Author:Jean de La Fontaine,J. J. Grandville,Geoffrey Grigson,James Michie

Jean de la Fontaine (1621-95) freely plundered the works of Aesop, Phaedrus, Bidpai and others to transform the world's great fables into charming poems of astonishing originality, wit and verve. Here he depicts lions, frogs, donkeys, rats, insects, birds and wily foxes in situations that reveal the quirks, follies and frailties he observed in humankind. Sins of pride, greed and vanity come under humorous attack - a cunning fox tricks a crow out of his dinner, an arrogant hare loses a race to a steady tortoise, a merry cicada who sings all summer finds herself hungry in winter, and the goddess Juno scolds a peacock who covets a nightingale's song. But faith in human nature can also be found in poems such as those in which a wolf is saved from choking by a helpful stork, demonstrating an engaging belief in the possibilities of redemption.
History and legend combine in an epic recreation of the Troy myth
—— Conn IgguldenDavid Gemmell carries us away to a four-cornered, wholly convincing cosmos, so masterfully done that the reader thinks, 'Ah this is what it was really like'
—— Steven PressfieldGripping and fast-paced, intelligent and intensely readable... should appeal to anyone who enjoys an action-packed historical epic
—— Joanne HarrisThe loyalties and betrayals, the love and the hate, the endless, everlasting courage of the men - and the women - of both sides are brought to life in this vivid, inspirational recreation of the Troy myth
—— Manda Scott'Gruesomely entertaining ... intellectually fascinating'
—— Daily Mail'A tragi-comedy of elegant and unrelieved blackness'
—— Sunday Telegraph'Erudite and compelling... Genuinely hard to put down'
—— Sunday Times'Wilson has always been a brilliant storyteller, who - unlike many of his no less famous contemporaries - is incapable of ever writing a boring line... Masterly... Always enthralling... Here is a book one races through, so eager is one to know what happens next... In [Wilson's] hands, as in James's, each turn of the screw succeeds in intensifying the reader's unease'
—— Francis King , Literary Review