Author:Margaret Kennedy
‘She is not only a romantic but an anarchist, and she knows the ways of men and women very well indeed’ Anita Brookner
Hugo Potts is a successful London playwright enjoying his moment of notoriety. Adored by critics and pursued by women, he’s the darling of the literary scene. But his public personae is exactly that – a personae – and he works exhaustedly day and night to portray the person the public expect him to be. One weekend he attends a party at a country house alongside the most important publishers and writers of the time. It’s an opportunity, of course, to meet interesting women. But over the course of the weekend he finds himself scorned by one, and unexpectedly profoundly understood by another, and his values and everything he’s held to be important abruptly come into question.
Margaret Kennedy caught just the taste of the time, mixing a stolid domestic Englishness with 'Continental' bohemians
—— Irish TimesTerry Pratchett’s creation is still going strong after 30 years as Ankh-Morpork branches into the railway age…There are sly nods to the history of railways and a cheeky reference to The Railway Children. Most aficionados, however, will be on the look-out for in-jokes and references from previous novels – of which there is no shortage…It is at the level of the sentence that Pratchett wins his fans.
—— The TimesThe genius of Pratchett is that he never goes for the straight allegory. . .he remains one of the most consistently funny writers around; a master of the stealth simile, the time-delay pun and the deflationary three-part list. . .I could tell which of my fellow tube passengers had downloaded it to their e-readers by the bouts of spontaneous laughter.
—— Ben Aaronovitch , The Guardian
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