Author:Conn Iggulden
Witness the rise of the Tudors in the stunning conclusion to Conn Iggulden's powerful retelling of the Wars of the Roses.
'An utterly compelling page-turner full of historical facts. A fascinating read' Sun
England, 1470. A divided kingdom cannot stand.
King Edward of York has been driven out of England. Queen Elizabeth and her children tremble in sanctuary at Westminster Abbey. The House of Lancaster has won the crown, but York will not go quietly.
Desperate to reclaim his throne, Edward lands at Ravenspur with a half-drowned army and his brother Richard at his side. Every hand is against them, every city gate is shut, yet the brothers York go on the attack.
But neither sees that their true enemy is Henry Tudor, now grown into a man. As the Red Dragon - 'the man of destiny' - his claim to the throne leads to Bosworth Field and a battle that will call an end to the Wars of the Roses . . .
'A tough, pacy chronicle of bloody encounters, betrayals and cruelties. Superb' Daily Mail
'Iggulden is in a class of his own when it comes to epic, historical fiction' Daily Mirror
'Superb, fantastic, extraordinary' Sunday Express
Greene was a past master of the psychological thriller and this was no exception
—— ObserverA masterpiece - tapped out in the lean, sharp prose that film work taught Greene to perfect
—— Sunday TimesAll of the Greene hallmarks are there: pace, ingenuity, a sense of profundities suggested but never insisted upon
—— Penelope Lively , Sunday TelegraphTypically full of psychological obsession and tricks of perspective, this short story plays games with the concepts of identity and freedom. Threaded through with paranoiac attempts to be sure of time, life, and death, the story ends with impenetrable paradox; with a tragedy and a travesty, a revenge and a redressal, truth and the ultimate lie
—— The TimesCiarán McMenamin confirms his exceptional talent with this admirably powerful and authentic novel about the First World War and the struggle for Irish independence. Tremendous.
—— William BoydThis gripping novel shifts between [the] race to the south and a slow reveal of what happened between the three men on the Western Front...McMenamin never puts a foot wrong, expertly interweaving the historical and the imagined, right up to his masterly denouement
—— Hot PressIt's gorgeously written, it's cracking, it runs along with great vivid passages.'
—— Rick O'Shea, Top Picks for 2021McMenamin writes with verve and honesty
—— Irish TimesAmbitious and powerful...superbly drawn...a stirring novel broad in location and historical sweep...within a tradition that includes O'Connor, Liam O'Flaherty, Sebastian Barry and Frank McGuinness... Paramount in this tradition is the need to expose the big lies, to help us to see the conflict with fresh eyes - and on all of these counts, McMenamin's ambitious novel scores big
—— Sunday TimesA masterful depiction of the human cost of war...reveals how even in the worst of horrors, and against all the odds, love can survive. McMenamin writes with a passionate intensity.
—— David ParkSet during WW1 and the Irish Civil War, turning on two pivotal stories in Ireland's history -- the foundation of the State, and the Protestant memory of WW1 - the novel follows the story of a brutal IRA man, who now needs the help of his childhood sweetheart, and sister of his dead friend, to cross the border to safety.
—— Irish TimesParis Echo is an enjoyable and highly readable novel. Faulks has an easy-going style and he draws you seemingly without effort into the world he creates. He has a knowing humour too…In part the novel is a love letter to Paris, but it is also the latest product of Faulk’s long-standing and fascinating engagement with the devastating events of the 20th century.
—— Literary ReviewThis intelligent, moving, often disturbing novel is also really a love letter to Paris – and, indeed, to France
—— i paperFaulks excels at creating well-rounded characters.
—— Good HousekeepingAn intriguing guide to the many layers of Parisien life.
—— Anthony Gardner , Mail on SundayMaster storytelling... [An] intriguing and moving story that shows how the future is shaped by the past.
—— Women & HomeImmersive
—— The SpectatorA lovely novel by a writer who lives and breathes France
—— Saga MagazineAnother terrific, intelligent read from Faulks
—— Reader's DigestA gripping book that I devoured in about three days; this dark book reminds us of the history that lurks around every street corner
—— Claudia Jacobs , PalatinateGaël Faye makes us smile, despite the seriousness of his words
—— MédiapartWhat is autobiographical, and what imagined? In the end it doesn’t matter, when he Gaël Faye gives life to the lost land of his childhood, with poetry and modesty
—— Agence France Presse MondialesSmall Country is a stirring and graceful tale of stolen innocence and fragmented identity. Hopeful, raw and deeply human, it is a modern classic in the making.
—— France TodayAn excellent novel, a model of restraint and quiet literary sophistication
—— The TimesCherry, Nico Walker’s outstanding debut, is a hard-hitting, ghoulishly funny novel about drug addiction, war and bank robbery.
—— Washington PostHeartbreaking, unadorned, radically absent of pretense, Cherry is the debut novel America needs now, a letter from the frontlines of opioid addiction and, almost subliminally, a war story.
—— Lea Carpenter, author of Eleven Days and Red, White, BlueNico Walker’s Cherry is a wrenching, clear-eyed stare-down into the abyss of war, addiction and crime, a dark tumble into scumbaggery, but it’s also deeply humane and truly funny. That is one of the reasons I love it so much: it makes you laugh and ache at the same time, in the manner of the great Denis Johnson.
—— Dan Chaon, author of Ill WillOne of the most exciting new American novelists.
—— Men's JournalHeavily indebted to the profane blood, guts, bullets, and opiate-strewn absurdities dreamed up by Thomas McGuane, Larry Brown, and Barry Hannah, Cherry tells a story that feels infinitely more real, and undeniably tougher than the rest.
—— A.V. ClubA bruising dispatch from the frontline of the American opioid crisis… the final quarter [of Cherry] rushes by in a cold sweat.
—— Anthony Cummins , Daily Mail[An] incendiary debut… Nico Walker writes with real rhythm, exhibiting a poet’s discrimination about adjectival choice and the relative length of clauses. It is a rare and remarkable achievement to turn such suffering into a novel of such finely calibrated beauty.
—— Lucian Robinson , Times Literary SupplementA gritty, addictive read.
—— Chloe Cherry , FaceI think everyone should read it – it is so horrific.
—— Kirsty Wark , LadyA well-received return to form
—— Charlotte Heathcote , Daily ExpressAstonishingly bold novel… [It] is Amis’s best work in years
—— Mail on SundayAmis’s best work since Money
—— Richard Susskind , The Times