Author:Pierre Ronsard,Malcolm Quainton,Elizabeth Vinestock
Ronsard is considered one of France's greatest love poets, yet his poetic achievements are not restricted to his verses of love, wine and nature. A true Renaissance figure, his themes ranged from politics, science and philsophy, to the bawdy and risqué. Using Greco-Roman and Italian poetic models, and drawing on the rich images of classical mythology, Ronsard revolutionised the tradition of French poetry. In the 20th century, Ronsard's poetry was influential for W. B. Yeats, translated by Sylvia Plath, and illustrated by Henri Matisse. He stands as one of the most innovative and diverse voices in the history of European poetry.
Colin Thubron has chosen to present his vividly original concept of Constantine as a mosaic of fragments from letters, written orders, jottings from supposed journals of the emperor and his train and, most revealing of all, extracts from the correspondence of his lovely, tragic, inaccessible wife, Fausta
—— Sunday TelegraphIt is a stylish, sensitive exploration of complex people in an era of complexities, and creates vividly the climate of an over-ripe civilisation falling into self-questioning
—— Mary Renault'Legionaries and their commanders, frigid empress and frivolous lady-in-waiting, and, above all, the ambitious, domineering, but also self-tormenting and restlessly questioning Constantine - all come vividly to life and persuade the reader that he is their contemporary.'
—— The Listener
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