A Gothic novel of romance, honour and tragedy with a creepy, obsessive underbelly

A venerable, much-adapted story of grand, delicate feelings and gothic creepiness

Mixes horror and romance in equal measure

Quinn blends his history, his political concerns, his ideals, his plot and his characters elegantly, with a light hand and the pace of a thriller.

Displays the unsentimental yet powerful flair for romance that characterized his previous novel, Half of the Human Race. Perhaps most exciting of all, there is a sense that he is still writing within himself.

Magnificent, bringing the Dickensian streets to grubby, teeming life.

Anthony Quinn is a terrific storyteller. He has a thrilling knack for turning familiar periods of history into something surprising and often shocking, and for making the fortunes and misfortunes of his characters matter.

Quinn brings the period in question vividly to life: his research is exemplary, and his subject absorbing.

Anthony Quinn’s novels just get better... Parallels with contemporary London lurk just below the surface. This is not only an exciting thriller and a touching, stop-start love story but a seriously important book.

All the ingredients of an upmarket page-turner.

A story that brings alive an area of Camden that saw massive social change in a short space of time: the explosion of the railways and the shoe-horning of thousands of semi-starved people into slums provide a backdrop.

A devastating tale of subterfuge, poverty and privilege set in the cobbled streets of Victorian London.

Magnificent, bringing the Dickensian streets to grubby, teeming life

Cements his reputation as an accomplished and challenging novelist… Though it takes place 130 years ago, the questions that The Streets poses about how, as a society and individuals, we tackle deprivation arguably remain just as pertinent

Quinn blends his history, his political concerns, his ideals, his plot and his characters elegantly, with a light hand and the pace of a thriller

Quinn’s most mature novel yet… His picture of poverty’s shaming, dehumanizing effect is powerful, and the recurrent call for pity heartfelt. Ms Eliot and Mr Dickens would surely approve

Anthony Quinn is a terrific storyteller. He has a thrilling knack for turning familiar periods of history into something surprising and often shocking, and for making the fortunes and misfortunes of his characters matter

Displays the unsentimental yet powerful flair for romance that characterized his previous novel, Half of the Human Race. Perhaps most exciting of all, there is a sense that he is still writing within himself

Quinn brings the period in question vividly to life: his research is exemplary, and his subject absorbing

All the ingredients of an upmarket page-turner

Ambitious, gripping and disturbingly well done

Beyond its splendid feel for the era’s chat and patter, the novel pits philanthropy and opportunism, ideals and selfishness, bracingly at odds

This novel is refreshingly different and contains a cornucopia of wonderful material and evocative descriptions

The best book I’ve read in ages… You have to read it.