No one else, anywhere, is writing quite like this

Marias is a deeply necessary writer, a crusader, funny, pungent, full of wrath and love

Anybody who doesn't read Marías is doomed

You are dazzled by the author's intelligence and understanding of human nature

Written 50 years ago, in a country whose system of government is utterly alien to our lived experience, these stories are still laugh-aloud funny on pretty much every page

Laugh-aloud funny on pretty much every page.

A rich and absorbing social history

Wilhide excels at minor social details. Well-observed.

Ever since Queen's Gambit took the world of historical fiction by storm 3 years ago, Liz Fremantle's books have been the ones to watch in the world of Tudor fiction. The combination of depth, intelligence and real historical imagination that she brings to bear on the lesser-known (but immensely powerful) women of the Tudor era is unmatched in contemporary writing and gets better with each book. Not that either of the previous ones were sub par - far from it, they were exceptional - but, as with all good writers, the apprenticeship of each book sees its realisation in the one that comes after it and there's a steady rise in the textures and depths and many-layered plot threads.
The Lady we watch here is Penelope, sister of the notorious Essex, wife of a man who doesn't want to bed her, lover of those who do - though never the most important one: that love is unrequited and all the more powerful for it. The machinations of Elizabeth's court were never easy, but became positively frenetic as she edged towards death and refused to name a successor and the way the ageing monarch plays Cecil against Essex, as seen through the eyes of the woman who has to navigate a clear path through the chaos is brilliant. In fact, the shift of viewpoint from Penelope to Cecil and back again is the core strength of this book. Neither is an entirely reliable narrator, even to themselves, but taken together, they mesh to make a hologram of a time in history that is endlessly fascinating, but never fully understood.
This book is glorious. It will delight fans of Hilary Mantel and Philippa Gregory alike, but will also garner a whole new audience from those who just love good writing, whatever the genre, whatever the era

A wonderful, totally transporting novel that folds you into its world, word by word, page by page, and remains with you long after the last. I absolutely loved this book. Fremantle is a brilliant novelist

Historical writing of wonderful intelligence

Clark expertly spins a story of people trying to work out who they are amid the wreckage of old social certainties. Acute and perceptive

The Magicians is a spellbinding, fast-moving, dark fantasy book for grownups that feels like an instant classic. I read it in a niffin-blue blaze of page turning, enthralled by Grossman's verbal and imaginative wizardry, his complex characters and most of all, his superb, brilliant inquiry into the wondrous, dangerous world of magic

The Magicians is Harry Potter as it might have been written by John Crowley...This is one of the best fantasies I've read in ages

The author has taken all that is held dear in the fantasy genre, reverently (most of the time) tipping the hat to Rowling, Tolkien, Lewis, Le Guin and others, and shown it from a completely different and unique angle

...a gripping fantasy thriller that will please all the older Harry Potter fans out there

Sumell’s compulsively readable novel in stories introduces a restless underachiever as irresistible as he is detestable, surely one of the most morally, violently, socially complex personalities in recent literature…. Sumell’s debut is humbly macho, provoking outrage, pity, and finally tenderness. Perhaps this is a book readers will hate to love, but only because it feels, like Alby, all too real

There's a special alchemy here that you are going to want to witness...offhand and funny, and then the tender heart emerges from the shadows, so tender, and comes at us with a knife. Every story here is two: one the fun, the other the blade

Focusing on the single reality that human beings die, Sumell wakes up, and boy oh boy is he ever pissed off... Sumell, on Alby's behalf, fights back, and he fights dirty. Using cunning, reckless rage, and bravura comic timing, he kicks death's ass... Bystanders get hurt, the reader got hurt, but at least I was reminded that I was part of this whole shitty deal. You'd like to believe that there are consolations, and there are. Being sentient, for example. Being able to read, for instance. Having read Making Nice

The self-destructive narrator lashes out with reckless intimacy, random violence, and an often hilarious misplaced rage that shoots to wound rather than kill. What saves its victims and the reader is a naked rendering of a heart sorting through its broken pieces to survive. The result is an eloquent empathy, an uplift of hope-filled grace

Making Nice will grab you by the throat, raise your blood pressure, and cause you to chortle in a crowd. It will also break your heart. When they're writing the history of the best characters of our time, Alby will be there, telling the others to get in line

Making Nice is a little bit special. A truly original portrayal of grief

Making Nice has an anarchic humour and a goofy, ingenuous humanity that makes every page feel new… Some jokes…aren’t just funny, they are insightful, unexpected and hilarious. In its rampage to nowhere, Making Nice achieves the remarkable feat of making it feel better to travel hopelessly than to arrive.