Author:Arthur Conan Doyle

All four of Arthur Conan Doyle's legendary Sherlock Holmes novels, collected in a unique Graphic Deluxe edition with an introduction by Michael Dirda
In 1886, an unsuccessful ophthalmologist on the southern coast of England decided to try his hand at writing a detective story. Unlike his historical romances, which required the utmost care, this could be dashed off quickly. The first draft, featuring a Mr. Sherrinford Holmes, was a bit rough around the edges, but with a little revision, something astonishing emerged: Sherlock Holmes, Dr. Watson, and A Study in Scarlet. As if with no warning, they sprung forth from their creator's head, fully-formed in a new style so well-defined it felt immediately like an established genre. Their partnership cemented within pages of the book's opening-the sum of their parts accomplishing far more than they could apart. Sporting his signature billowing coat and pipe in hand, the genius investigator Holmes captivated readers with his alluring melancholy and superhuman intuition, while Watson remained ever the perfect foil, a classic Victorian gentleman with brilliant intellect.
Collected here are all four Holmes novels-A Study in Scarlet, The Sign of Four, The Hound of the Baskervilles, and The Valley of Fear-tracing the origins of the pair up through their greatest showdowns with arch-enemy Professor Moriarty. Set in the seductive shadow-world of Victorian London, they are at once an indelible portrait of their time and immortal stories unmarred by passing time. Though endlessly reinterpreted, reinvented and imitated, they have never been surpassed: the stories of Holmes and Watson lives on as immediate and original in our time as in their own.
Every writer owes something to Holmes
—— T. S. Eliot[Holmes] is probably the only literary creation since the creations of Dickens which has really passed into the life and language of the people
—— G. K. ChestertonA delight from start to finish. Hauser’s fresh perspective on one of the great archetypal epics, in focusing on the marginalised women’s stories, makes for fascinating reading . . . a clever premise and a thoroughly enjoyable.
—— ELIZABETH FREMANTLE, author of Sisters of TreasonIn her sparkling debut novel classicist Emily Hauser offers a fresh take on the old but living legend spun so artfully in Homer's Iliad . . . tells a ripping good story.
—— PAUL CARTLEDGE, Professor of Ancient History at CambridgeA brilliant re-imagining of the Iliad, faithful to the original yet completely accessible . . . the two young women at the centre of the drama are faithfully representative of their time and place yet feel compellingly contemporary . . . Emily Hauser has given us a lively new take on a classic.
—— TERRY HAWKINS, author of The Rage of AchillesFascinating . . . highly convincing . . . a familiar tale told in an unfamiliar way. Presenting the story from the point of view of the women, rather than the warriors, gives Hauser's novel real edge and originality.
—— Nick Rennison , BBC HISTORY MAGAZINEIntensely described . . . there is no doubting Hauser's passionate involvement with, and knowledge of, her subject.
—— Elizabeth Buchan , DAILY MAILBreathing life into these bit-part characters . . . written with energy and passion.
—— Antonia Senior , THE TIMESA new, feminine perspective on the events of the Iliad . . . a colourful tale of gods and mortals.
—— SUNDAY TIMESThis elegant, warm novel moves between two great Trojan beauties . . . through their stories, we witness both sides of this titanic war while feminine beauty and masculine martial prowess compete for the attention of the reader and the gods.
—— SUNDAY EXPRESSHauser’s characters are brave, wilful, sometimes foolish, impulsive, and utterly relatable, and her portrayal of the manipulative, capricious gods is particularly wonderful . . . this quick-paced, enthralling retelling will attract readers who loved Madeline Miller’s The Song of Achilles
—— LIBRARY JOURNALColourful and entertaining . . . a very different story when seen through female eyes.
—— Nick Rennison , BBC HISTORY magazineColourful and entertaining tale of gods and mortals, war and love.
—— History TodayThere’s much for adults to love about Gavriel Savit’s beautiful tale
—— Sun, Fabulous MagazineThe book that brings magic to the 20th century's darkest hour
—— MashableSavit captures the moods, fears and delightful conversation of this odd couple on their implausible odyssey. It’s a touching tale, both sad and sweet
—— Mail on Sunday, EVENT magazine - Best New FictionAn astonishingly accomplished debut about war, survival and humanity . . . this is very much in the territory of The Book Thief and The Boy in the Striped Pyjamas with all the potential that such a comparison suggests
—— Fiona Noble , The Bookseller - One to Watch[a] complex graceful book
—— Financial TimesExquisite
—— Irish IndependentExquisite debut novel
—— Wall Street JournalLike the characters in his debut novel, author Gavriel Savit has harnessed the power of language. He’s a talented wordsmith, wielding words and sentences with a precision that allows them to wriggle deep into this reader’s heart, leaving me both enchanted and brokenhearted.
—— Sara Grochowski , Publishers WeeklyOne of those all ages and no age stories . . . told by a genuine wordsmith . . . And it's a story of generosity in the worst of times. Of friendship and loyalty and yes, of love despite all the horror. We won't forget how it felt to read it. Ever.
—— Jill Murphy , The BookbagA beautiful and stunning read . . . It creeps slowly into your heart just like Morris Gleitzman's Once, and The Boy in the Striped Pyjamas did.
—— Mr Ripley's Enchanted BooksSuch an important, painful, beautiful, hopeful read
—— Bloggers Heart BooksA harsh tale of innocence lost, yet touched with magic.
—— HeraldThis is cleverly done and beautifully written tale of loss, hope, survival and trust
—— Kate OrmandSavit spins a dark and heart-breaking tale of history and fable seen through the eyes of a child. A thought-provoking read, great for book clubs
—— South Wales Evening Post, Children's Book of the WeekA complex, gruelling trip through the midnight of the last century
—— Financial Times - Summer Reading 2016The winner of the Man Booker Prize for The Finkler Question pulls off a neat trick in this almost perversely serious comic novel, creating a parallel world to Shakespeare's Venice in the wealthy, cultured Golden Triangle of Cheshire, and peopling it with parallel-ish characters...The author shows full power and ingenuity putting Strulovitch and Shylock in the same place and time.
—— Paul Levy , The SpectatorExplores the meaning of Shakespeare's play, uses its enduring relevance to examine the contemporary world and challenges us to interrogate our prejudices...Energetic, authentic and biting.
—— IndependentThat Shylock should thus materialise for a present-day Jewish protagonist, and become...a confidant, an exemplar...an advisor is a brilliant conceit...a powerful reimagining and reinvention.
—— Adam Lively , The Sunday TimesAlive with humanity and fierce debate, the book offers a nice twist on that notorious pound of flesh.
—— Hephzibah Anderson , Mail on SundayFunny and dark by turns… A gripping tale of love, plastic surgery and that notorious pound of flesh… This warm, witty and brilliantly written book provides a challenging feast for the imagination.
—— Rebecca Wallersteiner , The LadyA master of serious-minded comedy, Jacobson is one of the greats of his generation.
—— Culture WhisperBrilliantly witty inventive.
—— Kate Saunders , SagaA crackling dialectic on fatherhood, faith and what it means to be merciful… The echoes of Shakespeare’s story in Strulovitch’s are obvious…But the quips and the characters are pure Jacobson… It’s a treat.
—— Emma Hughes , The TabletHilarious reimagining of Shakespeare’s The Merchant of Venice.
—— EsquireOffering witty twists to a play long experienced by many as a racial tragedy.
—— Tova Reich , Washington PostAffectionate retelling… At the heart of the novel is the profound question of whether obligation…should be tempered by mercy.
—— Giulia Miller , Jewish QuarterlyEven those familiar with that book will be surprised by the twists now composed by Jacobson, whose most idle words have purpose, as well as point… Clever mockery and racial self-depreciation give the novel its provocative brilliance… Jacobson pours the quality of mercy through a large strainer, but Shylock’s fortitude and unswerving tribal fidelity are offered as a kind of redemption, a way, if you like, of forgiving Shakespeare. And of sending you back to him, not only just to check
—— Mary leland , Irish ExaminerAs characteristically ingenious, witty and dark as his musings on what it means to be Jewish.
—— Simon Shaw , Mail on SundayIt hooks you into a great debate.
—— William Leith , Evening StandardI don’t think any other author writes as well about the experience of Jewishness and he manages to be serious but with that laconic humour.
—— Tony Robinson , Radio Times Christmas Gift GuideAn intelligent, funny and enjoyable novel.
—— Brad Davies , i, Book of the YearFor my favourite novel I’m choosing Shylock is my Name… It’s a dark, witty, provocative re-imagine of Shakespeare…seriously brilliant on many levels.
—— Bel Mooney , Daily Mail, Book of the YearA marvellous meditation on the Cold War era and particularly the battles of conscience that besiege a man living under tyranny.
—— Richard Fitzpatrick , Irish ExaminerThe tone is intimate and aphoristic, the paragraphs succinct.
—— David Gutman , GramophoneA fascinating account of the life of Dimitri Shostakovich… Perceptive, symbolic… The Noise of Time is an essential read, and not only for musicians.
—— Classical MusicA finely-tuned masterpiece... Barnes' prose is supreme.
—— Western Morning NewsAn intimate portrait of a public intellectual living in a totalitarian atmosphere… Immersive… The Noise of Time presents a compelling story in engaging and original prose.
—— Conor O'Donovan , HeadstuffKaleidoscopic portrait… Barnes deftly constructs a life history... A masterfully told story of survival. *****
—— Nick Shave , BBC Music MagazineBeautifully composed.
—— Jenny Comita , W MagazineWithout a doubt, Barnes has succeeded the high expectations of the people who waited with bated breath for the release of The Noise of Time. In a work that feels both original and authentic, he encourages us to consider the importance of art, in whatever form, and the influence it can have on us all.
—— Beth Blakemore , Student NewspaperBarnes at his best...a poignant fictional recreation of the artistic agonies of the composer Shostakovich.
—— Sunday TimesA very sensitive account of how art can be in conflict with naked political power.
—— ObserverA book I’d like to tuck myself away for a day to read. It’s short in length but by all accounts big on ideas and power.
—— Susie Dent , Radio Times Christmas Gift GuideHis Dmitri Shostakovich is completely believable.
—— Margaret MacMillan , New Statesman, Book of the Year[A] brilliant study of the relationship between art and an oppressive regime… A compelling depiction of the country’s history and a richly imagined close-up of the artist.
—— Lady, Book of the YearA poignant and thoughtful portrait of the persecuted artist.
—— Brad Davies , i, Book of the Year[It is] elegant.
—— Duncan White , Daily Telegraph, Book of the YearAnother Brilliant reinvention by Barnes.
—— Daily Telegraph, Book of the Year #26My favourite book of this year is The Noise of Time.
—— Margaret MacMillan , New Statesman, Book of the YearHis best for ages. It is gripping, outward-looking, generous with plot and atmosphere and far beyond the powers of McEwan, Amis, Ishiguro, Rushidie et al…. This book grabbed me by the nuts like nothing of his since Starting at the Sun.
—— Giles Coren , The Times, Book of the Year[A] haunting novel on the agonies of Shostakovitch under Stalin and his successors… I recommended it to a friend who for years was one of the great reviewers at the Washington Post. His reply: “It’s an extraordinary book. It’s a book that makes me wish I were reviewing again.”
—— Alex Russell , Financial Times, Book of the YearA mini-masterpiece.
—— Rebecca Rose , Financial Times, Book of the YearAn elegant portrait of Shostakovitch.
—— Ali Smith , Guardian, Book of the YearWritten with Barnes’ characteristic low-key elegance, the book becomes a meditation on artistic integrity and its limits in a brutal regime
—— Irish Independent, Book of the YearAn impressive narrative of personal integrity.
—— G. Van Der Zwaan , Times Higher Education, Book of the YearAs a portrait of the composer and his time this book is a complete success… The Noise of Time is also convincing in the details… A book in which a certain grim humour is never too far away.
—— Nicholas Lezard , Guardian[A] gem of a novel.
—— Mail on SundayA compelling read that combines sharp insights, lyrical passages and dramatic tension.
—— LadyBlack humour and retrospective anguish prevail in Julian Barnes’s latest novel.
—— Lara Enoch , GuardianA beautifully told story, this is subtle and powerful.
—— William Leith , Evening StandardThis small novel is an elegant and unflinching account of a life lived under extreme pressure, during Stalin’s Great Terror. Julian Barnes fleshes out the life of the composer Shostakovich whose life is under threat. A powerful story, well-crafted and beautifully written about the humanity and torments of a creative soul… An informative, thought provoking read.
—— Western Morning NewsAn immense emotional and intellectual punch.
—— Sunday Times






