Author:Drew Karpyshyn
Thousands of years before the rise of Darth Sidious and Darth Vader, the Old Republic was rife with the evil Sith, who were a constant thorn in the side of the Jedi. But greed and hunger for power were eating away at the Sith Order, destroying it from within. In the midst of this rose a new Sith, Darth Bane, who recognized that the Sith Order would fall if nothing was done. Thus it was he who, learning to cultivate patience and cunning, hid from the strife until it was over, and then rose to become the most powerful Sith Lord ever.
This is the story of the transformation of Des, a young miner, into the legendary Sith Lord Darth Bane. Des - like many of the disenfranchised who live on the Outer Rim - is disillusioned with the stagnancy of the Old Republic. When the Sith unite to bring the Republic down, Des is one of many to join their cause. His heroism and skill in battle - along with his remarkable connection to the Force - draw the notice of the Sith Masters, and Des eventually finds himself studying at the Sith Academy on Korriban. He takes the name of Bane and, amidst the deception and back-stabbing of the other students, he learns to unlock his latent dark-side talents. As his power grows, Bane realizes the Sith have lost their way. Under the leadership of Lord Kaan and his Brotherhood of Darkness, the Sith have turned their back on the true nature of the dark side. Through manipulation, cunning and strength, Bane destroys Kaan's Brotherhood and wipes out all the other Sith so he can found a new Order based on the rule of two: one Master, one apprentice.
It effortlessly explores the way in which the class system and worker oppression can make the dark path look attractive...a well told filling-in of Sith history
—— DreamwatchA solid space adventure [that] charts the evolution of an anti-hero almost as chilling as Darth Vader
—— Publishers WeeklyNearly every writer of my generation in England has wanted, at some point, to be Bruce Chatwin; wanted, like him, to talk of Fez and Firdausi, Nigeria and Nuristan, with equal authority; wanted to be talked about, as he is, with raucous envy; wanted above all to have written his books…(he was) a writer no one who cares for literature can afford not to read.
—— Andrew Harvey , New York TimesA quiet, low-key novel, notable for its vignettes...[which] are so sharp, so rich in detail, that the book packs a real polemic punch...Fasting Feasting is a fine showcase for the delicate, distinctive skills of Anita Desai
—— Sunday TelegraphPoignant and laugh-out-loud funny . . . proof not just that Huberman can write, but that she can do so with wit, insight and charm
—— Irish TimesSpirited and sisterly . . . like Jane Austen on ecstasy
—— Sunday Independent on Hello, HeartbreakA funny romantic comedy - a bit like Bridget Jones on Viagra
—— Irish Daily Mail on Hello, HeartbreakShe can really write . . . a deserved No 1
—— Irish Independent on Hello, HeartbreakThe Thirteenth Sacrifice is suspenseful and creepy - I enjoyed it.
—— Michellesramblins.comA terrific thriller.
—— Alternativeworlds.comThe characters are well-rounded and interesting…the imagery beautifully described… I enjoyed The 13th Sacrifice immensely, and will definitely be following the Witch Hunt saga with interest.
—— Verity Hayter , Geek Planet OnlineFor Christmas, I will give to dinner party conversationalists:... Tom Wolfe’s Back to Blood.
—— Fay Weldon , Daily TelegraphWhat really drives all this is Wolfe’s extraordinary style.
—— Robert Murphy , MetroAs broad and panoramic as ever.
—— Craig Brown , Mail on SundayThere are some dazzling satirical riffs and politically incorrect laughs.
—— Jake Kerridge , Sunday ExpressWolfe’s prose is as punchy as ever.
—— Time OutEnergetically set against the deco licentiousness of Florida’s steamiest party capital.
—— VogueClass, family, wealth and corruption are all themes in this examination of life in Miami.
—— Sunday Business Post[Tells] us about the way we live now... enjoyable.
—— Wynn Wheldon , SpectatorClassic Wolfe. A delight
—— William Leith , Evening StandardEpic, hectic, satirical… It’s scathing, funny, and has great set-piece scenes
—— Brandon Robshaw , Independent on SundayContemporary Miami gets the Wolfe treatment in a grand, sweeping satire on race, class, lust and immigration
—— Sunday Telegraph
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