Author:Hugh Howey

The wind blows from east to west. It brings with it the sand, deposited in dunes, to bury and torment the unfortunate souls who live here. Life on the sand is miserable. Life below it is even worse. From the New York Times bestselling author of Wool
'Like many of Pratchett's best comic novels, it is a book about redemption ... There's a moral toughness here, which is one of the reasons why Pratchett is never merely frivolous.'
—— Time OutWith all the puns, strange names and quick-fire jokes about captive letters demanding to be delivered, it's easy to miss how cross about injustice Terry Pratchett can be. This darkness and concrete morality sets his work apart from imitators of his English Absurd school of comic fantasy.
—— GuardianLodge, too original a writer to set down a conventional autobiography, reveals himself in fragments, an anecdote here, a recollection there. The collection, then, is a kind of trick: portraits of others disguising a book about himself... This is a hybrid work, well-suited to its hybrid author – rooted in fact but entranced by fiction
—— Sophie Elmhirst , Financial TimesThe shrewd, amused intellect that Lodge brings to bear makes this collection a consistent pleasure… Wise and genial
—— Tim Martin , The TimesGenerous but discriminating, lucid without sacrificing complexity
—— Theo Tait , Sunday TimesFew readers care much about literary criticism, other than their own. Lodge cares, though, and he’s marvellous at it: genuinely engaged, funny and clever in all the pieces in this new collection
—— Claire Harman , Evening StandardIt’s not surprising that these essays exude expertise but Lodge’s enthusiasm, as he approaches 80, is infectious too. I smiled while reading them, buzzing with inspiration and disputatiousness, as Lodge reminded me why I love some writers and gave me impetus to discover new ones
—— Max Liu , IndependentOffers some typically insightful observations into the lives and work of fellow writers
—— ChoiceInvaluable, and splendidly open-minded... For Lodge, writing is profession, preoccupation, recreation, passion – as far as the reader can tell, everything
—— Tom Payne , Daily TelegraphAmusing, thoughtful and exquisitely engineered, this book is a delight
—— Martin Stannard , TabletA quiet revelation that should be a set text for all pen wielders
—— MonocleExcellent
—— Roger Lewis , Oldie[Lodge] is a scholar of rare sympathy and subtlety
—— David Eastwood , Times Higher EducationFascinating, challenging and illuminating… By turns thoughtful and humorous, erudite and affecting, this wide-ranging and enjoyable work from the Booker-nominated author of Small World and Nice Work celebrates the art of writing about others’ lives with warmth, wit, and humanity
—— Good Book GuideThoughtful and well-informed… Lives in Writing will be read long after we have forgotten the people who are the subjects of the essays
—— The BayWriting about writing about writing, yes, but also humane, witty and sensible, entertaining and enlightening
—— Harry Ritchie , Daily MailAn eloquent study of the interaction between life and fiction
—— 4 stars , LadyThe most enchanting journey I’ve taken in a long, long time, and the most important. Prayers For The Stolen is a hand-guided tour through a ruthless true corner of our century, with characters so alive they will burrow into your heart like worms. Stunningly written, magically detailed, you see, smell and taste the action on every page, feel every foible, and miss the candour of these funny, achingly human voices long after you put them down. As the heroine herself might say: not something to read but to lick off a plate.
—— DBC PierrePrayers For the Stolen is a magnificent story, as filled with a wisdom so dense and ancient as to seem almost unbearable. One wants to turn away, but cannot. It’s a mesmerizing read, illustrative of the idea that even traces of beauty, deeply felt, can help carry a traveler through the harshest landscape, or the harshest life.
—— Rick BassA stroke of genius, as the advantages of having a naive, literal-minded boy in the driving seat are manifold...we do learn what it might fe el like to have Asperger's Syndrome.
—— David Newnham, T.E.S.A truly original work of fiction . . .a unique tale
—— York Evening Pressexcellent
—— Claire Allfree , Metro MidlandsA wonderful first person narrative of a boy with Asperger;s Syndrome; funny, sad and extraordinarily original
—— Philip Ardagh , The GuardianThe highlight of the year
—— John Malam , Manchester Evening NewsThis is the magazine of the National Autistic Society: the review is written by someone with Asperger's Syndrome. "This book is a good murder mystery story but a better description of how th mind of a different person with some kind of special need looks upon how things work and come about.
—— CommunicationThis startlingly original story . . . Has surprised everyone-not least the author.The book is funny, gripping, sad and unstintingly entertaining.
—— The AgeSo if you're interested in solving mysteries and want to learn about autism in children, you'll love this book
—— Carlisle News and StarA triumph from first page to last . . . Haddon's prose is empathetic and you cannot help but be drawn into young Christpher's world
—— Dundee Evening Telegraph and PostThis is a unique book written from the perspective of a unique character . . . It is very easy to read and would satisfy anyone from eight to 88
—— The TeacherI found this book highly entertaining and enthralling though it was a bit sad at times.
—— Books for KeepsZusak combines his descriptions of the terrible events of 1939 Nazi Germany with such believable characters that it will appeal to adult readers and children alike
—— IndependentBulawayo, whose prose is warm and clear and unfussy, maintains Darling's singular voice throughout, even as her heroine struggles to find her footing. Her hard, funny first novel is a triumph.
—— Entertainment WeeklyWonderfully, this is a novel whipped with the complexities of African identities in a post-colonial and globalised world and its most compelling theme is that of contemporary displacement, a theme that will resonate with many readers
—— We Sat Down BlogThis is a young author to watch
—— Suzi Feay , Financial TimesThis is a very readable tale, thanks to some excellent writing and its central character: a likeable heroine in a difficult world
—— Sarah Warwick , UK Regional Press SyndicationWe Need New Names is a distinct and hyper-contemporary treatment of the old You Can’t Go Home Again mould, and the book has more than enough going for it to easily graduate from the Booker longlist to the final six
—— Richard Woolley , Upcomingdeeply felt and fiercely written first novel
—— ScotsmanBulawayo's novel may scream Africa, but her deft and often comic prose captures memories and tastes, among them the bitterness of disappointment, that transcend borders
—— Jake Flanagin , AtlanticBulawayo excels... there is an inevitable nod to Achebe and the verbal delights and child's-eye view of the world is redolent of The God of Small Things. Otherwise, the magic is all Bulawayo's own
—— Literary ReviewProof again that the Caine prize for African writers really knows how to pick a winner… [It’s] a tour de force. Ten-year-old Darling is an unforgettable and necessary new voice: add her to the literary cannon
—— Jackie Kay , ObserverThis brilliant novel was shortlisted for the Man Booker Prize
—— Marie Claire UKAn exceptionally fine novel, as powerful and memorable as Coetzee's magnificent Disgrace... We need new novels like this – authentic, original and cathartic
—— Judy Moir , HeraldThere is no doubt that a new star of African female writing is truly born. The one-to-watch
—— New AfricanFollow ten-year-old Darling from the Paradise shantytown to America in this searing indictment of Mugabe’s Zimbabwe
—— Patricia Nicol , MetroShocking, often heartbreaking – but also pulsing with energy
—— The TimesA poignant, witty, original and lyrical coming of age story
—— Caroline Jowett , Daily ExpressTalented and ambitious
—— Helon Habila , GuardianA powerful fictional condemnation of global inequality
—— Sunday TelegraphFrom the opening chapter…the first-person narrative achieves a breathtaking vibrancy, ambition and pathos
—— Irish ExaminerDeserved all the publicity it got
—— Michela Wrong , Spectator