Author:Antonio Tabucchi,Margaret Jull Costa

'A funny, sad novella about how we got here from there, and how, in our youth, "our eyes saw things differently"' The Times
A private meeting, chance encounters and a mysterious tour of Lisbon haunt this moving homage to Tabucchi's adopted city
In the city of Lisbon, Requiem's narrator has an appointment to meet someone on a quay by the Tagus at twelve. Misunderstanding twelve to mean noon as opposed to midnight, he is left to wait. As the day unfolds he has many unexpected encounters - with a young drug addict, a disorientated taxi driver, a cemetery keeper, the mysterious Isabel and the ghost of the late great poet Fernando Pessoa - each meeting travelling between the real and illusionary. Part travelogue, part autobiography, part fiction, Requiem becomes an homage to a country and its people, and a farewell to the past as the narrator lays claim to a literary forebear who, like himself, is an evasive and many-sided personality.
'Tabucchi is a master of illusion and allusion, and this is a literary puzzle that teases, amuses and provokes' Sunday Telegraph
Tabucchi is a master of illusion and allusion, and this is a literary puzzle that teases, amuses and provokes
—— Sunday TelegraphA funny, sad novella about how we got here from there, and how, in our youth, "our eyes saw things differently" . . . a light summer read with enough weight to stop it blowing away
—— John Self , The TimesReading this is like having a buzzed after-dinner conversation with a mind too brilliant to get into nuts and bolts. And yet the streamlike writing, spliced by endless commas, contains a charm that shines through the monochrome
—— Kirkus ReviewsBeautifully translated ... perhaps his most accessible work to date
—— The NationIn the narrator's conversations and in his memories of the past, there is created a personal requiem for the old Lisbon, Tabucchi's Lisbon, not the traditional, solemn celebration of the mass for the dead, with its organ music and cathedrals, but the street music of mouth-organs and barrel-organs
—— Jack Byrne , Review of Contemporary FictionElegant, cosmopolitan, inventive and disquieting; his writing is, paradoxically, sensuous and economical
—— Boston ReviewThis imagined world is created with elegance and complexity
—— Robert Gray , Publishers MarketplaceTabucchi's books are economical surreal-comic novellas. There's a cosmopolitan eeriness here
—— Amit Chaudhuri , Times Literary SupplementWinner of the 1991 Italian PEN Prize, this playful bagatelle translated from the original Portuguese, is partly homage to Portuguese culture, partly a mellow autobiographical fantasy
—— Publishers WeeklyA wonderful, enchanting tribute to the Portuguese poet Fernando Pessoa ... aptly subtitled, this book brilliantly creates a story that, like a delicious cocktail, most readers will finish in one gulp and will return to savor
—— Library JournalFolds serious social issues into an entertaining plot
—— Daily MailBrilliant . . . A thriller reminiscent of Dirty Pretty Things. Really recommend it.
—— Nikesh ShuklaIntelligent and heart-piercing - an exceptional novel about the Britain we live in, even if we choose not to see it
—— Kamila Shamsie, author of Home FireLalwani's prose has a balletic lightness
—— EconomistA female lead who isn't defined by a romantic story arc? Yes please. Lalwani's serious, ravishing way of writing about the secret life of Britain is just what we need
—— TimesYou People is a short, complex novel that shines a light behind the smiles at your local restaurant, and asks tough questions about the nature of goodness in an unfair society
—— Sunday Telegraph BOOK OF THE WEEKA sensitive and thought-provoking examination of an issue that is never far from the news and, as the plot accelerates, it segues into a tense and nerve-wracking thriller
—— Western MailLalwani's novels are full of moments when the stories people tell about themselves and the world prove to be unreliable or open to manipulation.... observations are magical, fresh and unsettling
—— London Review of BooksIf you want a book to read this summer that taps into contemporary concerns, this excellent new one from Nikita Lalwani is the one to read
—— SpectatorLalwani explores kindness, altruism and the precariousness of interconnected lives in an economical tale that has the pace and suspense of a thriller
—— Daily MailLalwani eloquently explores the prejudices, financial pressures and loneliness faced by 'outsiders' trying to survive in a hostile environment
—— The TabletWyld is the most stupendous of writers, daring, heartfelt, explosive. The Bass Rock reminds us of all her power and brilliance, it thrums with an anger it is impossible not to feel.
—— Daisy JohnsonThe Bass Rock is a multi-generational modern gothic triumph. It is spectacularly well-observed, profoundly disquieting and utterly riveting. Like all Evie Wyld's work it is startlingly insightful about psychological and physical abuse. It is a haunting, masterful novel.
—— Max PorterA brutal portrait of male violence, as unchanging down the centuries as the coastal rock of the title… Cleverly constructed, full of electric scene-making, and harnessing an eerie energy…the novel ends in hope.
—— Anthony Cummins , iEverything [Evie Wyld] has published has left me excited and slightly (very) envious of her ability… And then came The Bass Rock… Something extremely special… The book takes on an immense power. This is the best book of the #MeToo era… An absolute blinder.
—— Fran Slater , BookmunchVividly told and compelling… The Bass Rock is…beautifully written and powered by blistering force and righteous anger.
—— Alice O'Keefe , BooksellerEvie Wyld is exceptionally good at the gruesome… Her bewitching third novel…The Bass Rock is beautifully written and its particular brand of macabre is all Evie Wyld’s own. The tension, foreboding and sense of inevitability are hard to shake off, even once the final page is turned. Its atmosphere is so powerful that you feel you need to go for a walk afterwards.
—— Cressida Connolly , Literary ReviewA dark, gristly marvel of a novel. The Bass Rock held me in thrall from cover to cover. Evie Wyld is a gothic genius: her narrative of the violence inflicted on women throughout the centuries and the seething, female anger left in its wake left me with a deep sense of disquiet that will doubtless remain for years to come.
—— Hannah KentA fierce novel exploring the subjugation of – and violence against – women through the ages.
—— Hannah Beckerman , ObserverI savoured this wonderful novel; it is so extraordinarily clear-eyed and vivid, sharply disturbing yet deeply compassionate. What an amazing achievement.
—— Megan HunterWonderfully subtle and magnificently savage.
—— Claire FullerEvie Wyld's vivid, visceral writing has long been in a class of its own – and as beautiful as it is terrifying, as moral as it is furious, The Bass Rock is her at her unflinching best.
—— Melissa HarrisonAmazingly good. The Bass Rock will fill the air around you with angry ghosts and you will be glad in their company.
—— Adam FouldsWyld’s The Bass Rock is her third novel and best so far… this is Wyld’s masterpiece – as majestic and monumental as the landmark it’s named after.
—— Alex Preston , Observer, *Books to Look Our For in 2020*A bewitching and atmospheric novel, laced with dread. It reveals the haunted house of society, with its echoes of damaged and extinguished lives, but is also illuminated by beautiful observation about people, and their capacity for both violence and empathy.
—— James ScudamoreI loved The Bass Rock and found it menacing, sophisticated, magical and also very funny – the best book yet by a wonderful writer.
—— Anjali JosephEvie Wyld’s The Bass Rock sounds fascinating… Wyld has a luminous prose style, and to see how she copes with 300 years and Scottish doubleness (or tripleness) is high on my list of “to reads”.
—— Stuart Kelly , Scotland on SundayBeautifully written, [The Bass Rock] is a reminder of female folklore and the power of giving words to women.
—— Stylist *10 glorious new books to buy this March*Ambitious in scope… The physical atmosphere of the Bass Rock and its surroundings are wonderfully evoked… But it is the relationships between women in this tessellated work that triumph... I wholly recommend this book.
—— William Jolt , Tablet, *Novel of the Week*Wyld is often praised for her lyrical prose, and The Bass Rock is most certainly a continuation of this form.
—— Julie Vuong , Skinny[A] dark, beautiful and funny gothic family saga for the #MeToo generation… an atmospheric book that transports you within a few sentences… The tension is always building as the story takes on an otherworldly dimension.
—— Charlotte Cripps , IndependentThe Bass Rock is complex, rich, challenging… Like David Mitchell’s Cloud Atlas, The Bass Rock offers a universal history of subjugation and oppression… Violence…runs through the book like veins in marble… Vivid and gripping.
—— Irish TimesA gripping look at three women's stories across four centuries.
—— Joanne Finney , Good HousekeepingEvie Wyld’s passion for horror shines through in the setting of this novel.
—— Chiara Rimella , MonocleUtterly enthralling… [Wyld’s] eye for human foibles and idiosyncrasy is incredibly sharp, and this novel once again exhibits her bravura way with narrative structure… Dark, disturbing and very sophisticated.
—— William Boyd , Sunday Times[An] intensely absorbing gothic novel, which weaves together the fate of three women across three centuries. That it can also comfortably accommodate episodes of off-the-wall, Fleabag-esque hilarity confirms the acclaimed Wyld's brilliance.
—— Stephanie Cross , Daily Mail *Best of Summer Books*Wyld's thought-provoking plots separate this book from many others on the shelves... Wyld's three narratives are artfully crafted to suit the shifting time frames.
—— Scottish FieldWyld's ingeniously linked narratives weave a haunting tale of fear and defiance.
—— Jane Shilling , Daily MailA novel of such subtlety and hope
—— Ross Raisin, author of A NATURAL , Observer, *Summer Reads of 2022*






