut, easy on the eye, with an awful undertow of unease that never lets up. The pathology brilliantly observed by The Guest would not feel so edgy if it were not perilously close to an aspirational ideal

I loved every moment of The Guest: the intensity, the control, the atmosphere, the psychological escalation, the astonishing social observation, the profound and devastating visions of the void achieved with flicks of the wrist, the way it lets nobody off the hook and yet is not without deep humanity

Heady scent of hotsummers and dark secrets

The wealthy clique depicted in Cline's unsettling second novel is by turns boorish and menacing - but you won't be able to look away

A beach read that ticks all the boxes

[The Guest’s] atmosphere is equally apprehensive [as The Girls] and Cline’s eye for the fragility of insider-outsiders is as gimlet-sharp as before

The Guest… [is] as relentlessly spellbinding as her debut

Either/Or is extremely funny and delightfully ludic, as it probes the very act of reading from the point of view of confused university student Selin.

I was desperately looking forward to Elif Batuman's Either/Or, and it more than lived up to it.

Re-encountering Selin...felt like being reunited with an old friend.

Hilarious.

I greatly enjoyed the comic zing of Elif Batuman's delightful Either/Or

Witty, intelligent and funny... [Selin's] inner monologue is addictive enough to read a thousand more pages of, and I can only cross my fingers that this isn't the last instalment of the series.

Just as funny and self-aware and clever as The Idiot.

Funny, wry and insightful

Laugh out loud…hilarious and thoughtful