Luminous, generous, hope-filled... The third book in Ali Smith's seasonal quartet is her best yet, a dazzling hymn to hope, uniting the past and present with a chorus of voices... [Ali Smith] is lighting us a path out of the nightmarish now

Is there a writer so critically acclaimed and universally beloved? ...Autumn, Winter and Spring are stories of the unlikely connections human beings can make and the cost exacted when those connections are broken. They are state of the nation novels which understand that the nation is you, is me, is all of us: the nation is our choices, our fears, our losses... [Ali Smith] is the national novelist we need in 2019

An astonishing accomplishment and a book for all seasons

Smith is a masterful storyteller... Spring is political but Smith is more concerned with the human fallout of current affairs then the machinations of elites... Through her account of unlikely friendships, Smith brings human values to the fore. Savour it, because there is just one instalment left

Spring weaves a story around the most pressing issues of our time... [A] bubbling, babbling brook of a book...Smith tells stories in a voice you can't help but listen to

A powerful vision of lost souls in a divided Britain... As Smith's Seasonal Quartet moves towards completion her own role in British fiction looks ever more vital. The final page proclaims spring 'the great connective'. It's not a bad description of Smith herself

Beguiling... The eagerly awaited third instalment

Infectious in its energy and warmth

Just when things were starting to look really bad, along comes the third instalment in Ali Smith's seasonal quartet to lift us out of the gloom... An extraordinary embodiment of the ways in which storytelling connects us... The work of Katherine Mansfield and Rilke, Greek myths and the propulsive lyricism of spring itself, thread together in narratives of loss and rejuvenation

The third of her exceptional Seasonal quartet, which riffs back and forth with Autumn and Winter to expound on the importance of hope to move us beyond the darkest of times

The most compelling and coherent of the three books... Smith, as always is interested in how a story gets told, and who gets to tell it

Ali Smith is one of our greatest living novelists, the Virginia Woolf of our times.

A startling debut

An utterly beautiful book

A beautifully written account of a love triangle that feels so real I could have lived it myself

Gorgeous, romantic, sad, melancholy, wise, amazing. I really recommend it ... One of the best books of the year

Wise and beautifully bittersweet, The Weight of Love explores how we can be haunted by our own ghosts and the ghosts of others, by versions of our younger selves and the lives we failed to lead

The Weight of Love left me with a feeling I so rarely get with fiction - a sort of drunkenness, an ease. I sank into it and when I got to the end, I wanted to turn it over and start again

Wonderful ... A novel about lots of different forms of love ... Everyone should buy it

Stunning ... perceptive, pitch-perfect.

Beautifully written ... profoundly moving.

The poet Frances Leviston brings her razor-sharp observations to prose.

The Bass Rock is a multi-generational modern gothic triumph. It is spectacularly well-observed, profoundly disquieting and utterly riveting. Like all Evie Wyld's work it is startlingly insightful about psychological and physical abuse. It is a haunting, masterful novel.

A brutal portrait of male violence, as unchanging down the centuries as the coastal rock of the title… Cleverly constructed, full of electric scene-making, and harnessing an eerie energy…the novel ends in hope.

Everything [Evie Wyld] has published has left me excited and slightly (very) envious of her ability… And then came The Bass Rock… Something extremely special… The book takes on an immense power. This is the best book of the #MeToo era… An absolute blinder.

Vividly told and compelling… The Bass Rock is…beautifully written and powered by blistering force and righteous anger.

Evie Wyld is exceptionally good at the gruesome… Her bewitching third novel…The Bass Rock is beautifully written and its particular brand of macabre is all Evie Wyld’s own. The tension, foreboding and sense of inevitability are hard to shake off, even once the final page is turned. Its atmosphere is so powerful that you feel you need to go for a walk afterwards.

A dark, gristly marvel of a novel. The Bass Rock held me in thrall from cover to cover. Evie Wyld is a gothic genius: her narrative of the violence inflicted on women throughout the centuries and the seething, female anger left in its wake left me with a deep sense of disquiet that will doubtless remain for years to come.

A fierce novel exploring the subjugation of – and violence against – women through the ages.

I savoured this wonderful novel; it is so extraordinarily clear-eyed and vivid, sharply disturbing yet deeply compassionate. What an amazing achievement.

Wonderfully subtle and magnificently savage.

Evie Wyld's vivid, visceral writing has long been in a class of its own – and as beautiful as it is terrifying, as moral as it is furious, The Bass Rock is her at her unflinching best.

Amazingly good. The Bass Rock will fill the air around you with angry ghosts and you will be glad in their company.

Wyld’s The Bass Rock is her third novel and best so far… this is Wyld’s masterpiece – as majestic and monumental as the landmark it’s named after.

A bewitching and atmospheric novel, laced with dread. It reveals the haunted house of society, with its echoes of damaged and extinguished lives, but is also illuminated by beautiful observation about people, and their capacity for both violence and empathy.

I loved The Bass Rock and found it menacing, sophisticated, magical and also very funny – the best book yet by a wonderful writer.

Evie Wyld’s The Bass Rock sounds fascinating… Wyld has a luminous prose style, and to see how she copes with 300 years and Scottish doubleness (or tripleness) is high on my list of “to reads”.

Beautifully written, [The Bass Rock] is a reminder of female folklore and the power of giving words to women.

Ambitious in scope… The physical atmosphere of the Bass Rock and its surroundings are wonderfully evoked… But it is the relationships between women in this tessellated work that triumph... I wholly recommend this book.

Wyld is often praised for her lyrical prose, and The Bass Rock is most certainly a continuation of this form.

[A] dark, beautiful and funny gothic family saga for the #MeToo generation… an atmospheric book that transports you within a few sentences… The tension is always building as the story takes on an otherworldly dimension.

The Bass Rock is complex, rich, challenging… Like David Mitchell’s Cloud Atlas, The Bass Rock offers a universal history of subjugation and oppression… Violence…runs through the book like veins in marble… Vivid and gripping.

A gripping look at three women's stories across four centuries.

Evie Wyld’s passion for horror shines through in the setting of this novel.

Utterly enthralling… [Wyld’s] eye for human foibles and idiosyncrasy is incredibly sharp, and this novel once again exhibits her bravura way with narrative structure… Dark, disturbing and very sophisticated.

[An] intensely absorbing gothic novel, which weaves together the fate of three women across three centuries. That it can also comfortably accommodate episodes of off-the-wall, Fleabag-esque hilarity confirms the acclaimed Wyld's brilliance.

Wyld's thought-provoking plots separate this book from many others on the shelves... Wyld's three narratives are artfully crafted to suit the shifting time frames.

Wyld's ingeniously linked narratives weave a haunting tale of fear and defiance.

A novel of such subtlety and hope