[Discworld is] Warm, silly, compulsively readable, fantastically inventive, surprisingly serious exploration in story form of just about any aspect of our world... Where other writers are delighted if they come up with just a handful of comic figures with self-sustaining life in them - Don Quixote and Sancho, the three men in the boat, Pooh and Piglet and Eeyore - Pratchettt breeds them by the score...There's never been anything quite like it

Pratchett is a master storyteller. He is endlessly inventive... a master of complex jokes, good bad jokes, good dreadful jokes and a kind of insidious wisdom about human nature... I read his books at a gallop and then reread them every time I am ill or exhausted

To keep it fresh into the 39th volume of a series deserves a knighthood... Snuff is entertaining, with all Pratchett's genius on display. He still makes you care about his creations and, amid all the funnies, he can turn on the pathos

[Pratchett] is now so good at skewering the banalities and injustices of our world through his fantasy creation balanced on the back of a giant turtle that he could probably do it in his sleep... As effortlessly, generously funny as only Pratchett can be, Snuff doesn't stint on laying bare the darker side of life either. A worthy addition to the Discworld canon

Is there any sign of a falling-off in Sir Terry's extraordinary abilities? No. Not one. This is another brilliant, bravura command performance of comic fantasy. Terry Pratchett with Alzheimer's is still up there with PG Wodehouse. Amazing. Wonderful. Fantastic

The Discworld novels have always been among the most serious of comedies, the most relevant and real of fantasies... Pratchett has been rightly praised for comic invention and whimsy; he does not always get enough credit for the psychological comedy of embarrassment which makes us blush with self-recognition... at once hilariously cynical and idealistically practical

Terry Pratchett's Discworld remains a joy... [Snuff is] seriously funny... A highly readable, mature comedy, far from the rapid-fire quipping of early Discworld

Praise for The Grassling

A subtle, moving celebration of place and connectedness . . . The Grassling brings the sounds, smells and sights of the countryside alive like few other books. Burnett stretches the limits of prose, infusing it with poetic intensity to create a powerful, original voice . . . Her prose is both sinuous and knotty, stretching language to capture what is often beyond words, while slowing down the process of reading, allowing us to savour them

Exquisite . . . needs to be savoured slowly, and then read again. Burnett is breaking new ground as a mixed-heritage English/Kenyan woman connecting so deeply to the historic land of her father's family in the West Country

With a blend of poetry, memoir and a uniquely experimental, sensory style of nature writing, The Grassling celebrates the lusciousness of both land and language ... Ideas that might in a lesser writer have seemed whimsical are grounded by the rich layers of Burnett's prose

Caleb Azumah Nelson's writing captures nostalgia-that most essential of sentiments-like no other. I was immersed, transported, and at the same time affirmed in the familiar. Gorgeous

Small Worlds grabs you by the heart and holds tightly, revealing a story as beautiful and as lyrical as the words that adorn the pages.

Both intimate and inviting, Azumah Nelson weaves not just worlds but exquisite universes with his words. SMALL WORLDS is a masterful exploration of love, masculinity, coming of age and community, and Azumah Nelson's dextrous, sublime pen brings it into dazzling life.

A book which is alert and enlivening, at once serious and a pleasure to read

Small Worlds is a Vermeer universe of a novel, of warmth, deep feeling, aching and gorgeousness. To read is to be hugged by a rich brown oak, ever stretching out. It is as charged as it is earthed. It is wonderful.

It's a story about finding both one's identity and one's place in the world.

moving, intimate, and sizzling hot

Steeped in nostalgia, grief and heartbreak, yet somehow still hopeful, this is one of the best books I've read all year.

This story about rebuilding small worlds - places in which to feel beautiful and free - is itself a thing of beauty

Let's hear it for Caleb Azumah Nelson, also known as the future

An exhilarating new voice in British fiction

One of Britain's most exciting young voices

Hands-down the best debut I've read in years

The rhythms of Small Worlds are a feature of Nelson's quiet, particular ear and of a profound engagement with music. Nelson writes about closeness, with family, with lovers, with art, as careful, essential labour

A novel that feels as intimate as it does expansive; Caleb Azumah Nelson has given to us a love story that goes beyond two people. Instead, there are no bounds to his exploration of exactly what the heart can feel. Beautiful, unforgettable and all-consuming

A beautiful novel. Caleb Azumah Nelson is not just a storyteller; he is a cultural archivist of our time. At the core of Small Worlds is a deep love. Whether in music, locality, the people we are introduced to, or the circumstances that we journey and process through. Love is the offer, and Caleb's reminder for us is to lean into these offerings for history and reflection. For guidance, and most importantly, our survival.